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شاهد كيف يعمل
تواصل عبر Journalist.net
1
محترفون موثَّقون
خضع كل صحفي على هذه المنصّة للتحقّق يدوياً من قِبل فريقنا في لندن. أنت تتواصل مع مهني إعلامي مؤكَّد.2
تعامل محمي
نحمي تفاصيل التواصل الخاصة بالصحفيين ونوفّر تغطية تأمينية لجميع الحجوزات. ويعمل الطرفان بثقة وأمان.3
دفع آمن
تُحتجَز المدفوعات في حساب ضمان وتُحرَّر عند تسليم العمل. يُضمن للصحفيين الحصول على أجرهم، ويوافق العملاء قبل اعتماد الأموال نهائياً.ألا تزال لديك أسئلة؟
راجِع الأسئلة الشائعةAbout Nicole
Nicole Revita is a Philippine-based documentary producer and storyteller with over a decade of experience in journalism, humanitarian work, and media production. She has worked on investigative projects tackling complex social issues such as human rights, gender inequality, conflict, and displacement.
معرض الأعمال
As the producer of Why Do Women Still Support Duterte Despite His Sexism?, I took the lead from development through publication. I helped research the paradox of Filipino women supporting a sexist leader, contributed to identifying credible interviewees, and built trust with key subjects. I assembled our core team including the director, cinematographer, and translators, and managed all scheduling and logistics while ensuring ethical standards were upheld. On set, I coordinated field operations, addressed unexpected challenges, and ensured interviews were conducted with care and respect. In post-production, I supervised the editing process, fact-checking, and subtitling to maintain the clarity and integrity of the narrative.
As the producer of How Babies Are Being Sold on Facebook, I led the project from development to delivery. I conducted in-depth research on the trafficking network, secured interviews, and built trust with vulnerable sources. I assembled and managed the team, handled scheduling, logistics, and ensured that all operations followed ethical standards. During production, I oversaw fieldwork and addressed challenges on the ground. In post-production, I supervised the edit, fact-checking, and subtitling.
As the producer of The Impact of Duterte’s Drug War on Women, I led the project from development to post-production. I handled research, built the team, managed the budget, and coordinated all logistics. I ensured ethical practices while working with vulnerable communities and oversaw the crew during production. In post-production, I supervised editing, translations, and final outputs.