Anorexia nervosa is a mental illness with high mortality rates and low social understanding, often seen as a stubborn choice rather than a serious health issue. The lack of acceptance for those suffering from eating disorders leads to a vicious cycle of emotional frustration that exacerbates the problem. Four individuals who have experienced eating disorders bravely break the silence and share their journeys, aiming to raise direct awareness about issues often avoided in conversation. The courage of the participants to recount their struggles serves as a source of inspiration, sending a clear message to anyone battling anorexia nervosa: You are not alone.

Christina Michalos QC, a barrister specializing in media, information, and intellectual property law, provides a primer on intellectual property (IP) for journalists and bloggers. She clarifies the differences between trade marks, copyrights, and patents, emphasizing the importance of not using these terms interchangeably. Michalos explains the basics of each IP type, including registration requirements and protection scope. The article is a response to poor journalism observed in reporting on chef James Cochran's IP dispute with his former employer, aiming to improve accuracy and public understanding in IP-related journalism.

The author of the article was born in Harrogate and currently resides in Greece. They have been recognized with awards for their short stories by various Greek and European institutions. In 2009, they published their first essay through Patakis Publishers and have since contributed to three poetry collections by Maistros Publishers. They are an official member of the European Writers and Literary Authors Association, have studied English Literature and Translation, and have taken journalism courses at the London School of Journalism and history courses at Cambridge University. The author has collaborated with various media outlets such as Vice, Lifo, Protagon, and Huffington, and is also involved in video production.

The article discusses the societal pressures on women to conform to ever-changing beauty standards, highlighting the author's personal struggles with body image from adolescence to adulthood. The author reflects on how the media's portrayal of the 'ideal' female body shape has evolved, leading to unrealistic expectations and contributing to issues like eating disorders. The article criticizes the notion that gender is purely biological and not a social construct, arguing that society imposes strict rules on how women should look and behave. The author calls for a change in how beauty is promoted, suggesting that it should not be treated as a product of changing fashion but rather that all people should be accepted as beautiful just as they are.

Christina Michalou criticizes the commercialization of International Women's Day, arguing it has become a celebration of traditional female roles rather than a call to action for equality. She rejects the superficial gifts and compliments often associated with the day, instead demanding respect, equality, and an end to sexist attitudes and behaviors. Michalou emphasizes the need for solidarity and a reevaluation of the societal norms that limit women's roles and perpetuate gender stereotypes.

The article discusses Donald Trump's victory in the US presidential election as a symbol of a regressive era, highlighting his controversial policies and statements, particularly regarding immigrants, women, and minorities. It criticizes Trump's actions on his first day in office, such as defunding NGOs that support abortion for women who cannot afford it. The article also reflects on the support Trump received despite his misogynistic rhetoric and pending lawsuits, including those for sexual misconduct. It questions the promises that led to his election victory and condemns the societal endorsement of a 'clean' America free from foreign or alternative influences. The piece mentions the Women's March as a response to Trump's presidency and the broader culture he represents, and it compares Trump's influence to the Brock Turner sexual assault case, suggesting a parallel in the leniency shown to powerful individuals.

Angela Dimitrakaki, Christina Michalou, Petros Sapountzakis, Evi Lampropoulou, and Vassileia Kaga discuss contemporary feminism, its expression today, concerns, and demands. A second part will be presented soon.

Antivirus magazine, a Greek activist publication, is celebrated for its positive and vibrant representation of the Greek LGBTQI+ community. The magazine, which began in 2003, has evolved from a fanzine to a mainstream publication, hosting interviews with notable figures and discussing difficult topics with humor and sincerity. The latest issue features an interview with Marina Abramovic and a candid discussion with Apostolos Gkletsos about his recent coming out. The magazine's team, consisting of 16 individuals, emphasizes the importance of visibility and institutional progress for LGBTQI+ rights in Greece, including the recent Cohabitation Agreement. Despite advancements, challenges remain, particularly for the elderly and youth in the community. The article also touches on the changing landscape of LGBTQI+ dating and nightlife in Athens.

The article discusses a march against Islamophobia that took place from Pagrati to Syntagma in Athens, Greece, organized by a new group called LGBTQ + Allies Against Islamophobia. The event was described as an introductory action to acquaint people with the group. Christina Michalou, an organizer of the event and a member of Color Youth, explained that the group was formed to address the social exclusion of refugees in Greece, which also affects the Muslim community. The article also introduces Bekim Asani, a gay man from North Macedonia, who attended the annual ILGA-Europe conference and participated in the march to support refugees, especially those who are LGBTQ, facing racism in Europe. The demonstration concluded in front of the Hellenic Parliament, where future actions of the group were discussed, including the upcoming World Hijab Day.

The article reflects on the old Greek cinema, which is often nostalgically remembered for its humor and moral messages, but also for its portrayal of 'pure times.' It critiques the patriarchal values and the censorship during the junta period that shaped the content of films, which often depicted women in subservient roles and glorified male dominance. The author argues that these movies reflect outdated traditions and societal structures that need to be moved away from, highlighting the negative impact of such media portrayals on societal attitudes towards women and violence.