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Alistair Mcnair

Politics & Government · United Kingdom
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The Argus Aug 2026
Why even a solar eclipse cannot excite us in Patcham
Alistair McNair humorously reflects on the limited excitement generated by a solar eclipse viewed from Patcham, contrasting it with historic eclipses and past political or cultural disappointments. At a gathering organized partly by Patcham Methodist Church, residents watch the sky darken but respond without the expected mystical or celebratory drama. The column mixes local references, political jokes and self-deprecating observations, concluding that eclipses are relatively common and that Patcham may have to wait until 2090 for another one.
The Argus Aug 2026
We need more colour and less corporate blandness in Britain
Alistair McNair argues that Britain has become excessively uniform, grey and corporate in its architecture, interiors and public culture. Nostalgic examples such as Loyd Grossman and Bill Oddie represent the eccentricity and vivid personal taste he believes are disappearing. He particularly mocks the office-like design of No. 10 North and the planned Manchester Digital Campus, criticizing the government for prioritizing sterile modernity over character and local identity.
The Argus Aug 2026
Four hours in A&E put football firmly into perspective
Alistair McNair recounts spending hours in A&E after his mother-in-law collapsed, using the experience and England’s football match against France as metaphors for political frustration and institutional dysfunction. He satirizes Labour politicians and policies involving bus fares, prisons, pubs, civil-service recruitment, housing and ministerial appointments, while describing the long waits, distress and humanity encountered in the emergency department. His mother-in-law was ultimately found to have low calcium rather than having suffered a stroke.
The Argus Jul 2026
What Andy Burnham can learn from Philip Larkin's poetry
Andy Burnham’s rise is humorously critiqued through the lens of Philip Larkin’s bleak poetic style, with suggestions that Larkin’s themes of gloom and pessimism would suit Burnham’s political messaging. The piece mocks Burnham’s northern identity, political ambitions, and Labour leadership while contrasting them with literary references. It frames Burnham’s prospective premiership as one likely to follow patterns of disappointment and overpromising, drawing comparisons to other UK political figures and concluding that his political trajectory may be defined more by muddle than achievement.