The Belgian postal service Bpost has started using an electric vehicle with a detachable cargo compartment for mail deliveries in Brussels, as part of the EU-funded URBANIZED project aimed at reducing urban traffic and emissions. The project, which involves industry and research representatives from seven EU countries, has developed a modular electric vehicle that can be adapted for various delivery services, potentially cutting costs and emissions. The vehicle, manufactured by Alkè in Italy, is being tested in real conditions. Meanwhile, German company ONOMOTION is developing an electric cargo bike to improve last-mile logistics, inspired by electric mobility solutions in China. Both initiatives are part of broader EU efforts to achieve climate neutrality by 2050.

A new generation of commercial electric vehicles is emerging to reduce air pollution and congestion in urban areas. Bpost, the Belgian postal service, has started using an electric vehicle with a detachable cargo compartment as part of the URBANIZED project, which aims to improve city life across Europe by cleaning up road transport. The project, involving industry, research, and university representatives from seven EU countries, has developed a fully electric vehicle for urban deliveries. The vehicle, called ASTRID, is being tested in Brussels. Meanwhile, German company ONOMOTION is developing an electric cargo bike, the Pedal Assisted Transporter, to improve last-mile deliveries. Both initiatives aim to reduce emissions and traffic congestion, contributing to the EU's goal of becoming climate-neutral by 2050.

Tommy Tiernan has introduced a phone-free environment at his Tomfoolery shows using Yondr pouches, a service also adopted by other artists. The initiative promises heightened senses without the technology crutch. Attendees at Vicar Street in Dublin experienced mixed feelings, with some appreciating the forced digital detox and enhanced engagement with the performance, while others were concerned about missing emergencies or social media opportunities. The article reflects on the potential for Yondr to shape future social interactions and the nostalgia of a time before mobile phones.

The Ukraine war has influenced Ireland in several ways, including sparking debates on its neutrality, exacerbating an existing accommodation crisis, contributing to higher gas and electricity prices, and pushing inflation to its highest level since 1984. Despite these challenges, public satisfaction with the Irish government's response remains high. Key stakeholders include the Irish Neutrality Group, the Irish Red Cross, and various energy providers. The war has also led to significant financial strain on consumers, with notable price increases in energy and consumer goods.

Aidan Harte's Púca sculpture, initially rejected by the town of Ennistymon due to local opposition, has found a new home in Carron, Co Clare, at the Michael Cusack Centre. The statue, part of a tourist attraction, was unveiled with a ceremony featuring piper Blackie O’Connell. The move has been positively received, with Dónal Ó hAiniféin of the Michael Cusack Centre expressing enthusiasm for the sculpture's new location. The article highlights the cultural significance of the Púca and its connection to Irish heritage, suggesting a potential for future cultural revivals and even Hollywood interest.

The Grand Place in Brussels, once a car park, was transformed into a pedestrian zone through a campaign initiated by John Lambert, a British journalist for The Bulletin, in 1971. The campaign, which included a sit-down protest picnic, led to a temporary ban on parking in 1972 and eventually to the complete pedestrianisation of the square in 1991. The movement inspired future pedestrianisation efforts in Brussels, including the successful campaign for Boulevard Anspach. The Grand Place is now a UNESCO world heritage site and a major tourist attraction.

The article highlights the disparity in how music and sports are treated in Ireland, especially during the COVID-19 pandemic. While sports events like GAA matches are allowed to host large crowds, music events face severe restrictions. The author argues that this reflects a broader cultural bias and calls for equal recognition and support for musicians, who are also an integral part of Irish culture. The piece criticizes the government and major sponsors for prioritizing sports over music, despite both being forms of entertainment that contribute to mental health and community spirit.

Belgium, a nation divided by language and politics, finds unity in its love for speculoos, a traditional biscuit. Lotus Bakeries, the family business that popularized speculoos, faced backlash for rebranding it as 'Biscoff' for international markets. The move sparked social media protests and calls for boycotts, with Belgians feeling their cultural heritage was being compromised. Lotus CEO Jan Boone cited brand protection and global ambitions as reasons for the change. A compromise was reached with packaging in Belgium, the Netherlands, and France to include 'The Original Speculoos' alongside the Biscoff logo. Marketing experts and locals alike emphasize the importance of speculoos in Belgian culture, viewing it as a unifying element amidst the country's divisions.

Annie Birney and Eoin Boyle, a Dublin-based couple, spent the summer as caretakers on Great Blasket Island, experiencing a unique lifestyle amid the Covid-19 pandemic. Their duties included cleaning holiday homes and ensuring social distancing for visitors. Despite the lack of modern conveniences like electricity and refrigeration, they found joy in the island's natural beauty and historical significance. Their time on the island has inspired them to relocate to the countryside, marking a significant lifestyle change.

Dublin couple Annie Birney and Eoin Boyle, selected from 42,000 applicants, have begun their roles as caretakers of Great Blasket Island after delays due to the pandemic. Their lockdown experience in Dublin prepared them for the isolation and challenges of island life. The couple will manage tourist accommodations and a cafe on the island. Despite the pandemic's impact, they remain grateful for the opportunity. Previous caretakers and island owners reflect on the unique and transformative nature of life on Great Blasket Island.

The new restrictions for pubs in Ireland, which may seem drastic to locals, are compared to the normal pub life in Belgium and other European countries. The author reflects on how these changes will alter the Irish pub culture to align more closely with European norms.

Covid-19 restrictions will transform pubs into more continental-style bars with table service, no live music, and limited interaction with strangers. These changes will significantly alter the traditional pub experience, requiring patrons to adapt to a new social environment.

The author describes the airport as eerily quiet, a stark contrast to its usual bustling state, due to the impact of the coronavirus pandemic. With only 25 flights scheduled, mostly to the UK, Europe, and a few to America, the airport's atmosphere is likened to being locked in a shop after closing. The quietness is emphasized by the ability to hear the clicking of a Ryanair employee's heels, and the departure lounge still displays signs wishing travelers a Happy Mother's Day from mid-March, highlighting the prolonged effect of the pandemic on travel.

The article provides detailed guidance on obtaining a Personal Public Service Number (PPSN) upon returning to Ireland, including necessary documentation and steps to follow. It also addresses issues related to opening a bank account in Ireland, emphasizing the importance of proof of address. Additionally, it discusses the eligibility criteria for the carer's allowance, focusing on the habitual residency requirement and offering advice on how to appeal a denied claim or reapply in the future. The article is authored by Karen McHugh, chief executive of Safe Home Ireland.

Ferme du Biéreau, originally a barn, has transformed into a renowned music venue in Belgium under the directorship of Gabriel Alloing. It was acquired by the Université Catholique de Louvain in the 1970s and later dedicated to the arts. The venue, known for its intimate setting and unique experience due to its location and structure, hosts a variety of music genres and has seen performances by notable Belgian artists like Hooverphonic and Stromae. It receives funding from Wallonia’s culture ministry and the city council, and maintains a strong partnership with the university. Ferme du Biéreau is also involved in new projects, including a Nina Simone musical, and plans to renovate its yard and stables.