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Check FAQAbout Edine
Edine Célestin, born in 1984 in Port-au-Prince, is a Haitian photojournalist and human rights activist who has made a significant impact in the field of photography and media. As a co-founder of Kolektif 2 Dimansyon (K2D), a collective of Haitian journalists, photographers, and filmmakers, she has been at the forefront of using visual storytelling as a means of activism and social critique. Her poignant work, which has been showcased in Haiti, France, the United States, Mali, and the Netherlands, often sheds light on the social and political challenges facing Haiti, including the enduring effects of the Duvalier dictatorship. Célestin's personal history is marked by the oppressive climate of the Tontons Macoutes, an experience that has fueled her drive to document and preserve Haitian history and memory. Her co-authored project, 'KAZAL, Mémoires d’un massacre sous Duvalier: Une approche photographique,' culminated in the 'KAZAL – Narrating Haitian Memories' exhibition in Amsterdam and the publication of the acclaimed Kazal photo book in France in 2019. This work underscores her commitment to combating historical amnesia and advocating for justice in Haiti. Now based in North Carolina, Célestin continues to collaborate with both Haitian and international media outlets. Her efforts have not only highlighted the importance of photojournalism in understanding and addressing human rights issues but have also challenged sexism within her profession. Through her dedication and talent, Edine Célestin has elevated the status of photography in Haiti and has become a significant voice in the global conversation on human rights and social justice.
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The author reflects on a childhood marked by fear under the Duvalier dictatorship in Haiti, recounting personal and collective memories of oppression, including the story of their mother's abduction by Tonton Macoutes. The article delves into the history of resistance and repression in the rural commune of Kazal, particularly the 1969 massacre where peasants were killed and disappeared for opposing excessive taxes and water control. It emphasizes the enduring impact of these events on collective memory and the ongoing struggle to reconcile with the past.
Ayiti, Land of contrasts and magical realism.
The article discusses an exhibition featuring Haitian photographers that aims to provide insight into Haitian culture and community. The Haiti Cultural Exchange (HCX) has organized the exhibition at Photoville and partnered with Brooklyn Queens Land Trust to display images in community gardens across Brooklyn. The exhibition highlights the diversity and quality of photography from Haiti, emphasizing themes such as life, joy, pain, and music. It also introduces the photographers Josué Azor, Edine Célestin, and Pierre-Michel Jean, who are members of the Haitian photographers' collective K2D. These photographers have contributed to various media outlets and have been recognized for their work, with Jean receiving a National Geographic grant.
Edine Célestin' essay voor de 'KAZAL - Narrating Haitian Memories' tentoonstelling
Edine Célestin's essay reflects on the traumatic history of Haiti under the Duvalier dictatorship and its lasting impact on the Haitian people. Born in 1984, Célestin grew up amidst the fear of the Tontons Macoutes, the regime's militia. She recounts her mother's harrowing experience of being forcibly taken to Port-au-Prince to feign support for Duvalier and her subsequent years of separation from her family. Célestin and her family visited Kazal, a site of a brutal crackdown on a peasant uprising in 1969, to connect with their family history and the country's suppressed narratives. Despite the passage of time, the emotional scars remain, and the essay highlights the struggle of memory and justice in a country where history is easily forgotten. Célestin laments the repetition of history, the ongoing fears, and the forced exile that many Haitians face, drawing parallels between past atrocities and current struggles.
Edine Célestin and Photography: An Alliance for Human Rights Activism
Edine Célestin, a photojournalist, is dedicated to defending human rights and uses her photography to take clear positions and denounce realities that she believes infringe on freedom and citizens' rights. She has fought to establish herself as a photojournalist in a discriminatory sector. Célestin was among the 12 photographers who exhibited their work at the Saint-Joseph school in Pétion-Ville on January 24, as part of the first edition of 'Haiti, the Spring of Art'.
KAZAL – Narrating Haitian Memories
The article discusses an exhibition titled 'KAZAL – Narrating Haitian Memories' which showcases the work of six photographers from the Haitian collective Kolektif 2 Dimansyon (K2D). The exhibition focuses on the memories of the massacre that occurred in the village of Kazal, Haiti, in 1969 during the dictatorship of François Duvalier. This historical event has been largely erased from official records. The photographers engaged with the local community to document their stories and used photography as a means to narrate and reflect on the past. The exhibition also includes contributions from Haitian artist Tessa Mars, who adds another dimension to the narrative by exploring themes of survival, resistance, empowerment, and healing through image making and storytelling.
Edine Célestin – Framer Framed
Haitian photographer Edine Célestin, born in 1984, collaborates with the press, particularly Haitian news outlets Nouvelliste and Challenges, and focuses on social and political issues. She is a member of Kolektif 2 Dimansyon (K2D), a group of Haitian journalists, photographers, and filmmakers founded in October 2014. Célestin co-authored 'KAZAL, Mémoires d’un massacre sous Duvalier: Une approche photographique' (2019, Port-au-Prince, Haiti), which inspired the exhibition 'KAZAL – Narrating Haitian Memories' at Framer Framed in Amsterdam, curated by Nicola Lo Calzo, from May 27 to August 21, 2022.
Eight years after the earthquake, a different taste of Haiti
The article tells the story of Corinne Joachim Sanon, who, after the 2010 earthquake in Haiti, returned to her home country to start Askanya, Haiti's first bean-to-bar chocolate factory. Despite the challenges of high production costs, unreliable electricity, and the need to import machinery, Askanya works with local cacao and sugar cooperatives and employs mostly women. The factory is part of a broader trend of members of the Haitian diaspora returning to start businesses and create jobs. Regine Theodat, a Haitian-American attorney, also returned to Haiti and started Myabèl, a food company that has expanded to include various product lines and a farm. The article highlights the difficulties and rewards of doing business in Haiti and the impact of the diaspora's return on the country's economy and society.
Photography: When Women Draw with Light
The article profiles three Haitian women photographers, Edine Célestin, Fabienne Douce, and Valérie Baeriswyl, who are members of Kolektif 2D, a collective of photographers, journalists, videographers, and graphic designers. They share a passion for photography and a dream to elevate the profession's status and remuneration. Despite facing sexism in their careers, they continue to pursue their art intimately. Célestin uses photography as a tool for activism, Douce's curiosity about photography began at a young age, and Baeriswyl, originally from Switzerland, has developed a strong connection with Haiti through her photojournalism.
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