Neil Mackay

Criticism is directed at the trend within right‑wing political movements where leaders such as Nigel Farage and Donald Trump are addressed as “daddy,” a practice framed as infantilising, authoritarian and culturally unsettling. The piece connects this behaviour to broader patterns of hyper‑masculinity, dominance and follower submission within modern right‑wing culture, citing allegations surrounding George Cottrell’s support for Farage and examples from U.S. political rallies. Historical parallels with dictators and cult leaders are invoked to underline the psychological and political implications, arguing that the desire for a “political daddy” reflects fear, insecurity and a preference for strongman authority.

Multiple comedians describe soaring accommodation, venue and living costs that increasingly exclude working‑class performers and audiences from the Edinburgh Fringe. They warn that rising prices risk turning the festival into a middle‑class enclave and jeopardising its creative diversity, while alternative routes to building an audience weaken the Fringe’s traditional career value. Performers call for intervention from authorities and festival organisers to protect accessibility and prevent long‑term damage to the event’s cultural vitality.

Cultural traditions in Scotland evolve with societal change, and their decline or persistence sparks differing reactions. Rituals such as first footing fade while others, like school proms, emerge. The expansion of Glasgow’s tradition of placing traffic cones on statues and Edinburgh University’s move to end the use of John Knox’s cap at graduations illustrate how traditions shift despite resistance. Embracing change while retaining meaningful practices offers balance, as traditions naturally rise and fall with time.