Kate Copstick

The Scotsman reviews six Edinburgh Fringe comedy shows. Kate Smurthwaite receives the strongest praise for creating and performing a new, research-heavy show every day, while Ray O’Leary is lauded for a relentless sequence of finely crafted jokes. Julian Clary’s glittering, autobiographical performance combines showbiz memories, sexual humor and reflections on AIDS. Chris Forbes offers a warm and unexpectedly moving Christmas-themed set, Lucas Jefcoate delivers a solid debut focused on Gen Z masculinity and insecurity, and Melissa Todd presents an unusual, conversational exploration of sex work rather than conventional stand-up.

Kate Copstick argues that the Edinburgh Fringe has been weakened by large venues, major producers and agents, high ticket and accommodation prices, and excessive venue fees that disadvantage performers. She proposes limiting venue capacities, capping August accommodation increases and venue charges, and encouraging bars, clubs and other smaller spaces to host shows. Without major changes, she warns, the festival could lose its distinctive character and may require a new breakaway movement to regain its purpose.

Reviews of five Edinburgh Fringe comedy shows assess Will Adamsdale’s highly crafted and emotionally resonant exploration of AI, Sofie Hagen’s funny and searching examination of personal and political identity, and Paul Foot’s whimsical appeal for hope amid social darkness. Grace Mulvey’s body-image and family narrative is likable but unevenly structured, while Vix’s celebration of everyday pettiness is warm and entertaining. The reviews are broadly positive, with Adamsdale receiving five stars, Hagen four, and the remaining shows three.