Kieran White, a British multimedia journalist, introduces himself and his work, focusing on cultural issues from a socio-political standpoint. He discusses the origin of his brand WOKESCREEN, which aims to address and critique the 'woke agenda' as a divisive tool. The text also mentions his podcast, CROWDSOURCE, as part of his creative endeavors.

Kieran White, a British multimedia journalist and founder of WOKESCREEN, introduces himself and his work, which focuses on cultural issues from a socio-political standpoint. He explains the origin of WOKESCREEN, a brand created to address and critique the 'woke agenda' and its societal impact. The article also mentions his podcast, CROWDSOURCE, as part of his creative endeavors.

Ørsted has made a final investment decision on the Farranrory Onshore Wind Farm in Tipperary, Ireland, which will consist of nine wind turbines generating 43.2 MW of green electricity. The project, expected to be operational by summer 2026, follows a successful bid in the Irish Government's Renewable Electricity Support Scheme 3 auction. This investment will increase Ørsted's operational capacity in Ireland and Northern Ireland to over 500 MW, contributing to Ireland's energy independence and reducing electricity costs for consumers.

Ørsted has made a final investment decision on the first phase of the Garreenleen Solar Farm, marking its initial solar investment in Ireland. The 81 MW project, located near Carlow town, is expected to be operational by 2026, increasing Ørsted's capacity in Ireland to nearly 500 MW. This decision follows the project's success in the Irish Government's Renewable Electricity Support Scheme 3 auction. Kieran White, Senior Vice President of Onshore in Region Europe at Ørsted, emphasized the importance of solar energy in achieving a green power system in Ireland and expressed confidence in future projects. The investment will also facilitate the connection of a second phase of the project.

Dave Stewart's Eurythmics Songbook at the London Palladium was a celebration of the iconic band's legacy, featuring a 13-date European tour marking the 40th anniversary of their breakthrough album 'Sweet Dreams (Are Made of This)'. Despite Annie Lennox's absence, the performance exceeded expectations with a diverse array of vocalists and stunning visuals. Highlights included performances by Dave's daughter Kaya Stewart and surprise guest Beverley Knight. The concert was a meticulously crafted spectacle, blending lesser-known tracks with timeless hits, culminating in a memorable rendition of 'Sweet Dreams (Are Made of This)'.

Award-winning South African blues-rock guitarist Dan Patlansky has announced an eight-date UK Headline Tour for May 2023, focusing on intimate venues to support Nordoff Robbins, the UK's largest music therapy charity. The tour, marking the 7th anniversary of his debut headline UK tour, will feature performances from his 2022 album 'Shelter of Bones,' new songs, and fan favourites. The tour aims to provide an up-close experience for fans while raising funds and awareness for Nordoff Robbins.

Ørsted has secured two contracts in the Irish Government's third onshore Renewable Electricity Support Scheme (RESS 3) auction for an 81 MW solar farm in Carlow and a 43.2 MW wind farm in Tipperary. These projects, with a combined output of 124 MW, aim to reduce electricity costs and contribute to Ireland's energy independence. Ørsted, headquartered in Denmark, operates 378 MW of onshore wind in Ireland and has partnerships with ESB and Terra Solar to further develop renewable energy projects. Ørsted is recognized as a global leader in climate action and sustainable energy.

Paul Pelosi, husband of House Speaker Nancy Pelosi, was allegedly attacked with a hammer by David DaPape at their San Francisco home. The article questions the official narrative, highlighting inconsistencies and speculating on DaPape's background and motives. It discusses the media's portrayal of the incident and suggests potential biases. The piece also touches on past controversies involving Paul Pelosi and raises questions about the investigation's transparency.

The article discusses the tendency of people to bond over shared dislikes and the potential benefits of focusing on what they support instead. It emphasizes the importance of having clear goals and values, and introduces the WOKESCREEN community as a supportive space for creative individuals disillusioned by cultural norms. The community offers resources like the Crowdsource podcast and a vibrant Locals community, led by multimedia journalist Kieran White, to help members thrive and make a difference.

The article discusses the term 'Anti-White' and its use in the context of race, particularly in relation to Critical Race Theory (CRT). It explores the White Wellbeing Movement, which is described as a Neo-counterculture providing support for white individuals who feel culturally marginalized. The movement is characterized by racial collectivism and includes a range of people from White Separatists to disaffected individuals on the center-right. The article argues that while CRT in its purest form, as taught in law schools, is not 'Anti-White', its application in real-world scenarios can manifest as racial prejudice. The author, Kieran White, invites readers to join the WOKESCREEN™ community, which aims to empower individuals and provide resources for those disillusioned by cultural norms.

Kieran White, a British multimedia journalist, introduces his new initiative, CULTURE JAM, under the umbrella brand WOKESCREEN. He explains the origin of WOKESCREEN, which aims to address cultural issues from a socio-political perspective. White also mentions his podcast, CROWDSOURCE, and emphasizes the need for proactive engagement rather than passive commentary.

Kieran White, a British multimedia journalist, introduces himself and his work, focusing on cultural and socio-political issues. He explains the origin of his brand, WOKESCREEN, which aims to address the 'woke agenda' and its implications. The article also mentions his podcast, CROWDSOURCE, as part of his creative endeavors.

The article argues that the unrest on college campuses is not an antisemitic uprising but a Marxist one. The author claims to have watched thousands of hours of woke left and socialist training videos and asserts that the far-left's goals are to gain power, destabilize the system, attack capitalism, and usher in a Marxist Utopia. The author describes this utopia as a society without private property, where the state owns all means of production and children are liberated from 'adult supremacy.' The article is behind a paywall, and the author encourages readers to become premium subscribers for full access.

The article discusses the infiltration of the anti-critical race theory (anti-CRT) movement by proponents of the 'white positivity' movement, who aim to co-opt the movement for their own agenda. It highlights the tactics used by individuals like Daniel Concannon, Jason Kohne, and Brant Danger to spread their ideology through social media and conservative platforms. The piece warns against the dangers of allowing these nefarious actors to associate with the legitimate anti-CRT movement, emphasizing the need to maintain a focus on individualism and meritocracy. It also critiques the manipulation of language by both the woke left and the 'white positivity' movement, urging readers to be vigilant and proactive in combating these influences.

Kieran White, a British multimedia journalist and founder of WOKESCREEN, introduces himself and his work, which focuses on cultural issues from a socio-political standpoint. He explains the origin of WOKESCREEN, a brand created to launch various creative endeavors, and mentions his podcast, CROWDSOURCE.

Critical Theory is described as a framework focused on power dynamics, often applied to various societal issues like race, gender, and sexuality. The text uses analogies to explain how Critical Theorists aim to exploit vulnerable topics to gain power, drawing historical context from the Frankfurt School and Marx's predictions about Communist revolutions. The ultimate goal, as per the text, is to achieve a state of Communism.

The Julian Taylor Band, based in Toronto, Canada, presents a versatile and powerful album named 'Desert Star,' symbolizing resilience. The album features twenty-two tracks blending funk, blues, soul, rock, and hip-hop. Highlights include 'Just A Little Bit,' 'Bobbi Champagne,' 'Say Goodnight,' and 'Set Me Free,' with contributions from musicians like Jeremy Elliott, Jarrod Ross, and Joey Landreth. The review praises the band's musical talent and versatility, expressing excitement for live performances.

COVID-19 has significantly impacted the live music industry, with hopes for a return to live shows by late 2021. Financial challenges and safety measures will affect how artists and promoters operate. Venues will need to adapt to new norms, including reduced capacity and safety protocols, which could impact their revenue from food and drink sales. Innovative solutions like drive-in concerts, pod raves, and vertical parties are emerging as new ways to enjoy live music safely. The article emphasizes resilience and the human spirit's ability to adapt and find joy even in challenging times.

NYC’s The Drama League is hosting a special evening with the director Diane Paulus and selected cast of ‘Jagged Little Pill’, a Broadway production based on Alanis Morissette’s iconic 1995 album. The production, which premiered at the American Repertory Theater at Harvard University, features stars like Elizabeth Stanley and Celia Rose. The show has been nominated for the 31st Annual GLAAD Media Awards. Gabriel Stelain-Shanks, Artistic Director of The Drama League, praised the transformation of Morissette’s album into a vibrant stage experience.

Musicians like Bob Dylan, Brian May, Dan Spitz, Bruce Dickinson, and Marilyn Manson are recognized not only for their musical talents but also for their surprising hidden talents. Dylan is an accomplished visual artist with his paintings exhibited in prestigious galleries. May, the guitarist of Queen, holds a PhD in astrophysics. Spitz, formerly of Anthrax, became a watchmaker with Swiss degrees. Dickinson, of Iron Maiden, is also an airline pilot. Manson is a watercolour painter with his own art movement and gallery. These talents bring them recognition beyond the music industry.

The article discusses the South By South West (SXSW) festival in Austin, which started in 1985 as a music event and has since expanded into multimedia and film, now attracting 32,000 attendees. The author notes that while SXSW showcases local talent, it can also overwhelm the local music scene. The focus then shifts to the Sekrit Theater, a private creative space created by Beau Reichert, which the author visited. The theater is described as a magical place for artists to collaborate and includes unique features like a greenhouse with a dance floor and an outdoor cinema. The author visited singer/songwriter Lacy Rose there and highlights the importance of such spaces for community and creativity. The article ends with an invitation to support the Sekrit Theater and experience the uniqueness of Austin.

The article reflects on the life and legacy of David Bowie, who passed away at the age of 69 after a private battle with cancer. The author, a photographer and long-time fan, discusses Bowie's influence on various creative industries, including music, fashion, and film. The release of Bowie's album '★' (Blackstar) and its track 'Lazarus' is highlighted, particularly in the context of Bowie's death occurring just two days after the album's release. The piece also touches on the public's reaction to his death and the sense of loss felt by fans. Tony Visconti, Bowie's producer, is quoted regarding Bowie's intentions for '★' as a parting gift and mentions Bowie's plans for another album, raising questions about its potential themes.

Donald Trump has parted ways with his longtime adviser Roger Stone amid controversy over Trump's comments about Fox News anchor Megyn Kelly. The fallout from Trump's remarks, perceived by many as sexist, has led to widespread criticism from both political opponents and allies. Stone claims he quit due to the campaign's focus on media fights rather than core issues, while Trump asserts he fired Stone for seeking personal publicity. The incident has sparked significant media attention and debate within the Republican Party, with figures like Jeb Bush calling for Trump to apologize to Kelly.

The article is a review of Sinéad O’Connor’s live performance at The Barbican Centre on April 13th, 2015. The author describes the venue’s acoustics and reminisces about a previous concert experience. The review highlights the emotional impact of O’Connor’s songs, her interaction with the audience, and the setlist, which included a mix of covers and originals. Notably, O’Connor performed ‘Black Boys On Mopeds’ in light of the current situation in the US, and dedicated ‘The Healing Room’ to her new grandchild. The author mentions a few technical issues during ‘The Lamb’s Book Of Life’ but praises the overall performance, especially the encore with traditional Irish folk music. The absence of ‘Nothing Compares To You’ from the setlist is noted, with O’Connor’s intention to retire the song after her next show.

The article reviews Björk's album 'Vulnicura', released by One Little Indian. The album, which marks her first in four years following 'Biophilia', was unexpectedly leaked online, prompting an early release on iTunes. Björk addressed her fans directly about the leak, expressing gratitude for their loyalty. 'Vulnicura' consists of 9 tracks, exploring the emotional journey before and after her breakup with Matthew Barney. The review praises the album's raw emotion, string arrangements, and Björk's collaboration with artists like Arca and The Haxan Cloak. The reviewer also notes the presence of Antony Hegarty on the track 'Atom Dance'. Despite the leak, the article portrays Björk as an optimistic artist who appreciates the continued demand for her music and has delivered another moving album.

Annie Lennox's album 'Nostalgia' features her powerful and clear vocal delivery on a set of classic standards. The review highlights her exquisite enunciation and emotional depth, particularly praising her renditions of 'Georgia On My Mind' and 'I Put A Spell On You'. While the reviewer appreciates the quality of the music and Lennox's performance, they note that the selection of songs may feel over-familiar to older listeners. The album is seen as a thrilling introduction to classic songs for younger audiences.

The BBC Radio 2 Festival in a Day 2014, held in Hyde Park, London, featured an eclectic mix of artists catering to diverse musical tastes. The event was well-organized, allowing attendees to bring their own picnics and drinks, which helped avoid long queues at food stalls. Performances by artists such as Chrissie Hynde, Kacey Musgraves, Gregory Porter, Paloma Faith, Billy Ocean, Blondie, and headliner Jeff Lynne's ELO were highlights, despite some technical difficulties and weather issues. The festival successfully appealed to various Radio 2 show audiences, and tickets sold out quickly due to the strong lineup. The event's success sets high expectations for future editions.

Laurence Jones, a rising guitar ace and singer/songwriter, discusses his new album 'Temptation' released on RUF Records. He reflects on his experience playing at the Walter Trout Benefit, the influence of various artists, and his approach to recording music with a live feel. Jones emphasizes the importance of staying true to the blues while incorporating modern elements. He shares insights on his musical journey, influences, and aspirations, highlighting the significance of mentorship from established artists like Walter Trout and Coco Montoya.