The article is an interview with Mexican writer Carlos Fuentes, conducted by journalist Mónica Mateos. It reflects on Fuentes' thoughts on love, literature, and his disciplined writing process. The interview spans three different periods in Fuentes' life, highlighting his literary achievements, personal reflections, and the impact of his work on new generations. Fuentes discusses his major works, including 'La región más transparente,' 'Carolina Grau,' 'Aura,' 'La muerte de Artemio Cruz,' and 'Vlad,' and shares anecdotes about his life and career. The article also touches on his relationships with other notable literary figures and his legacy in the literary world.

Fernando Benítez, a revered journalism teacher at the Universidad Nacional Autónoma de México, emphasized the importance of continuous writing and imagination in journalism. He inspired many students with his storytelling and practical advice, often referencing Rudyard Kipling's principles. Benítez's teachings extended beyond the classroom, influencing generations of journalists. His legacy is celebrated for its impact on cultural journalism and his ability to turn everyday experiences into valuable lessons.

The article commemorates the centenary of José Saramago, highlighting his profound influence on Mexican readers and his humanist ideas. It recounts personal experiences with Saramago, particularly his visit to Mexico City in 1999 and a significant event in 2001 where he inspired thousands. The piece also reflects on a recent tribute at the Feria Internacional del Libro de Guadalajara, where Pilar del Río, Saramago's partner, shared his thoughts on democracy and civic responsibility. The article underscores the enduring legacy of Saramago's literature and ideas, symbolized by the olive tree under which his ashes rest.

The article celebrates the centenary of José Saramago, highlighting his profound influence on Mexican readers and his humanistic ideas. It recounts personal experiences with Saramago, particularly his visit to Mexico City in 1999 and a significant event in 2001 where he inspired thousands. The text also reflects on a recent tribute at the Guadalajara International Book Fair, where Pilar del Río, Saramago's partner, shared his thoughts on democracy and civic responsibility. The article underscores Saramago's enduring legacy and the continued relevance of his work.

Elena Poniatowska celebrated her 90th birthday at the Palacio de Bellas Artes in Mexico City, surrounded by friends and admirers. The event, organized by the Secretaría de Cultura and the Government of Mexico City, featured speeches praising her contributions to literature and social causes. Notable attendees included Alejandra Frausto, Marcelo Ebrard, Adán Augusto López Hernández, and Claudia Sheinbaum. The celebration included performances, readings of Poniatowska's works, and a musical tribute by the Orquesta Escuela Carlos Chávez.

The Voynich Codex, a mysterious illustrated book written in an undecipherable language, has been partially decoded to reveal a depiction of a solar eclipse that occurred in the 15th century. This breakthrough in understanding one of the most enigmatic historical texts provides insight into the astronomical knowledge and practices of the time.

The article reports on the memorial service held for the late Nobel Laureate in Literature, Gabriel García Márquez, at the Palacio de Bellas Artes in Mexico. The event was attended by García Márquez's widow, Mercedes Barcha, and their children, Gonzalo and Rodrigo. The president of the National Council for Culture and Arts (Conaculta), Rafael Tovar y de Teresa, and the director of the National Institute of Fine Arts (INBA), María Cristina García Cepeda, were present to accompany the family. The service included a tribute with Romanian dances by Bartok, yellow flowers, and applause from the attendees. The public was allowed to enter in groups of 30 to briefly view the ashes from a distance. The event was heavily secured due to the expected attendance of the presidents of Mexico and Colombia, Enrique Peña Nieto and Juan Manuel Santos, respectively.

The article discusses the Italian painter Roberto Ferri, known for his baroque chiaroscuro technique reminiscent of the Renaissance period, yet strikingly present in the 21st century. Ferri's work, which has gained popularity in Europe, is about to be discovered in the United States and Latin America. An exhibition titled 'Roberto Ferri y la eternidad de la pintura' is set to open in Florence at the Etra Events gallery, curated by Francesca Sacchi Tommasi. The exhibition will feature around 15 recent canvas paintings, including a portrait of Italian burlesque star Giuditta Sin, titled 'Chloris'. Ferri's work, which includes anatomically perfect representations of bodies and the sacred, has been described as a blend of flesh, delight, transgression, and nightmares. His previous exhibition 'Noli foras ire' was a success in Rome, and his commissioned work 'Vía Crucis' for the Sicilian cathedral of Noto sparked controversy with its athletic and sensual depiction of Jesus Christ. Art historian Maurizio Calvesi has praised Ferri's work for its anachronistic surrealism. Ferri, who is preparing for his first solo exhibition in New York, shares his passion for Caravaggio and baroque art in an interview with La Jornada.