Scott Campbell

Far Out Magazine ·Aug 2026

The Terrible Movie Jim Carrey Wasn't Ready to Make Until 2005

Jim Carrey initially avoided the psychologically dark role of Walter Sparrow in The Number 23, despite his longstanding fascination with the number 23. Director Joel Schumacher believed Carrey was not emotionally ready for the material earlier, fearing the role’s darkness would negatively affect his life. By late 2005 and the start of filming in January 2006, Carrey was considered ready and fully committed, although the film was ultimately condemned as one of the worst movies of his career.

Far Out Magazine ·Aug 2026

The “adolescent” 1987 role Ted Danson never wanted to play

Ted Danson initially resisted playing Jack Holden in Disney’s 1987 comedy Three Men and a Baby because the character was an “aging adolescent cutup” too similar to his Cheers persona, Sam Malone. Disney executive Jeffrey Katzenberg persuaded him to accept the role. The film, co-starring Steve Guttenberg and Tom Selleck, became the highest-grossing U.S. release of 1987, earning more than $160 million, and remains Danson’s biggest leading-role movie success.

Far Out ·Aug 2026

The “torturous” 2004 movie Bill Murray called worse than being in prison: “I hated going to work”

Bill Murray reportedly found the five-month production of Wes Anderson’s The Life Aquatic with Steve Zissou so cold, cramped and exhausting that he compared it to prison and said he hated going to work. The extended schedule was far longer than expected, leaving him deeply miserable despite his later reputation for regularly collaborating with Anderson, Sofia Coppola and Jim Jarmusch. The piece contrasts this experience with other difficult productions and on-set conflicts from Murray’s career.

Far Out Magazine ·Aug 2026

The “embarrassing” 2001 movie Keira Knightley was ashamed of

As a teenager in 2001, Keira Knightley felt embarrassed telling friends she had been cast as Elizabeth Swann in a Disney film based on the Pirates of the Caribbean theme-park attraction. She and others expected the project to fail, partly because the premise seemed implausible and recent pirate films such as Cutthroat Island had performed disastrously. After successive script rewrites by Jay Wolpert, Stuart Beattie, Ted Elliott and Terry Rossio, the film became Pirates of the Caribbean: The Curse of the Black Pearl and transformed Knightley into an international star, following the breakout success of Bend It Like Beckham.

Far Out Magazine ·Aug 2026

The 1996 Role Meg Ryan Played to Shatter Her Image

Meg Ryan’s role as military captain Karen Walden in Edward Zwick’s 1996 war drama Courage Under Fire was a deliberate attempt to break away from her “America’s Sweetheart” romantic-comedy image. Ryan welcomed the opportunity to play a battle-hardened soldier and argued that the character’s heroism came from serving in combat. The performance was viewed as a successful against-type turn, although Matt Damon reportedly made a particularly strong impression in a brief appearance. Ryan’s later attempt to reinvent herself in the erotic thriller In the Cut was far less successful commercially and effectively ended her period as a mainstream Hollywood star.

Far Out Magazine ·Aug 2026

The 1994 movie so bad Eddie Murphy completely forgot it even existed

Eddie Murphy reportedly forgot that he made Beverly Hills Cop III, the poorly received 1994 sequel directed by John Landis. The film underperformed commercially and was widely criticized, leading Murphy to say he was “repressing” the memory despite having returned for a $15 million fee. The piece places the film among Murphy’s numerous critically or commercially disappointing movies and contrasts it with the success of the original Beverly Hills Cop and the later Netflix sequel Beverly Hills Cop: Axel F.

Far Out ·Aug 2026

The “odd, unnerving” 1972 co-star Burt Reynolds was afraid of: “He always played sickos”

Burt Reynolds recalled feeling uneasy around Bill McKinney, his Deliverance co-star, describing McKinney’s off-screen behavior as strange and unnerving. Reynolds became particularly uncomfortable as McKinney stared at Ned Beatty before the film’s notorious assault scene. The piece also notes that McKinney was frequently cast as disturbing characters and later appeared in several Clint Eastwood films.

Far Out Magazine ·Aug 2026

The “All-Time Favourite” 1987 Role Morgan Freeman Called the Greatest He Ever Played

Morgan Freeman has identified Leo “Fast Black” Smalls in Jerry Schatzberg’s 1987 crime thriller Street Smart as his all-time favourite role. The performance, opposite Christopher Reeve, marked Freeman’s major breakthrough at age 49, earned him an Academy Award nomination for Best Supporting Actor, and established the career that followed. Freeman valued the character’s complexity and the psychological depth of playing a villain, though he later became more associated with wise mentors and benevolent authority figures.

Far Out ·Aug 2026

The 1984 Movie Harrison Ford “Lost Interest” in Making

Harrison Ford said he felt dangerously close to fatigue while making Indiana Jones and the Temple of Doom and that its supernatural elements caused him to lose interest. The article notes that director Steven Spielberg and producer George Lucas also had reservations about the film, which remains a divisive entry despite Ford’s committed performance and Quentin Tarantino’s admiration for it.

Far Out Magazine ·Aug 2026

The One and Only Actor Paul Newman Admitted He "Always Envied"

Paul Newman reportedly admitted that he had always envied Marlon Brando’s talent, describing it as greater than anyone else’s and saying Brando was too good for the acting business. Although the two actors were frequently compared as leading figures of New Hollywood and practitioners of method acting, Newman disliked the comparison while still recognizing Brando’s exceptional ability. Brando’s increasing distance from filmmaking and Newman’s own status as one of his era’s leading actors form the central contrast.

Far Out Magazine ·Aug 2026

The 1997 co-star who refused to come within six feet of Steven Seagal

Stephen Lang recalled that he negotiated a six-foot distance from Steven Seagal while filming the 1997 action movie Fire Down Below. Lang had first met Seagal at his home to secure approval for the role, describing Seagal’s appearance as ridiculous, and later joked that he feared being hugged or kicked in the groin. Seagal’s response left open the possibility of the latter, prompting Lang to maintain the distance as a precaution.

Far Out Magazine ·Aug 2026

The “impossible” X-rated 2013 movie scene Margot Robbie refused to shoot

Margot Robbie recalled refusing to perform a scene in The Wolf of Wall Street that required her character to pull aside her underwear with the heel of a stiletto. Although she was comfortable with the film’s nudity and had ballet and gymnastics experience, she determined through repeated attempts that the scripted physical contortion was impossible. The scene was subsequently rewritten, while Robbie’s performance and audition—during which she slapped Leonardo DiCaprio—helped establish her as a major Hollywood talent.

Far Out ·Aug 2026

The “Wonderful” 1982 Movie Robin Williams Was Never Truly Happy With

Robin Williams remained fond of George Roy Hill’s 1982 film The World According to Garp but felt he had not fully realized the title character. Hill prohibited improvisation, limiting Williams’s comedic instincts, and Williams later believed that his lack of experience as a father prevented him from bringing greater emotional depth to Garp. After becoming a parent, he said he would have welcomed the chance to play the role again.

Far Out Magazine ·Aug 2026

The 1957 Movie Masterpiece That Bored Ron Howard to Tears

Ron Howard has said that although Ingmar Bergman’s films, particularly Wild Strawberries, contained powerful moments and helped educate him during his film studies, he did not understand or love Bergman’s 1957 masterpiece The Seventh Seal. The film is widely regarded as one of cinema’s greatest and most influential works, but Howard’s limited personal connection to it may have contributed to his preference for more commercially oriented filmmaking.

Far Out Magazine ·Aug 2026

The 1981 movie Steve Martin was “vilified” for making: “I was completely lost”

Steve Martin’s decision to follow the success of The Jerk with Herbert Ross’s 1981 musical romance Pennies from Heaven was a deliberate attempt to avoid being defined solely by his comic persona. Although the film was critically respectable and helped showcase Christopher Walken, it failed disastrously at the box office, and Martin later said he was “vilified” for making it and felt completely lost about his film career. He regained momentum by returning to comedy in Dead Men Don’t Wear Plaid and The Man with Two Brains, before later successes such as Roxanne and Planes, Trains and Automobiles restored his standing.

Far Out Magazine ·Aug 2026

The “horrible” 1992 movie Tom Selleck wants to delete from history

Tom Selleck considers the 1992 historical film Christopher Columbus: The Discovery the one movie he openly criticizes. He accepted the role largely because Marlon Brando was attached, expecting seven scenes with the legendary actor, but Brando appeared in only one scene and did not speak. Selleck tried to leave the production but was threatened with a lawsuit, and the film became a critical and commercial failure, earning him a Razzie for Worst Actor. He later concluded that wanting to work with a particular star was a poor reason to accept a role.

Far Out Magazine ·Aug 2026

The “inspiring” actor Al Pacino called the most underrated of all time

Al Pacino considers John Cazale one of the greatest and most underrated actors of his era, saying Cazale was inspiring and never received sufficient recognition. Although Cazale appeared in only five films, all were Best Picture nominees, including The Godfather, The Conversation, The Godfather Part II, Dog Day Afternoon and The Deer Hunter. Pacino singled out Cazale’s portrayal of Fredo Corleone in The Godfather Part II as particularly great, while the article argues that Cazale’s reputation has since grown among serious film fans.

Far Out Magazine ·Aug 2026

The “disturbing” 1976 movie Quentin Tarantino hated for being “perfect”

Quentin Tarantino considers Alfred Sole’s 1976 cult horror film Alice, Sweet Alice disturbing and unpleasant to watch, particularly because of its frightening violence. Although he criticizes its pacing, scene construction, lack of flow and soundtrack, he regards the film’s tone as perfect and completely unique. The article explains how Tarantino can admire the film’s technical and atmospheric achievement while still disliking the movie overall.

Far Out Magazine ·Aug 2026

The “Scary” 1989 Role Bruce Willis Played to Prove He Could Act

After the success of Die Hard, Bruce Willis took a supporting role in Norman Jewison’s 1989 drama In Country to prove he could handle serious acting beyond action films. He accepted basic-scale pay and transformed his appearance to play Emmett Smith, a Vietnam veteran struggling with PTSD. Although the film failed at the box office, Willis’s performance was praised and earned him a Golden Globe nomination for Best Supporting Actor, his only major awards-season recognition for a big-screen role.

Far Out Magazine ·Aug 2026

The “horrible” 1990 movie sabotaged by Marlon Brando’s rampant ego

Marlon Brando was paid $3 million to parody his iconic role as Vito Corleone in Andrew Bergman’s 1990 crime comedy The Freshman. When the shoot was extended by a week, Brando demanded an additional $1 million, and after producers refused, he publicly called the film “horrible,” predicted it would flop and criticized the production. The producers ultimately paid him the extra money to stop undermining the movie, after which he reversed his stance and even expressed interest in a sequel. The Freshman was not a major hit, but it also did not fail catastrophically.

Far Out Magazine ·Aug 2026

The X-rated 1974 Movie Scene Mel Brooks Called “Too Much for Its Time”

Mel Brooks removed a more explicit version of the love scene between Cleavon Little’s Bart and Madeline Kahn’s Lili Von Shtupp from Blazing Saddles because he felt its racial joke was too extreme for the era. The intended line involved Kahn’s character mistakenly sucking on Little’s arm, but the final film retained only the more restrained exchange heard after the lights go out. The article contrasts this decision with Brooks’s broader willingness to tackle taboo subjects, including race and Nazism, while noting his stated refusal to joke about concentration camps.

Far Out Magazine ·Aug 2026

The 1995 Movie Val Kilmer’s Children Couldn’t Bear Watching: “So Bad, It’s Almost Good”

Val Kilmer’s children reportedly stopped watching Batman Forever after about 20 minutes when he showed them the 1995 film years after its release. Kilmer then watched the film alone and judged it “so bad, it’s almost good.” The piece places the movie within the uneven period of Kilmer’s career, contrasting acclaimed performances in films such as Tombstone, True Romance and Heat with poorly received projects and his troubled working relationship with director Joel Schumacher.

Far Out Magazine ·Aug 2026

The 2005 “Stink-Bomb” of a Movie Roger Ebert Called “An Offense”

The article revisits the 2005 action film Stealth, a $135 million box-office failure directed by Rob Cohen and starring Jamie Foxx. Roger Ebert condemned it as “an offense against taste, intelligence, and the noise pollution code,” criticizing its illogical story and excessive aircraft noise. Even Cohen later acknowledged that the film was less entertaining than his earlier work, The Fast and the Furious and xXx, while Foxx has reportedly apologized for making it.

Far Out ·Aug 2026

The 1951 co-star who loathed working with “bully” John Wayne

Patricia Neal recalled finding John Wayne deeply unappealing while working with him on the 1951 Warner Bros. submarine film Operation Pacific. She described Wayne as being in a bad mood amid marital problems, clashing with the director and bullying a gay publicity man, despite his enormous popularity with the public. Wayne’s return to Warner Bros. was facilitated by his star power and ability to guarantee a profit.

Far Out Magazine ·Aug 2026

The Iconic 1985 Role Almost Played by Jeff Goldblum: “He Was Great, and It Was Close”

Jeff Goldblum was reportedly a serious contender for the role of Doc Brown in Back to the Future, according to co-writer Bob Gale, who said the actor was impressive and that the decision was close. Christopher Lloyd ultimately won the part opposite Michael J. Fox, while Goldblum later played a similarly eccentric scientist in Jurassic Park. The article also notes the irony that Steven Spielberg, who helped bring Back to the Future to the screen, favored Goldblum for Jurassic Park’s Ian Malcolm over Jim Carrey.

Far Out ·Aug 2026

The Heated 1997 Burt Reynolds Role Bill Murray Turned Down

Bill Murray and Albert Brooks reportedly turned down the role of Jack Horner in Paul Thomas Anderson’s 1997 film Boogie Nights before Warren Beatty briefly expressed interest in playing Dirk Diggler. Burt Reynolds ultimately took the part, earning his only Academy Award nomination, although his difficult relationship with Anderson and reported behind-the-scenes conflicts overshadowed the achievement.

Far Out ·Aug 2026

The 1984 Ben Affleck Role That Made Matt Damon Incredibly Jealous

Ben Affleck began his professional acting career at age 11 with a role as CT Granville in the 1984 educational television series The Voyage of the Mimi. Although Affleck later described the series as cheesy and embarrassing, it fostered his lasting commitment to acting. The role also made his close friend Matt Damon jealous, since Damon would not appear on film or television until his one-line part in Mystic Pizza in 1988. The friends later collaborated on Good Will Hunting and reunited for projects including The Last Duel, Air and The Rip.

Far Out Magazine ·Aug 2026

The “slimy, scummy” 2007 movie that made Roger Ebert’s skin crawl

The article revisits Roger Ebert’s one-star review of the 2007 romantic comedy Good Luck Chuck, in which Dane Cook plays a man cursed to make women find true love with the next man they meet after sleeping with him. Ebert condemned the film’s crude humor, juvenile premise and excessive sexual content, while the article similarly criticizes its writing, direction by first-time filmmaker Mark Helfrich and underwritten role for Jessica Alba.

Far Out ·Aug 2026

The Forgotten 1997 Movie Clint Eastwood Was “Not Particularly Interested” in Making

Clint Eastwood was initially uninterested in directing and starring in the 1997 political thriller Absolute Power because the original story killed off its protagonist, Luther Whitney, midway through the plot. Although he liked the character and the film’s excitement, he felt audiences needed a protagonist with a more satisfying resolution. The screenplay was revised so Whitney survived and reunited with his estranged daughter, after which Eastwood agreed to lead and direct the film alongside Gene Hackman.

Far Out ·Aug 2026

The “controversial” 2004 movie that scared Ron Howard into quitting

Ron Howard spent years developing Disney’s The Alamo but withdrew as the studio reduced the budget and pushed the planned $130 million, R-rated historical epic toward a less violent PG-13 release. John Lee Hancock ultimately directed the 2004 film, which starred Billy Bob Thornton and lost almost $150 million for Disney, validating Howard’s decision to leave the project despite remaining credited as a producer.

Far Out ·Aug 2026

The 1991 Movie Steven Seagal Called His “Attempt” to Win an Oscar

Steven Seagal reportedly described his 1991 action film Out for Justice as his “attempt at an Academy Award,” while acknowledging that the film industry had already decided he would never win one. The article mocks his Oscar ambitions, characterizes the film as a conventional revenge thriller, and notes that critics disliked it even though it made a profit.

Far Out ·Aug 2026

The co-star Emily Blunt “bullied mercilessly” on set in 2015

Emily Blunt recalled that she, Charlize Theron and Jessica Chastain relentlessly teased Chris Hemsworth during the production of The Huntsman: Winter’s War, comparing the experience to having three sisters. The article also criticizes the Snow White franchise and its sequel, noting that Winter’s War earned less than half the box office of Snow White & the Huntsman and received a poor critical and audience response.

Far Out ·Aug 2026

The “Silly” 2004 Movie Scene Christopher Walken Wishes He’d Never Shot

Christopher Walken has said he regrets a scripted campfire dance scene in the 2004 dysfunctional-family road movie Around the Bend. He believes the scene contributed to his reputation for eccentric dancing and reinforced the tendency of filmmakers to tailor roles around his persona. Although he continued dancing in films such as Hairspray, he recognized that the gimmick had been overused and said he needed to stop.

Far Out Magazine ·Aug 2026

The 2007 Movie Jim Carrey Quit on Three Weeks’ Notice: “My Soul Didn’t Want to Be There”

Jim Carrey withdrew from the planned 2007 science-fiction comedy Used Guys just over three weeks before filming was due to begin, saying that his “soul didn’t want to be there” and that he experienced a physical reaction when projects felt wrong. The film, which was to reunite Carrey with Ben Stiller and be directed by Jay Roach, had already attracted major financing and a release date from 20th Century Fox, but rising costs and Carrey’s departure led to its cancellation. Carrey instead appeared in Joel Schumacher’s The Number 23, which the piece harshly characterizes as a critical low point.

Far Out ·Aug 2026

The 1964 opening scene Martin Scorsese calls cinema’s “ultimate” introduction

Martin Scorsese identifies Samuel Fuller’s 1964 film noir The Naked Kiss as cinema’s “ultimate” opening scene. Although Scorsese’s own films, including Goodfellas, are known for memorable introductions, he argues that Fuller’s sequence—featuring Constance Towers’s character arriving in town after violently escaping her pimp—is still the strongest. He briefly acknowledges Street of No Return as a possible rival but says it lacks the female protagonist that makes The Naked Kiss’s opening distinctive.

Far Out ·Aug 2026

The “misleading” 1974 movie Quentin Tarantino couldn’t stand at first: “I hated it when I saw it”

Quentin Tarantino recalled initially hating John Carpenter’s 1974 film Dark Star after misleading television spots presented it as a conventional space adventure in the vein of Star Trek or Buck Rogers. Expecting an action-oriented science-fiction movie, he was surprised by the film’s countercultural humor and anti-establishment tone. After understanding Carpenter’s intended style, Tarantino came to admire the low-budget production and regard it as one of the most memorable directorial debuts and an early-1970s masterpiece.

Far Out ·Aug 2026

The 2001 role Jeff Bridges was never truly happy with: “We thought we’d fix it, and we didn’t”

Jeff Bridges has acknowledged that his role as psychiatrist Mark Powell in the 2001 science-fiction mystery film K-Pax was underdeveloped. He and the production team unsuccessfully tried to improve it during rehearsals, filming and reshoots. The released film, which stars Kevin Spacey as a psychiatric patient claiming to be an alien, received middling reviews and weak box-office results, while Bridges’ restrained performance was criticized as flat and forgettable.

Far Out ·Aug 2026

The 1993 Jean-Claude Van Damme Role Liam Neeson Turned Down

Producer Jim Jacks once tried to cast Liam Neeson as the lead in John Woo’s 1993 action film Hard Target before Jean-Claude Van Damme took the role. Neeson declined or could not be persuaded, instead starring that year in Steven Spielberg’s Schindler’s List, a performance that earned him an Academy Award nomination. The casting possibility is notable in hindsight because Neeson later reinvented himself as a major action star nearly 15 years later.

Far Out Magazine ·Aug 2026

George Clooney Names Hollywood’s Only-Ever “Real, Proper Movie Star”

George Clooney identifies Paul Newman as Hollywood’s definitive “real, proper movie star,” praising his extraordinary screen appeal, masterful performance in The Verdict, successful transition from romantic lead to character actor, and philanthropic work. The piece argues that while Clooney remains a major star, he is less likely than figures such as Newman, Tom Cruise or Brad Pitt to achieve the same lasting historical status as classic Hollywood icons.

Far Out Magazine ·Aug 2026

The iconic 1994 comedy Steve Martin refused to star in: “In retrospect, that would have been great”

Steve Martin declined the role of Lloyd Christmas in Dumb and Dumber, despite being a major comedy star whose career was entering a downturn in the mid-1990s. Martin Short was also offered a role but passed, while Jim Carrey ultimately starred opposite Jeff Daniels after Nicolas Cage and other alternatives declined. Co-writer Bennett Yellin later said that seeing Carrey paired with Gary Oldman would have been great, while the article imagines an alternate version featuring Martin and Short but acknowledges that Carrey and Daniels created the film’s enduring comic appeal.

Far Out Magazine ·Aug 2026

The “strong, sexual” 2014 role Eva Green couldn’t refuse

Eva Green’s role as Ava Lord in Robert Rodriguez’s 2014 film Sin City: A Dame to Kill For allowed her to play a powerful, sexually manipulative femme fatale who uses her body as a weapon. Although Green has resisted being typecast and initially approached similar roles cautiously, she has embraced strong, sexual characters when they offer greater complexity. The film’s provocative poster was banned, but the movie itself received poor reviews and underperformed compared with the original Sin City.

Far Out ·Aug 2026

The 1982 Movie Tom Cruise Never Wanted Anyone to See

Tom Cruise’s second feature, the 1982 sex comedy Losin' It, was delayed by Embassy Pictures until April 1983 and released in only 180 theaters, earning less than $500,000. Cruise later called the film “not a very good one” and suggested it might have been better left unreleased, though he said it had taught him which projects to avoid. Its poor reception was soon overshadowed by his breakthrough in Risky Business.

Far Out ·Aug 2026

The “crap” 1996 role that convinced Heath Ledger he couldn’t act

Heath Ledger once considered quitting acting after feeling dissatisfied with his performance as a gay teenage cyclist in the 1996 Australian television series Sweat. He recognized his shortcomings, decided to improve rather than give up, and soon progressed through roles in Home and Away, 10 Things I Hate About You, The Patriot, A Knight’s Tale and Ned Kelly, ultimately becoming an acclaimed international actor.

Far Out ·Aug 2026

The “fantastic” 1995 movie Sylvester Stallone never expected to fail

Sylvester Stallone believed the 1995 comic-book adaptation Judge Dredd had the makings of a successful film, but was surprised when it underperformed critically and fell well short of blockbuster expectations financially. The article argues that, despite some effective production design, visual effects and action sequences, the $90 million film was undermined by its weak execution and became another major misstep in Stallone’s career.

Far Out ·Aug 2026

The 2002 Movie John Travolta Will Always Be “Angry” He Turned Down

John Travolta’s career was revived by Pulp Fiction after the decline that followed his early successes, but his involvement in Battlefield Earth further damaged his reputation. Although he reportedly did not regret turning down films such as Forrest Gump and Pretty Woman, Travolta later said he remained angry about rejecting the role of lawyer Billy Flynn in Rob Marshall’s 2002 musical Chicago. Richard Gere ultimately accepted the part after Hugh Jackman also declined it, winning a Golden Globe, while Travolta believes the role could have demonstrated his abilities and potentially improved his awards prospects.

Far Out ·Aug 2026

The Four Simple Words That Ruined Danny DeVito’s Life in 1980

Danny DeVito recalled that the worst thing anyone had ever said to him was “John Lennon is dead.” The news reached him on December 8, 1980, while his career was thriving through Taxi, major film roles and upcoming work on Terms of Endearment. Lennon’s murder by Mark David Chapman nevertheless shocked DeVito and millions of people worldwide, creating a lasting sense of grief and disbelief.

Far Out ·Aug 2026

The 2000 Movie Ruined by Bill Murray’s “Inexcusable and Unacceptable” Behaviour

Bill Murray’s alleged on-set behavior became a major source of conflict during the production of Charlie’s Angels (2000). Lucy Liu recalled that Murray hurled repeated insults at her after skipping rehearsals, prompting her to stand up for herself. Director McG also claimed Murray headbutted him and nearly broke his nose, an allegation Murray denied while reportedly making a hostile remark about the director. Murray did not return for the sequel, with Bernie Mac taking over the role of Bosley. Despite the troubled production, Charlie’s Angels earned more than a quarter of a billion dollars worldwide.

Far Out Magazine ·Aug 2026

The Two Future Oscar Winners Denzel Washington Tipped for the Top in 1995: “This Kid Can Act”

Denzel Washington reportedly recognized the future potential of Russell Crowe and Matt Damon while working with them in 1995. Crowe impressed Washington during Virtuosity and went on to earn three consecutive Best Actor nominations, winning for Gladiator. Damon similarly stood out during Courage Under Fire and soon achieved major success with Good Will Hunting, including an Oscar for Best Original Screenplay and a Best Actor nomination.

Far Out Magazine ·Aug 2026

The 1996 Movie Woody Harrelson Will Always Regret Making

Woody Harrelson says turning down the title role in Cameron Crowe’s Jerry Maguire was a career blunder. He realized the mistake after learning that Tom Cruise had accepted the part, which became one of Cruise’s notable successes. Harrelson had previously been approached after Tom Hanks declined the role, and he ultimately competed against Cruise at the Academy Awards, though both lost to Geoffrey Rush. The decision remains a regret despite Harrelson’s strong 1996, which included acclaimed work in Kingpin and The People vs. Larry Flynt.

Far Out ·Aug 2026

The “Horrible” 2011 Role Cameron Diaz Never Thought She Could Pull Off

Cameron Diaz initially doubted she could play Elizabeth Halsey, the obnoxious, immoral, alcohol- and drug-addicted teacher in the 2011 comedy Bad Teacher. She was concerned that the character was irredeemable and unlike her established screen persona, but ultimately embraced the role because it allowed her to avoid making the character likeable or apologetic. The piece contrasts this successful attempt to play against type with the negative reception of several of Diaz’s other dramatic performances, including Gangs of New York, My Sister’s Keeper and The Counselor.

Far Out Magazine ·Aug 2026

The “disgusting” 2000s Movies Scarlett Johansson Wanted Nothing to Do With

After receiving acclaim for The Horse Whisperer, Scarlett Johansson was offered numerous scripts centered on grim and stereotypical stories involving victimized young women, fatal illnesses and revenge. She rejected those roles because she had the financial freedom to choose filmmaker-driven projects such as Ghost World. Her selective approach led to work in films including Lost in Translation, which helped establish her as a major young star, while Eight Legged Freaks provided an exception without fitting the kinds of roles she had criticized.

Far Out Magazine ·Aug 2026

The legendary 1999 movie Leonardo DiCaprio backed out of making: “You know, I can’t”

Leonardo DiCaprio initially agreed to star in The Matrix but withdrew after finishing Titanic, saying he could not make another visual-effects film. Producer Lorenzo di Bonaventura recalled that Keanu Reeves ultimately took the role of Neo. The piece argues that The Matrix became the era’s most influential film, while DiCaprio instead made The Beach, described as the weakest movie of his career, and speculates on how both legacies might have differed had he remained attached.

Far Out ·Aug 2026

Was Clint Eastwood Almost Vice-President of the United States in 1988?

Clint Eastwood’s name was briefly considered as George H. W. Bush’s running mate during the 1988 presidential campaign. Campaign manager James A. Baker III said the suggestion was not entirely unserious because Eastwood had been a Republican mayor of Carmel-by-the-Sea, although strategists quickly rejected it as Bush faced a substantial polling deficit. Dan Quayle was ultimately selected, and Eastwood’s political career ended after his mayoral term.

Far Out Magazine ·Aug 2026

The Four Films Carrie Fisher Considered Her Finest Work

Carrie Fisher identified four films among her finest work: The Empire Strikes Back, Hannah and Her Sisters, The 'Burbs and an Austin Powers film. She valued The Empire Strikes Back for its place in the broader Star Wars story rather than for her own performance, praised Hannah and Her Sisters largely for Woody Allen’s writing, and highlighted the enjoyment she found in making the two comedies. Her choices emphasized personal enjoyment and the quality of the films over the size or complexity of her roles.

Far Out ·Aug 2026

The 2013 Adaptation Stephen King Couldn’t Stand Watching

Stephen King initially praised the 2013 television adaptation of Under the Dome, despite its major deviations from his novel. As the three-season series progressed, however, he became increasingly critical, arguing that its events and characters lacked realism. He particularly objected to the town retaining clean electricity and functioning infrastructure despite being cut off from the outside world, concluding that the adaptation had gone entirely off the rails.

Far Out ·Aug 2026

The “meaningless” 1998 movie Billy Bob Thornton was talked into making

After the success of Sling Blade, Billy Bob Thornton largely avoided conventional Hollywood blockbusters, choosing projects with characters and themes he found meaningful. Financial pressure following his fourth divorce led him to accept a role as Dan Truman in Michael Bay’s 1998 sci-fi blockbuster Armageddon, despite feeling disconnected from the material. Thornton later described the film and similar effects-driven movies as numbing and meaningless, viewing the decision to take the highly paid role as an exception rather than a new direction for his career.

Far Out Magazine ·Aug 2026

The Failed Actor Convinced They’d Be Cast as James Bond in 1972

In 1972, relatively inexperienced actor Guy Peters met James Bond producers Cubby Broccoli and director Guy Hamilton at Eon Productions to discuss replacing George Lazenby. Broccoli suggested Peters might have been chosen earlier as a new face, but uncertainty over whether Bond should be played by an unknown actor remained. Roger Moore ultimately secured the role in Live and Let Die, while Peters left acting, became a journalist, and later unsuccessfully contacted Barbara Broccoli about writing for the Bond franchise.

Far Out Magazine ·Aug 2026

The “embarrassing” 2007 love scene Emily Blunt would rather forget

Emily Blunt recalled feeling embarrassed while filming an intimate scene with Tom Hanks in the 2007 film Charlie Wilson’s War. She said the awkwardness stemmed less from their age difference than from Hanks’s status as a beloved Hollywood figure, though she described him as a gentleman. The situation felt even stranger because her next film, The Great Buck Howard, starred Hanks’s son Colin Hanks, with Blunt playing his love interest while Tom Hanks was also involved in the production.

Far Out ·Aug 2026

The 1991 Role Robin Williams Compared to an Exorcism: “I’m Not Trying to Work Something Out”

Robin Williams once compared his role as Peter Banning in Steven Spielberg’s 1991 film Hook to an exorcism, suggesting the part might have helped him shed his recurring childlike persona. In a later 1998 interview, he rejected the idea that his films were therapeutic or attempts to resolve personal issues, arguing that his attraction to naïve and joyful characters came from connecting with people as human beings. His subsequent roles continued to feature similar qualities, leaving open the question of whether Hook truly marked a break from that aspect of his screen persona.

Far Out ·Aug 2026

The 1999 Movie Philip Seymour Hoffman Crowned as “One of the Best Films I’ve Ever Seen”

Philip Seymour Hoffman praised Paul Thomas Anderson’s 1999 film Magnolia as “one of the best films I’ve ever seen.” The film interweaves the lives of residents in California’s San Fernando Valley, with Hoffman playing nurse Phil Parma alongside performances by Jason Robards, Tom Cruise and Julianne Moore. Its 188-minute story is described as ambitious, emotionally devastating, darkly funny and structurally daring, ultimately making a strong case for Magnolia as one of the greatest American films of its era.

Far Out Magazine ·Aug 2026

The 1978 Movie Stanley Kubrick Called the “Most Interesting” of the Decade

Stanley Kubrick repeatedly praised Claudia Weill’s 1978 independent film Girlfriends, calling it one of the most interesting Hollywood films he had seen in a long time. In a 1980 interview with Vicente Molina Foix, Kubrick bypassed discussion of prominent directors including Scorsese, Spielberg, De Palma, Coppola and Schrader to emphasize Weill’s intimate portrayal of two women whose friendship changes after one moves out to marry. He admired the film’s low-budget production, restraint and commitment to the story’s inner truth, distinguishing it from both mainstream Hollywood and underground cinema.

Far Out Magazine ·Aug 2026

The “atrocious” 1993 movie that haunts Ben Affleck to this day

Ben Affleck’s 1993 short film I Killed My Lesbian Wife, Hung Her on a Meat Hook, and Now I Have a Three-Picture Deal at Disney remains a source of regret for the actor and filmmaker, who has called it “horrible” and “atrocious.” The misogynistic horror-comedy about a man murdering his lesbian wife was made before Affleck’s breakthrough with Good Will Hunting and stands in stark contrast to his later acclaimed directing work, including Gone Baby Gone and Argo. Its poor taste and execution make it an embarrassing first effort, but also highlight how dramatically Affleck developed as a filmmaker.

Far Out ·Aug 2026

The 1993 movie Salma Hayek was forbidden from even auditioning for

Salma Hayek said she begged to audition for the 1993 film The House of the Spirits but was refused, despite the role being Latino. The adaptation of the Chilean-American novel cast predominantly American and European actors, prompting protests from Latin actors over Hollywood’s exclusion of Latino performers from Latino roles. The film was also widely criticized and barely profitable, intensifying concerns about its casting decisions.

Far Out ·Aug 2026

The “fucked-up” 1992 role that saved Tom Hanks’ career

Tom Hanks spent the first decade of his film career largely playing comedic characters, and several attempts to move into more serious roles failed commercially. His portrayal of the hard-drinking, washed-up baseball manager Jimmy Dugan in A League of Their Own marked a decisive change, convincing him to stop accepting roles that felt too safe or weak. The shift was followed by major successes in Sleepless in Seattle, Philadelphia, Forrest Gump and Apollo 13, including consecutive Best Actor Oscars and a lasting transformation of his screen persona.

Far Out ·Aug 2026

The massive 1993 movie Kurt Russell priced himself out of: “I knew I couldn’t afford him”

Steven Spielberg considered Kurt Russell for the role of Dr. Alan Grant in Jurassic Park but rejected the idea because Russell’s salary had risen sharply during the 1990s. After scheduling conflicts initially prevented Sam Neill from taking the role, Spielberg considered Richard Dreyfuss, William Hurt and Harrison Ford before ultimately casting Neill, who turned the part into a defining career role. The casting decision also helped preserve a budget heavily committed to the film’s groundbreaking practical and visual effects.

Far Out Magazine ·Aug 2026

The “crazy, wacky” actor Mel Brooks said was born to be a Nazi

Mel Brooks’s World War II experience and his use of Nazi satire in The Producers are discussed as the foundation of his comedic style. When adapting the stage musical for film, Brooks cast Will Ferrell as the Nazi playwright Franz Liebkind, joking that Ferrell was secretly a “crazy Nazi” and ideally suited to the role. Ferrell’s enthusiastic performance was presented as a major reason Brooks believed the casting worked so well.

Far Out Magazine ·Aug 2026

The classic 1997 blockbuster Robert Redford turned down: “It was approaching a cartoon”

Robert Redford turned down the lead role of President James Marshall in Wolfgang Petersen’s 1997 action blockbuster Air Force One because he felt the concept was becoming too cartoonish. The rejection allowed Harrison Ford to take the role, helping make the film one of his biggest non-Star Wars or Indiana Jones successes. The decision reflects Redford’s long-standing preference for challenging, less conventional projects over straightforward blockbuster action films.

Far Out ·Aug 2026

The “disturbing” 1985 mutiny that almost destroyed 'Saturday Night Live'

Saturday Night Live's 11th season in 1985–86 became one of the show's worst crises. Lorne Michaels returned after a five-year absence with a largely inexperienced cast, but the season premiere featuring Madonna was heavily criticized. Lead writer Michael O'Donoghue publicly called the show an embarrassment, while writer RD Rosen quit and head writer Jim Downey acknowledged that the staff was demoralized. Ratings fell by half by the end of the season, prompting NBC president Brendan Tartikoff to consider cancelling the series. Michaels secured a reprieve, and a revamped cast featuring Dana Carvey and Phil Hartman helped stabilize the program.

Far Out Magazine ·Aug 2026

The 1995 role that “terrorised” John Goodman: “I don’t need the dough, but I do need this”

During a break from the later seasons of Roseanne, John Goodman took on the role of Falstaff in a San Diego production of Shakespeare’s Henry IV. Although he felt terrified and creatively out of practice, Goodman said the challenge was necessary because the sitcom had become repetitive and was no longer stretching him as an actor. Critics responded enthusiastically, and the stage performance helped him reconnect with his theatrical roots.

Far Out ·Aug 2026

The Only Co-Star John Wayne Ever Wanted to Upstage Him

John Wayne generally ensured that co-stars did not overshadow him, but he made an exception for Maureen O'Hara, whom he called the “female equivalent” of himself. During the filming of McClintock!, Wayne encouraged O'Hara to take over a scene rather than share it equally, and she later recalled successfully stealing the moment. Their close, platonic friendship and six-film partnership made O'Hara one of the few performers Wayne openly allowed to challenge him on screen.

Far Out Magazine ·Aug 2026

The “really cool” movie Matt Damon has been dying to make since 1997

Matt Damon has wanted to revisit his role as Mike McDermott from the 1998 poker film Rounders since the movie was filmed in 1997. He believes a sequel could explore how poker has changed through online play and how an older generation of characters would enter that world. Despite Damon's writing, producing and star power, complicated rights ownership involving Miramax and Paramount has kept Rounders 2 from moving forward, while uncertain audience demand remains another obstacle.

Far Out ·Aug 2026

The 2001 Movie That "Wasn't Sexy Enough" for Angelina Jolie

Angelina Jolie reportedly felt the first Lara Croft: Tomb Raider film did not make its heroine look sufficiently sexy or realistic. Although the 2001 video-game adaptation earned nearly $275 million and became the highest-grossing video-game movie at the time, it was critically panned and brought Jolie a Razzie nomination. Its sequel performed worse, while Jolie's other 2001 film, Original Sin, attracted unwanted speculation about a romance with co-star Antonio Banderas.

Far Out ·Aug 2026

The 2002 role Keira Knightley “was sure” she’d be fired from: “I only packed for a week”

Keira Knightley recalled being convinced she would be fired from Pirates of the Caribbean: The Curse of the Black Pearl after arriving in Saint Vincent and the Grenadines with only a week’s worth of luggage. Fresh from the low-budget British hit Bend It Like Beckham, the 17-year-old felt out of place on the $140 million Disney production, but director Gore Verbinski and the studio kept her as Elizabeth Swann. The film’s production lasted about five months, and its success helped turn Knightley into a major international star.

Far Out Magazine ·Aug 2026

The 1999 Performance Michael Caine Got “Slaughtered” For

Michael Caine faced harsh criticism from the British press for his performance as Dr. Wilbur Larch in The Cider House Rules, despite receiving widespread American acclaim and winning the Academy Award for Best Supporting Actor. During his 2000 BAFTA Fellowship speech, Caine criticized the British media for repeatedly belittling his work, saying he had never felt he belonged in his own country and profession. The reception particularly frustrated him because the film represented one of his strongest performances and followed his earlier Oscar win for Hannah and Her Sisters.

Far Out Magazine ·Aug 2026

The 1993 movie Clint Eastwood starred in by accident

Clint Eastwood had not planned to act in A Perfect World, a 1993 crime thriller he took over after Steven Spielberg became unavailable because of Jurassic Park and Schindler’s List. Eastwood initially intended only to direct, but actor Kevin Costner persuaded him that the role of Texas Ranger Red Garnett offered compelling dilemmas. Production was marked by clashes between Eastwood’s efficient style and Costner’s perfectionism, and the film underperformed in the United States after being marketed in a way that drew criticism. Eastwood took 1994 off before returning as both director and star of The Bridges of Madison County.

Far Out Magazine ·Aug 2026

The cult 1985 martial arts musical Denzel Washington couldn’t get cast in: “I was stiff as a board”

Denzel Washington auditioned for the lead role in the 1985 martial arts musical The Last Dragon, alongside actors including Larry Fishburne, Wesley Snipes and Marion Van Peebles. The role ultimately went to martial artist Taimak, whose acting audition was initially weak but whose physical skills suited the film. The movie became a commercial success and enduring cult favourite, while Washington’s rejection left open the possibility that his career might have followed a very different path.

Far Out ·Aug 2026

The 1976 Movie That Spoiled Sam Elliott’s Career Forever

Sam Elliott believes his candid and dismissive comments about the mediocre 1976 romantic drama Lifeguard damaged his prospects as a leading man. Although the film was commercially successful, Elliott said he was too honest, opinionated and “smartass” during its publicity tour, believing he effectively cost himself a bigger career. He later became a highly recognizable character actor and earned major award nominations, but did not make another Paramount film for nearly three decades.

Far Out Magazine ·Aug 2026

The disastrous 1997 movie that "burned" Bruce Willis' career for years

Bruce Willis’s difficult reputation reportedly culminated in 1997 when he left the set of Broadway Brawler, causing the Disney-funded production to be abandoned after nearly $15 million had been spent. Disney sued him for $17.5 million, but the dispute was settled through a deal requiring Willis to make three Disney films at a reduced fee. Two of them, Armageddon and The Sixth Sense, became major box-office successes, turning a damaging production collapse into a highly profitable arrangement for Willis despite allegedly making him more wary of financiers and distributors.

Far Out ·Aug 2026

The 1987 Movies Burt Reynolds Blamed for Turning Him into “an Endangered Species”

Burt Reynolds identified 1983’s Stroker Ace as the moment he lost his audience after turning down the role later played by Jack Nicholson in Terms of Endearment. Financial problems, a near-fatal injury during City Heat and painkiller addiction led him to accept a series of roles, including Malone, Rent-A-Cop and Switching Channels. All three 1987 releases were critical and commercial failures, convincing Reynolds that he had become an outdated leading man, despite the films helping him recover financially.

Far Out Magazine ·Aug 2026

The “obnoxious” 1982 role nobody wanted to play for Ron Howard

Ron Howard struggled to cast Bill Blazejowski, the provocative and potentially obnoxious character in his 1982 comedy Night Shift. Established actors including John Belushi, Dan Aykroyd, Bill Murray and John Candy reportedly rejected the role or considered it too small. Co-writer Lowell Ganz suggested the relatively unknown Michael Keaton, whom Howard initially found too frenetic but ultimately hired. Keaton’s performance impressed Howard by making the character entertaining without becoming completely obnoxious, leading to further collaborations in Gung Ho and The Paper.

Far Out Magazine ·Aug 2026

The “despicable” 2015 movie Leonardo DiCaprio left high and dry

Leonardo DiCaprio was heavily courted to play Steve Jobs in Danny Boyle’s biopic but withdrew in October 2014, six months after his involvement was first reported. Leaked Sony emails showed producer Mark Gordon and chairwoman Amy Pascal reacting angrily, with Pascal calling the decision “despicable.” Laurene Jobs was reportedly involved in urging DiCaprio’s camp to leave, though the exact reason for his departure was never confirmed. Michael Fassbender ultimately took the role, earning an Oscar nomination, while the film received strong reviews but underperformed commercially.

Far Out ·Aug 2026

The 2000 "raunchy sex" scene Gillian Anderson never got to shoot

Gillian Anderson once imagined a lavish, explicitly sexual scene between Dana Scully and Fox Mulder, describing it as potentially the greatest sex in the world and a release for viewers. The X-Files producers ultimately avoided such a scene to preserve the characters’ chemistry, and the 2000 episode “All Things,” written and directed by Anderson, offered only a subtle confirmation that the characters had become intimate.

Far Out Magazine ·Aug 2026

The Director Jack Nicholson Was “Ashamed” He Only Worked With Once: “It’s True”

Jack Nicholson reportedly regretted that he worked with Stanley Kubrick only once, on The Shining. After learning of Kubrick’s death in 1999, Nicholson’s first reaction was disappointment that they would never make another film together, despite the demanding production and Kubrick’s reputation as a difficult director. The piece places this regret within Nicholson’s otherwise extensive career collaborating with major filmmakers.

Far Out Magazine ·Aug 2026

The Cult 2002 Movie Jim Carrey Was Too “Emotional” to Accept

Jim Carrey declined the lead role in Joel Schumacher’s 2002 thriller Phone Booth because he did not want to place himself emotionally in the mindset of a man confronting death inside a phone booth. The film ultimately starred Colin Farrell and became a major box-office success, while other prominent actors and filmmakers—including Steven Spielberg, Nicolas Cage, Mel Gibson, Will Smith, Dustin Hoffman, Al Pacino and Robin Williams—had also been attached during its long development. The article suggests Farrell’s relative lack of stardom may have helped the contained thriller avoid becoming overshadowed by its lead actor.

Far Out ·Aug 2026

The 1999 “sex film” Quentin Tarantino is proud to say he’s never seen

Quentin Tarantino has never watched Stanley Kubrick’s 1999 film Eyes Wide Shut. In a conversation with Bret Easton Ellis, he said that he initially missed the film and then became deliberately stubborn about not seeing it, joking that he did not want to watch a sex film made by an elderly director. The article contrasts this unusual omission with Tarantino’s extensive film knowledge and acknowledges Eyes Wide Shut as a widely regarded classic.

Far Out ·Aug 2026

The “Hostile” 1955 Movie John Wayne Admitted He Was “Awfully Disinterested” in Making

John Wayne became increasingly unhappy while making the 1955 World War II adventure The Sea Chase in Hawaii. The screenplay was unfinished and repeatedly revised by Wayne and director John Farrow, while tensions between co-star Lana Turner, Farrow, Wayne, and other cast members created what Wayne’s ex-wife Pilar described as a hostile atmosphere. Wayne’s ear infections caused further delays, and he later admitted that the discomfort left him “awfully disinterested” in the film’s storylines.

Far Out ·Aug 2026

The iconic 1988 role Jeff Bridges refused to play: “It just wasn’t in the cards for me”

Jeff Bridges declined the role of Josh Baskin in Penny Marshall’s 1988 comedy Big because he felt the character did not suit him. Tom Hanks ultimately played the part, earning a Golden Globe, an Oscar nomination and a major boost to his status as a leading movie star. Bridges said he does not regret passing on the role, while Robert De Niro also reportedly turned it down.

Far Out Magazine ·Aug 2026

The 1998 Role Steven Seagal Was “Brainwashed” Into Quitting

Steven Seagal abandoned a proposed $40 million historical epic in which he was expected to play Genghis Khan. His former business partner Julius Nasso alleged that Seagal’s Buddhist spiritual advisor, Khenpo Tsewang Gyatso, warned him that continuing to make violent films would bring bad karma and reportedly imposed restrictions such as not wearing black or shooting a gun. Seagal denied the allegations and countered that Nasso owed him money. The film was never made.

Far Out ·Aug 2026

The classic 1985 movie that fired Rick Moranis a week into shooting

Rick Moranis was originally cast as Shermer High School’s janitor, Carl Reed, in John Hughes’s 1985 coming-of-age film The Breakfast Club. After about a week of shooting, Hughes dismissed Moranis because the actor’s exaggerated Russian accent, gold teeth, chain and provocative key-playing differed sharply from the intended tone. John Kapelos replaced him, and the role was ultimately played without the caricatured approach.

Far Out ·Aug 2026

The 1984 movie ruined by George Lucas' divorce: “I was in a really bad mood”

George Lucas has said that his divorce from Marcia Lucas left him in a bad mood while making Indiana Jones and the Temple of Doom, prompting him to pursue a much darker tone. Steven Spielberg was also dealing with a breakup, and the pair's personal turmoil influenced the ostensibly youth-oriented adventure film. The result was a grim, divisive sequel that helped prompt the Motion Picture Association of America to create the PG-13 rating, despite remaining a commercial success.

Far Out Magazine ·Aug 2026

The 2002 Movie That Paid Paul Newman $500,000 for Two Days’ Work

During production of Sam Mendes’ 2002 film Road to Perdition, the schedule extended by two days, triggering a contractual payment of $250,000 per additional day for Paul Newman. The studio initially expected Newman to waive the $500,000 fee, but he insisted on receiving it and then donated the entire amount to the Newman's Own Foundation. The incident is presented as an example of Newman’s professionalism and philanthropy.

Far Out Magazine ·Aug 2026

The “shocking” 1964 movie Kirk Douglas couldn’t believe he got away with

Kirk Douglas helped bring Seven Days in May to the screen after reading the 1962 novel about a military conspiracy to overthrow the U.S. president following a nuclear disarmament treaty with the Soviet Union. Working with director John Frankenheimer, Douglas pursued the project despite its politically sensitive subject matter and the heightened tensions following the Cuban Missile Crisis and John F. Kennedy’s assassination. Douglas later recalled that making a film about a military plot against the American government was shocking at the time. Kennedy had read and admired the novel and personally encouraged Douglas to make the movie, which also starred Burt Lancaster, Fredric March and Ava Gardner.

Far Out ·Aug 2026

The Forgotten 1984 Movie Robin Williams Called His “Best”

Robin Williams remained especially proud of Moscow on the Hudson, Paul Mazursky’s 1984 dramedy in which he played a Soviet saxophonist who defects during a visit to New York. The role gave Williams strong early notices as a dramatic lead, and he learned to play the saxophone for the film, although his recorded performances were ultimately overdubbed. Williams called it his best all-round film and said he worked harder on it than on any other project, despite the movie later being overshadowed by his bigger successes, including Good Morning, Vietnam.

Far Out Magazine ·Aug 2026

The 1995 Movie Scene Martin Scorsese Said He’d Never Be Able to Top

The piece argues that Martin Scorsese’s later films, while critically acclaimed, lack the singular, iconic sequences associated with his earlier work. It focuses on the brutal death of Joe Pesci’s Nicky Santoro in Casino, a scene Scorsese reportedly believed he could not surpass, and contrasts it with memorable moments from Taxi Driver, Goodfellas, Raging Bull and other classics.

Far Out ·Aug 2026

The 1997 Movie Morgan Freeman Couldn’t Refuse: “This Was a Momentous Undertaking”

Morgan Freeman accepted a role in Steven Spielberg’s 1997 historical drama Amistad after deciding that its story was important and that the part of Theodore Joadson suited him. He had previously declined the role of James Covey because he felt he was too old for it, allowing Chiwetel Ejiofor to make his film debut. Freeman regarded Amistad as a momentous undertaking, but despite critical praise and four Oscar nominations, the 154-minute film fell short of expectations and had limited broad appeal.

Far Out ·Aug 2026

The 2014 Role Chadwick Boseman Would Only Play on One Condition: “That Was a Deal-Breaker”

Chadwick Boseman nearly declined the 2014 sports drama Draft Day unless he could film his telephone conversations with Kevin Costner in the same space and at the same time. Boseman argued that performing opposite Costner in person was essential to making the scenes feel genuine, rather than having the actors filmed separately and combined during post-production. The filmmakers agreed to his condition, allowing him to share the scenes directly with Costner. The article presents the decision as evidence of Boseman’s artistic conviction and admiration for his co-star.

Far Out Magazine ·Aug 2026

The “truly great” 2004 movie Billy Bob Thornton made 30 years too late

Billy Bob Thornton considers his portrayal of Davy Crockett in John Lee Hancock’s 2004 historical epic The Alamo one of his proudest achievements and says historians regarded it as the most historically accurate version. The film cost more than $100 million, earned just over $25 million domestically, was heavily criticized, and became one of Hollywood’s biggest box-office bombs. Thornton blamed its failure partly on teenagers’ lack of interest in history and argued that it would have performed much better if released in the 1970s, a claim the piece treats skeptically given the poor performance of John Wayne’s earlier Alamo film.

Far Out Magazine ·Aug 2026

The “Stupid” 1968 Movie Roger Ebert Wasted 103 Minutes of His Life On

The article revisits Roger Ebert’s extremely negative review of the 1968 spaghetti western A Minute to Pray, a Second to Die. Ebert condemned the film as boring, artless and unintelligent, arguing that post–Dollars westerns reduced characters to violent functions and copied better movies. The film’s American cut ran for 103 minutes, while the Italian version was 13 minutes longer; despite the genre’s commercial success, Ebert viewed this example as emblematic of its lowest-common-denominator filmmaking.

Far Out Magazine ·Aug 2026

The 1980 Movie Steven Spielberg Tried and Failed to Ghost-Direct

Steven Spielberg allegedly tried to influence the direction of Robert Zemeckis's 1980 comedy Used Cars, which Spielberg executive-produced. According to filmmaker Mick Garris, Kurt Russell confronted Spielberg and insisted that the cast could take direction from only one person; Spielberg accepted the criticism and backed off. The incident is compared with longstanding claims that Spielberg effectively ghost-directed Tobe Hooper's Poltergeist, where no similarly forceful intervention reportedly occurred.

Far Out ·Aug 2026

The “bad” 1996 movie Halle Berry wishes she’d never made: “Was I high when I agreed to this?”

Halle Berry has identified the 1996 thriller The Rich Man’s Wife as a film she regretted making. She said she recognized during production that it was unlikely to provide a strong cinematic experience and jokingly wondered whether she had been high when accepting the role. The article places the film among several critically derided entries in Berry’s career, alongside Catwoman and other later disappointments.

Far Out ·Aug 2026

The 2013 Role That Was Too Sexy for Olivia Wilde to Play

Olivia Wilde turned down the role of Linda Lovelace in the 2013 biopic Lovelace because she believed the public had already sexualized her and that the character would be better served by an actor without that image. Wilde said she wanted roles that were not defined by sexualization, while acknowledging that she had always been comfortable discussing sexuality. Amanda Seyfried ultimately played Lovelace, whose story involved abuse, exploitation and coercion.

Far Out Magazine ·Aug 2026

The 1999 Robert Downey Jr Movie Despised by the People Who Made It

Robert Downey Jr.’s 1999 thriller In Dreams, directed by Neil Jordan and co-written by Bruce Robinson, is presented as one of the weakest films of Downey’s troubled late-1990s period. Robinson fiercely condemned the production and final film, calling it a complete mess and saying he hated it more than anything else with which he had been associated. The article also places the film within a run of commercial and critical failures before Downey Jr.’s later career revival.

Far Out Magazine ·Aug 2026

The 2004 performance Woody Harrelson knew he couldn’t beat: “I didn’t think I could do it better”

Woody Harrelson was considered for the role of Frank Gallagher in the American adaptation of Shameless but declined after watching David Threlfall’s acclaimed performance in the British original and deciding he could not do it better. William H. Macy then took the part, playing Frank for all 11 seasons of the US series and earning six Primetime Emmy nominations and two Golden Globe nominations, while Threlfall also portrayed the character throughout the original show’s 11-season run.

Far Out ·Aug 2026

The 1988 movie forbidden from killing Mel Gibson: “I made the guy too earnest”

Robert Towne originally intended for Mel Gibson’s drug-dealing character Dale McKussic to die by being burned in the climax of Tequila Sunrise. Warner Bros. rejected the ending because Gibson was a major star and required his character to survive, leaving Towne to stage an escape from an exploding boat instead. The piece also notes Towne’s limited studio influence and compares the decision with the abandoned plan to kill Gibson’s character in Lethal Weapon 2.

Far Out Magazine ·Aug 2026

The “Unbeatable” 1974 Masterpiece Mel Brooks Called “As Great as Any Movie Ever Made”

Mel Brooks has called the performances in his 1974 comedy Blazing Saddles as great as those in any film ever made. The piece highlights his praise for Cleavon Little, Gene Wilder and Madeline Kahn, while noting that his view is inherently biased. It compares the film’s ensemble with the casts of Some Like It Hot and The Godfather Part II, arguing that the latter had the stronger overall acting lineup in 1974.

Far Out Magazine ·Aug 2026

The 2002 adaptation Stephen King vowed would be his last: “When you get done, you get done”

Stephen King said ahead of the 2002 premiere of Rose Red that he might be finished with horror screen projects, remarking, “When you get done, you get done.” The three-episode television event originated from an idea by Steven Spielberg, though their proposed adaptation of Shirley Jackson’s The Haunting of Hill House was abandoned in favor of an original story. Rose Red was one of King’s first major creative projects after his near-fatal 1999 accident, but his prediction proved short-lived: several other King-related television and film projects, including Carrie, The Dead Zone, The Mangler 2 and Firestarter: Rekindled, were released that same year.

Far Out ·Aug 2026

The 2002 movie scene Tom Cruise was blackmailed into shooting

While filming Minority Report, Tom Cruise was determined to perform a difficult underwater shot himself after Steven Spielberg suggested that the effect could be created with special effects. The scene required Cruise to release a single air bubble from one nostril while hiding underwater from spider-like robots. Cruise practiced until he mastered the technique, allowing the shot to be completed without CGI.

Far Out Magazine ·Aug 2026

The “messed-up” actor who accidentally made Kevin Bacon a star

Christopher Atkins says he lost the role of Ren McCormack in Footloose after attending his audition while drinking and delivering a disastrous performance, despite believing the part was effectively his. Kevin Bacon ultimately secured the role, becoming a household name, though the sudden heartthrob status initially frustrated his ambitions to be taken seriously. After a career slump, Bacon regained prominence with JFK in 1991, while Atkins continued working but never matched the visibility of The Blue Lagoon.

Far Out Magazine ·Aug 2026

The Two 1959 Movies That Convinced John Wayne America Was Doomed: “Our Country’s Going Soft”

John Wayne’s 1960 criticism that American culture and cinema were becoming too soft is linked to his reaction to two 1959 films: Joseph L. Mankiewicz’s Suddenly, Last Summer and Robert Rossen’s They Came to Cordura. The article argues that their treatment of mental health, homosexuality, psychological trauma, and the ambiguity of military courage conflicted with Wayne’s traditional image of masculine heroism. His resistance to these themes foreshadowed his broader inability to adapt to the New Hollywood movement of the late 1960s and 1970s.

Far Out Magazine ·Aug 2026

The actor desperate to delete their two James Bond auditions from history: “It has plagued my life”

James Purefoy auditioned for James Bond twice, first in the early 1990s before Pierce Brosnan was cast and later during the search that led to Daniel Craig. Purefoy believes his own doubts about the consequences of landing the role contributed to his failure on both occasions. He says the revelation that he auditioned has plagued him and wishes the subject would no longer be discussed.

Far Out ·Aug 2026

The 2002 movie Harrison Ford was happy to shame into existence

Gurinder Chadha struggled to secure funding for Bend It Like Beckham after the UK Film Council doubted that audiences would accept an Indian girl playing football. She challenged incoming CEO John Woodward by asking whether Harrison Ford had to jump out of helicopters to make his films, prompting him to pledge the first £1 million of the movie’s £5 million budget. Chadha later told Ford the story, and he responded with characteristic deadpan humor. The film went on to become a major critical and commercial success and an important milestone for British Asian representation.

Far Out ·Aug 2026

The “amazing” 1969 nude scene that left Quentin Tarantino’s jaw on the floor

Quentin Tarantino has described the naked wrestling match between Oliver Reed and Alan Bates in Ken Russell’s 1969 film Women in Love as one of the most amazing sequences ever filmed. The scene shocked Tarantino when he first encountered it and became controversial because of its unprecedented full-frontal nudity, although the BBFC ultimately passed the film uncut after Russell addressed concerns about visibility through low lighting. The sequence is presented as a defining example of Russell’s willingness to push actors and conventional filmmaking boundaries.

Far Out ·Aug 2026

The “astonishing” 1996 role that blew Tom Hanks away: “The performance of the ages”

Tom Hanks was deeply invested in his 1996 directorial debut That Thing You Do!, having written the screenplay and wanted its performances to match his vision. During auditions, Steve Zahn impressed Hanks with his portrayal of Lenny Haise, the lead guitarist of the fictional band the Wonders. Hanks called Zahn’s work “the performance of the ages” and said it was astonishing, although the piece notes that this praise may be hyperbolic. The film initially disappointed at the box office but gradually developed a cult following.

Far Out Magazine ·Aug 2026

Steven Spielberg Is to Blame for Clint Eastwood’s 2010 Flop

Clint Eastwood’s 2010 supernatural drama Hereafter is presented as one of the weakest films of his career. The piece argues that Steven Spielberg’s involvement led Eastwood to accept and direct the script with limited personal input, producing a sentimental, overly elaborate film whose three interwoven storylines clashed with Eastwood’s normally restrained, realistic style.

Far Out Magazine ·Aug 2026

The “hilariously unconvincing” 2002 movie Roger Ebert couldn’t stand: “This sucks on so many levels”

Roger Ebert gave Jason X, the tenth Friday the 13th film, only half a star and mocked its dialogue as accidentally summarizing the movie’s many flaws. He criticized its storytelling, character development, suspense, special effects, originality and production quality, calling it a low-rent retread of the Alien films and its space-station crash hilariously unconvincing. Ebert identified the scene in which Jason freezes and smashes a victim’s face as the film’s only worthwhile effects shot. Despite the critical reception, the movie remains popular among some franchise fans, including Quentin Tarantino, who considers it an entertaining B-movie rather than a genuinely good film.

Far Out ·Aug 2026

The "piece of shit" 1983 movie Quentin Tarantino never wants to see again

Quentin Tarantino has repeatedly criticized Michael Mann’s 1983 supernatural horror film The Keep. After admiring Mann’s acclaimed debut Thief, Tarantino found The Keep’s shift to a Nazi-versus-monster story disastrous and called it an unentertaining fiasco. He reached the same conclusion when revisiting the film for the Video Archives podcast, also criticizing Ian McKellen’s performance and comparing the cast to a bad community-theatre production.

Far Out ·Aug 2026

The “Sick” Thing Clint Eastwood Will Never Do for His Fans

Clint Eastwood has said he refuses to sign fans’ guns, firearm handles, or holsters, despite making rare exceptions for law enforcement officials. He explained that he does not want his name associated with a weapon that could potentially be used to harm someone, although he acknowledged the disturbing possibility that such a signed gun might later be involved in a killing.

Far Out Magazine ·Aug 2026

The Actor Who Turned Down Patrick Swayze’s Most Iconic 1990s Role

Michael Biehn said turning down a role in Kathryn Bigelow’s Near Dark was a mistake, particularly because it may have cost him the opportunity to play Bodhi in Bigelow’s later film Point Break. Patrick Swayze ultimately secured the role and became closely associated with the character through his charisma and daring stunt work. The piece considers whether playing Bodhi could have changed Biehn’s stalled prospects as a leading man, while acknowledging that Swayze’s performance was central to the character’s lasting popularity.

Far Out Magazine ·Aug 2026

The 1992 movie that made Al Pacino fall in love with John Goodman

Al Pacino identified John Goodman’s performance as Babe Ruth in Arthur Hiller’s 1992 sports biopic The Babe as the work that convinced him Goodman was one of cinema’s greatest actors. Goodman himself was dissatisfied with the performance, but Pacino praised his versatility and said he would watch any film featuring him, placing Goodman alongside Tom Hanks, Robert De Niro and Ben Kingsley among his favorite actors.

Far Out ·Aug 2026

The “masterpiece” 1982 movie Javier Bardem saw 24 times at the cinema

Javier Bardem has said that Steven Spielberg’s 1982 film E.T. the Extra-Terrestrial is a masterpiece and one of cinema’s most beautiful love stories. He saw it 24 times in theatres as a child, connecting with its story of two abandoned beings who understand each other through love rather than fear. The article places Bardem’s admiration for E.T. alongside his later work in science-fiction and blockbuster films, noting his acclaimed career, four Oscar nominations and Academy Award win for No Country for Old Men. E.T. is also highlighted as a major cultural and commercial success that won four Oscars and received five further nominations.

Far Out ·Aug 2026

The 1992 'Terminator' Rip-Off Arnold Schwarzenegger Refused to Star In

Arnold Schwarzenegger declined the lead role in 1992’s Universal Soldier because its cyborg, time-travel and action elements closely resembled The Terminator, particularly after the success of Terminator 2: Judgment Day. His former agent Lou Pitt said Schwarzenegger did not need to work and preferred choosing projects carefully rather than accepting roles simply for employment. The film was ultimately led by Jean-Claude Van Damme and Dolph Lundgren and directed by Roland Emmerich.

Far Out Magazine ·Jul 2026

The Nine-Year-Old Child John Wayne Couldn’t Stand Working With

During the production of the 1953 western Hondo, John Wayne reportedly became frustrated with nine-year-old Lee Aaker, repeatedly yelling at him and pressuring him to perform scenes in Wayne’s preferred manner. Geraldine Page recalled Wayne’s frequent temper outbursts and his attempts to bully Aaker, while Wayne was also said to have disapproved of Page’s immersive acting and distrusted director John Farrow’s contribution. Page ultimately received the film’s only major awards-season recognition with an Oscar nomination.

Far Out ·Jul 2026

The 2009 Co-Star Who Saved Ryan Reynolds from “Actor Jail”

Ryan Reynolds recalled being in “actor jail” after a series of high-profile disappointments, including Green Lantern, RIPD and X-Men Origins: Wolverine. His 2009 co-starring role with Sandra Bullock in The Proposal gave him a successful collaboration and an example of a star who had taken control of her own career. Reynolds said observing Bullock and other experienced performers led him to take authorship of his professional choices, a shift that ultimately helped him develop Deadpool and become one of Hollywood’s most successful stars.

Far Out ·Jul 2026

The Star Steven Spielberg Would Cast If He Made Saving Private Ryan in 1951

Steven Spielberg reportedly said that, had he made Saving Private Ryan in 1951, he would have wanted James Stewart to play the lead. The article contrasts Stewart’s Golden Age screen persona with Tom Hanks’s performance, discusses Spielberg’s effort to present World War II with authenticity rather than conventional genre tropes or post-Vietnam cynicism, and notes that Stewart later refused to appear in World War II films after returning from the war.

Far Out ·Jul 2026

The “Extraordinary” 2008 Performance Gary Oldman Compared to America’s Best

Gary Oldman praised Heath Ledger’s Joker in The Dark Knight as an extraordinary, once-in-a-generation performance comparable to Jack Nicholson in One Flew Over the Cuckoo’s Nest and Al Pacino in Dog Day Afternoon. Oldman said Ledger had “gone through the sound barrier” by creating an unnervingly unpredictable character, a judgment made especially meaningful because he witnessed the performance firsthand while playing Jim Gordon. Ledger died before the film’s release, but the article argues that his posthumous Oscar and enduring cultural impact confirmed Oldman’s assessment.

Far Out Magazine ·Jul 2026

The 1996 Movie Scene Sean Connery Couldn’t Stand Shooting: “He Called Me a Fuckhead”

During the final day of filming Michael Bay’s 1996 action movie The Rock, Sean Connery reportedly lost his temper after being asked to hold his breath underwater for 30 seconds while a fireball passed overhead. Bay recalled that Connery called him a “fuckhead” because the stunt had not been rehearsed, while Bay argued that rehearsing with an actual fireball was impractical. The article portrays the exchange as the result of Connery’s exhaustion, discomfort with water and reluctance to perform dangerous stunts, while noting that he otherwise respected Bay and supported the production.

Far Out Magazine ·Jul 2026

The “Brutal” 2005 Movie Scene That Traumatised Jim Carrey’s Daughter

Jim Carrey recalled that his teenage daughter Jane was horrified while visiting the set of Fun with Dick and Jane in 2005, when she saw him dressed in sequins and heels for a crime-comedy scene. She reportedly wanted to leave early because the image was so disturbing to her, while the article dismisses the film as a commercially moderate but creatively underwhelming remake.

Far Out Magazine ·Jul 2026

“We don’t get on all that good”: the 2009 co-star Morgan Freeman said had a “big head”

Morgan Freeman recalled not getting along particularly well with Matt Damon while making Clint Eastwood’s 2009 film Invictus. Freeman jokingly—or possibly pointedly—called Damon big-headed and a journeyman actor, despite Damon’s status as an Oscar-winning leading man. The remarks did not appear to damage Freeman’s overall experience of portraying Nelson Mandela, a role Mandela himself had approved.

Far Out ·Jul 2026

The 2005 Movie Role Bill Murray Refused to Play for His Arch-Nemesis

Harold Ramis hoped to reunite with Bill Murray by casting him as Pete Van Heuten in the 2005 film The Ice Harvest. Ramis contacted Murray through his brother, Brian Doyle-Murray, but Murray rejected the offer and reportedly did not even mention Ramis when declining. The refusal reflected the long-running estrangement between the former collaborators, which began after Groundhog Day.

Far Out Magazine ·Jul 2026

The “beautiful” 1987 movie Christopher Nolan called the greatest comedy of all time

Christopher Nolan has identified Bruce Robinson’s 1987 cult comedy Withnail and I as his favourite comedy of all time. Nolan particularly values its combination of absurd humour and emotional melancholy, while the film is also described as an influential and widely acclaimed British classic. Although Nolan enjoys broad comedies such as Talladega Nights and MacGruber, the article speculates that any comedy he might direct would more likely follow Withnail and I’s balance of laughter and pathos than rely on rapid-fire jokes.

Far Out ·Jul 2026

The 1963 Porno Movie Stanley Kubrick Seriously Considered Directing

During the making of Dr. Strangelove, screenwriter Terry Southern showed Stanley Kubrick a hardcore pornographic film, prompting Kubrick to suggest that such a film could be made under studio conditions. Southern subsequently developed the idea into his 1970 novel Blue Movie, whose fictional director resembles Kubrick and which was dedicated to him. Kubrick reportedly expressed interest in directing a screen adaptation, even praising Southern’s writing in a telegram, but the project never came to fruition.

Far Out Magazine ·Jul 2026

The 2002 Movie Matt Damon Will Always Regret Turning Down

Matt Damon has said he regretted being unable to star in Shekhar Kapur’s 2002 historical drama The Four Feathers because he was committed to The Bourne Identity. Although Damon feared the Bourne film might damage his career, it instead revitalized his profile and launched a lucrative franchise, while The Four Feathers received weak reviews and failed to break even. Heath Ledger ultimately played Harry Faversham, and Damon later praised Ledger as the greatest actor he had seen perform in person.

Far Out Magazine ·Jul 2026

The “dark, nasty” 2002 role Robin Williams wished more people had seen

Robin Williams considered Danny DeVito’s 2002 dark comedy Death to Smoochy an underappreciated film and wanted more people to see it. Williams played disgraced children’s television host Rainbow Randolph Smiley, a role intended to reveal a vicious side beneath a seemingly wholesome persona. Despite a strong cast including Edward Norton, the film was a major box-office failure, earning just over $8 million against a $50 million budget, and was received less favorably than Williams’s other dark performances in Insomnia and One Hour Photo. It has since developed a modest cult following.

Far Out Magazine ·Jul 2026

The 1986 role Steve Buscemi crowned the best of his life

Steve Buscemi considers his performance as Nick, an HIV-positive rock musician in Bill Sherwood’s 1986 drama Parting Glances, one of the best and most interesting roles of his career. The film was an early mainstream work to portray AIDS and gay life with frankness and realism, while giving Buscemi a complex character marked by wit, vulnerability, denial and defiance. Although he hoped the role would lead to similar opportunities, he instead mostly received offers to play low-level drug dealers; nearly four decades later, Parting Glances remains his personal favorite.

Far Out ·Jul 2026

The Notorious 1972 Movie Scene Clint Eastwood Called “One of the Most Frightening Ever Filmed”

Clint Eastwood identified the infamous assault scene in John Boorman’s 1972 thriller Deliverance as one of the most frightening ever filmed. The sequence, in which Ned Beatty’s Bobby Trippe is forced to undress and squeal like a pig by a mountain-dweller, became the film’s defining and most controversial moment. The article contrasts Eastwood’s admiration for the scene’s terrifying power with his broader skepticism toward conventional horror films, including his dismissive views of The Shining and his decision to reject Eyes of Laura Mars.

Far Out Magazine ·Jul 2026

The “powerful” Movie Ron Howard Has Refused to Watch Since 2001

Ron Howard says he has not watched A Beautiful Mind since its theatrical release in December 2001, despite having fond memories of making the film. He particularly admires Russell Crowe’s creativity and emotional commitment as John Nash. The film earned Howard Academy Awards for Best Picture and Best Director, although its reputation has declined and it is now often viewed as one of the weaker Best Picture winners of the 21st century.

Far Out Magazine ·Jul 2026

The movie studio that blacklisted "asshole" Adam Sandler

Sony Pictures reportedly distanced itself from Adam Sandler after disputes over his proposed big-budget Candy Land film and his demand for an additional $100,000 payment for collaborator Allen Covert’s work on Hotel Transylvania 2. Internal emails from executives Hannah Minghella, Doug Belgrad, Michelle Raimo Kouyate and Amy Pascal described Sandler and Covert in highly derogatory terms. Around the same period, Sandler and Happy Madison entered an exclusive deal with Netflix, ending their long-running relationship with Sony.

Far Out Magazine ·Jul 2026

The “unusual” 1993 scandal that shocked Tom Cruise to his core

Tom Cruise faced intense backlash from Anne Rice and devoted readers when he was cast as Lestat in the 1993 film adaptation of Interview with the Vampire. Rice publicly criticized the decision, and the reaction initially hurt Cruise, who was unaccustomed to beginning a film with audiences opposed to his involvement. After seeing Neil Jordan’s finished film, Rice changed her mind, apologized to Cruise personally and praised his interpretation of the character. Cruise ultimately overcame the controversy, while Brad Pitt’s casting as Louis attracted far less scrutiny.

Far Out ·Jul 2026

The 1984 Movie That Saved Kevin Bacon from a "Furious" Drug Bust

Kevin Bacon recalled being stopped for speeding while driving between Oklahoma and Texas with marijuana in his car. The police officer recognized him from Footloose, revealed that the film had been his first-date movie, and issued only a warning instead of searching the vehicle. The incident highlighted how Bacon’s breakthrough 1984 role unexpectedly protected him from a potential drug-possession charge.

Far Out Magazine ·Jul 2026

The Legendary 2007 TV Series Stephen King Can't Stand

Stephen King once dismissed Mad Men as “basically a soap opera,” saying he would rather watch Revenge. The criticism contrasts with the drama’s broad acclaim, including 92 episodes, five Golden Globe wins and more than 100 Emmy nominations, as well as recognition for Jon Hamm’s performance as Don Draper. Mad Men is presented as a landmark of prestige television, while King’s preferences for series such as The Wire, The Sopranos, Breaking Bad and Line of Duty are described as far less controversial.

Far Out Magazine ·Jul 2026

The Iconic 1980 Movie Clint Eastwood Couldn’t Stand

Clint Eastwood sharply criticized Stanley Kubrick’s The Shining in an interview with Paul Nelson, calling it “a giant failure” and arguing that it contained nothing genuinely terrifying. Eastwood also mocked Kubrick’s decision to promote the film as “a masterpiece of modern horror” by joking that his own Any Which Way You Can could be advertised as “a masterpiece in modern comedy and adventure.” The criticism reflects the contrasting filmmaking styles and public personas of Kubrick, an ambitious and provocative perfectionist, and Eastwood, known for economical production and understated self-presentation.

Far Out Magazine ·Jul 2026

Dwayne Johnson names the greatest comedy actor of all time

Dwayne Johnson identifies Gene Wilder as the greatest comedy actor, recalling how strongly Wilder's performance in Willy Wonka and the Chocolate Factory affected him. The piece praises Wilder's range and collaborations with Mel Brooks while arguing that Johnson's own comedy career has been undermined by weak films and an overreliance on exaggerated performances. It also notes Johnson's recent commercial difficulties despite critical recognition for his dramatic work.

Far Out ·Jul 2026

The actor Burt Reynolds forced into a 1982 role that left them in tears: “He got killed”

In 1982, Burt Reynolds persuaded his longtime friend and frequent co-star Jim Nabors to headline The Music Man at the Burt Reynolds Dinner Theatre in Jupiter, Florida, opposite Florence Henderson. Nabors had never performed live on stage and reportedly became tearful after struggling with the role. Reynolds challenged him either to quit or commit to improving, and Nabors ultimately persevered and became better, according to Reynolds.

Far Out ·Jul 2026

The 2006 movie role that sent Kurt Russell into Hollywood exile

Kurt Russell’s longest career break began after filming Quentin Tarantino’s Death Proof in 2006. He became more interested in making pinot noir and chardonnay through his GoGi wine venture than in the screenplays available to him. Don Handfield’s 2011 sports drama Touchback eventually brought him back to film, although it performed poorly and his return remained sporadic until 2015. Russell subsequently resumed a prolific career with roles in major franchises and films including Marvel and Fast & Furious projects, Godzilla, The Christmas Chronicles and The Smurfs.

Far Out Magazine ·Jul 2026

The One Movie Genre Tom Hanks Wants Nothing to Do With

Tom Hanks has consistently avoided conventional action films since expressing his dislike of the genre in 1998, saying they are not interesting enough to justify the time required to make and promote them. Although he has appeared in thrillers, science-fiction films, fantasies and the comic-book adaptation Road to Perdition, he has never headlined a typical action movie or superhero blockbuster. Hanks has said he is not categorically opposed to superhero films, but notes that Marvel has never offered him a role.

Far Out Magazine ·Jul 2026

The 1994 Movie Line Samuel L Jackson Called the Most Iconic of His Career

Samuel L. Jackson identifies “Say what again?” and “Do they speak English in what?” from Quentin Tarantino’s 1994 film Pulp Fiction as among his most iconic lines. He attributes their impact to both the writing and his distinctive delivery, emphasizing that the way dialogue is spoken can make it resonate with audiences. The piece places these lines alongside Jackson’s many other memorable performances and argues that he is one of modern Hollywood’s defining scene-stealing actors.

Far Out Magazine ·Jul 2026

The “beautifully putrid” 1979 movie Quentin Tarantino walked out of

Quentin Tarantino once walked out of a triple-feature before watching Delirium, a 1979 thriller about a traumatized Vietnam veteran ordered to kill drifters and vagrants. Years later, he watched the film and realized he had mistakenly dismissed it, calling it a “beautifully putrid hidden gem” that had blown his mind. The story highlights his later regret at missing the film during its original drive-in and repertory-cinema run.

Far Out Magazine ·Jul 2026

The 2009 movie crew who said Megan Fox should swap acting for porn

Anonymous crew members working on Transformers: Revenge of the Fallen publicly attacked Megan Fox after she compared director Michael Bay to Adolf Hitler. In a statement posted on Bay’s personal website, they accused Fox of being difficult and a poor actor, and suggested pornography as a possible career option. Bay said he did not endorse either the crew’s letter or Fox’s remarks, while the incident remains an example of the unusually personal and misogynistic backlash surrounding Fox’s feud with the director.

Far Out Magazine ·Jul 2026

The 1998 co-star who left Brendan Fraser in awe

Brendan Fraser regarded Ian McKellen as an important mentor during the making of 1998's Gods and Monsters. Fraser admired McKellen's professionalism, talent and accessibility, particularly his belief that acting should serve the script rather than the actor's ego. McKellen's guidance helped Fraser strengthen his commitment to craft as he approached stardom, and McKellen later recommended him for a 2001 production of Tennessee Williams's Cat on a Hot Tin Roof.

Far Out Magazine ·Jul 2026

The Movies Martin Scorsese Saw as His Unofficial Trilogy

Martin Scorsese has described The Last Temptation of Christ, Kundun and the George Harrison documentary Living in the Material World as companion pieces linked by their exploration of faith, spirituality and the search for meaning. Although the films address Christianity, Buddhism and Hindu philosophy through different subjects and settings, they share Scorsese’s recurring interest in guilt, redemption and moral responsibility. The article also notes that Silence later extended this unofficial spiritual series, turning the original trilogy into a quartet.

Far Out Magazine ·Jul 2026

The awful 2015 movie Ray Winstone only made for the money

Ray Winstone acknowledged that he accepted the 2015 remake of Point Break primarily because it paid well and offered extensive international travel. The article contrasts his flat performance as Angelo Pappas with Gary Busey’s memorable portrayal in Kathryn Bigelow’s 1991 original, which it considers a superior action classic. The remake is characterized as a poorly received, $100 million production with disastrous box-office results.

Far Out Magazine ·Jul 2026

“I went into a coma”: The 1984 Clint Eastwood movie that almost killed Burt Reynolds

During production of the 1984 crime comedy City Heat, a stuntman accidentally struck Burt Reynolds in the head with a metal chair, fracturing his jaw. Reynolds completed filming but endured severe pain, underwent dental treatment and developed an addiction to painkillers, reportedly taking up to 50 pills a day. He eventually fell into a coma lasting eight or nine hours, prompting doctors to ask his wife Loni Anderson to say goodbye. Reynolds recovered and overcame the addiction several years later.

Far Out Magazine ·Jul 2026

The “crazy” 1978 movie Clint Eastwood was warned against making

Clint Eastwood was warned by his advisers not to make the 1978 comedy Every Which Way but Loose, in which he co-starred with an orangutan, because it seemed inconsistent with his established image as a gritty action star. Eastwood ignored the advice and played Philo Beddoe alongside the orangutan Manis. Although critics reacted poorly, audiences embraced the odd-couple comedy, which earned more than $100 million in the United States—over $530 million adjusted for inflation—and became the highest-grossing leading-role film of Eastwood’s career.

Far Out Magazine ·Jul 2026

The “immature” actor even Ron Howard couldn’t stand working with

Ron Howard described Val Kilmer as extremely talented but immature, divisive and prone to stirring up trouble on the set of their 1988 fantasy film Willow. Although Howard said he liked Kilmer personally, he found the actor frustrating, reinforcing Kilmer’s longstanding reputation for difficult and disruptive behavior in Hollywood.

Far Out Magazine ·Jul 2026

The “douchey” 2011 moment Matt Damon wants everyone to forget

Matt Damon publicly attacked Tony Gilroy’s draft of The Bourne Ultimatum, reportedly calling it so poor that it could damage his career. Damon later acknowledged that his reaction was personal, apologizing for making the dispute public and calling his behavior stupid, unprofessional and “douchey.” The screenplay was subsequently revised by George Nolfi and Scott Z. Burns, and the 2007 film earned strong reviews despite the controversy.

Far Out Magazine ·Jul 2026

The 1972 Movie Marlon Brando Starred in but Couldn't Understand

Marlon Brando admitted that he did not understand what Bernardo Bertolucci’s 1972 film Last Tango in Paris was about, even though he earned an Academy Award nomination for his performance. The article contrasts Brando’s instinctive approach to acting with the film’s highly debated psychological, political and sexual symbolism, noting that he eventually described it as a mythological story about a man desperately seeking meaning in life.

Far Out Magazine ·Jul 2026

The co-star Sandra Bullock thought was in a league of his own

Sandra Bullock struggled to describe Matthew McConaughey after working with him on Joel Schumacher’s A Time to Kill, portraying him as an unusually charismatic and unpredictable performer. The article traces McConaughey’s early success, subsequent typecasting in romantic comedies, and later career revival—the “McConnaisance”—which culminated in an Academy Award for Best Actor. Bullock’s colorful comparison blends the qualities of Will Rogers, Paul Newman, Boxcar Willie and a six-year-old child to convey that she viewed McConaughey as entirely unique.

Far Out Magazine ·Jul 2026

The Greatest Entertainer of All Time, According to Eddie Murphy

Eddie Murphy's rapid rise across stand-up comedy, television, film and music made him one of the biggest entertainers of the 1980s. In a 1984 interview with Rolling Stone, Murphy named Elvis Presley as the greatest entertainer who ever lived, admiring his extraordinary charisma and cultural visibility. Presley also served as a cautionary example of the pressures, pitfalls and personal costs associated with achieving intense fame at a young age.

Far Out Magazine ·Jul 2026

The director Steven Spielberg flew across America to yell at: “He was screaming at him”

Steven Spielberg reportedly flew by private jet to the Oklahoma set of Twister after director Jan de Bont shoved a camera assistant and refused to apologise, prompting the cinematographer and other crew departments to walk out. Spielberg allegedly spent about 15 minutes yelling at de Bont from the aircraft ramp before departing, in an attempt to prevent the production from collapsing.

Far Out ·Jul 2026

The 2003 Role People Said Steven Seagal Deserved Over Tom Cruise

Steven Seagal claimed that he deserved the leading role of Nathan Algren in the 2003 film The Last Samurai more than Tom Cruise, citing his martial-arts training and time in Japan. The article disputes Seagal’s account of his upbringing and mocks his claim that 450,000 people had protested the casting decision. It contrasts Seagal’s criticism with the film’s commercial and awards success, including approximately $450 million in box-office revenue, a Golden Globe nomination for Cruise and four Academy Award nominations.

Far Out Magazine ·Jul 2026

The legendary 1981 movie Sam Elliott sabotaged himself out of: “Who’s this cocky jerk?”

Sam Elliott recalled that his blunt and self-described bad attitude cost him a chance to appear in Raiders of the Lost Ark. During a meeting with George Lucas and Steven Spielberg, he answered their questions candidly instead of demonstrating enthusiasm for Lucas’s work, leaving him convinced that they viewed him as a “cocky jerk” and would not cast him. The incident became an example of how Elliott’s outspokenness sometimes undermined his career, despite his later success and recognition.

Far Out Magazine ·Jul 2026

The “beautiful” 1985 movie Ridley Scott called ahead of its time

Ridley Scott considers his 1985 fantasy film Legend beautiful and 25 years ahead of its time, arguing that it anticipated the mainstream success later achieved by films such as The Lord of the Rings and Harry Potter. The film performed poorly commercially, its production set was destroyed by a fire at Pinewood Studios, and star Tom Cruise was reportedly left so dissatisfied that he abandoned fantasy films. While the piece acknowledges Legend’s visual ambition and later cult appreciation, it concludes that the film is far from a masterpiece and does not convincingly appear a quarter-century ahead of its genre.

Far Out Magazine ·Jul 2026

The Oscar-winning 1987 role Richard Gere regrets turning down

Richard Gere turned down the role of Gordon Gekko in Oliver Stone’s 1987 film Wall Street, despite Stone’s preference for him over Warren Beatty. Michael Douglas ultimately played the part and won the Academy Award for Best Actor, while Gere’s career was in a downturn. Gere has since acknowledged that the character was an excellent opportunity, though he insists Douglas could not have played it better.

Far Out Magazine ·Jul 2026

The Movie Robin Williams Banned from Existing Until at Least 2039

Robin Williams’ will reportedly prohibits the use of his name, taped performances, and voice recordings for 25 years after his 2014 death, meaning his unused Aladdin material cannot be used until at least 2039. Although recordings of his Genie were included in Disney’s 2023 short Once Upon a Studio, a former Disney executive says there is enough unreleased material for another Aladdin feature but that Williams insisted on final approval. The piece argues that keeping the recordings unused protects his wishes and warns that Hollywood could eventually seek to exploit them through AI or other technologies.

Far Out Magazine ·Jul 2026

The 2008 Movie Ruined by Burt Reynolds’ Unprofessionalism

The 2008 British comedy A Bunch of Amateurs hired Burt Reynolds as a washed-up Hollywood actor performing King Lear, but screenwriter Nick Newman recalled that Reynolds arrived without learning his lines and demanded a stunt coordinator’s dismissal. He relied first on cue cards and later on an earpiece, even being fed lines through a phone receiver during one scene. The film received largely scathing reviews, many of which blamed Reynolds’ lazy and robotic performance for dragging down the production.

Far Out Magazine ·Jul 2026

The 'Saturday Night Live' Star Nobody Could Stand: 'Everybody Here Is Going to Hell'

Victoria Jackson’s six-year run on Saturday Night Live was marked by tensions with fellow cast members, who reportedly found her evangelical beliefs and childlike comedic persona difficult to tolerate. The article highlights her Christmas gift of Bible audiocassettes to the cast, her claim that colleagues were “dying and going to hell,” and criticism from Al Franken, Nora Dunn and Jan Hooks. Jackson’s increasingly controversial religious and political views may have contributed to her absence from the show’s 2015 40th-anniversary reunion.

Far Out Magazine ·Jul 2026

The “visionary” 1998 movie Roger Ebert called an instant masterpiece: “It is a triumph”

Roger Ebert gave Alex Proyas’s 1998 neo-noir science-fiction film Dark City four stars, calling it a visionary achievement that stirred his imagination like Metropolis and 2001: A Space Odyssey. He also compared its futuristic city to Blade Runner and praised its art direction, set design, cinematography, effects and imagination. Despite Ebert’s enthusiasm and a later audio commentary for the home-video release, the film bombed theatrically and became a cult favorite; its reception might have benefited from arriving after The Matrix, which shared several of its ideas.

Far Out Magazine ·Jul 2026

The 2011 Character Margot Robbie Wanted to Die: “They Said No”

Before moving to the United States, Margot Robbie asked Neighbours producers to kill off her character, Donna Freedman, in a dramatic storyline. They refused so she could return if her Hollywood plans failed. Robbie instead secured a breakthrough role in Martin Scorsese’s The Wolf of Wall Street and went on to become an acclaimed actor and producer. She later returned as Donna for Neighbours’ 2022 finale, although the series resumed the following year.

Far Out Magazine ·Jul 2026

The 2000 Movie Scene Keanu Reeves Was Banned from Shooting

Keanu Reeves wanted to film a scene in The Replacements in which two sex workers attempt to mug his character, Shane Falco, but director Howard Deutch decided not to shoot it. Reeves said he tried to argue for the sequence but ultimately accepted the decision as part of the collaborative filmmaking process. The article also reviews Reeves's film work following The Matrix, noting his roles in The Gift, The Watcher and The Replacements, along with his salary sacrifice to help secure Gene Hackman for the sports comedy.

Far Out Magazine ·Jul 2026

The 1929 Movie That Gave Billy Bob Thornton a Lifelong Phobia

Billy Bob Thornton says Alfred E. Green's 1929 film Disraeli, particularly George Arliss's appearance as Benjamin Disraeli, triggered a lifelong aversion after he briefly saw it while eating dinner. The film's Oscar history meant little to Thornton, whose fear resurfaced decades later when Hugh Grant brought a portrait of Disraeli onto the set of Love Actually and chased him with it.

Far Out ·Jul 2026

The “corrupt” 1969 movies that sickened John Wayne to his core

The article examines John Wayne’s hostility toward New Hollywood as cinema became more explicit, provocative, and centered on antiheroes. Despite winning his first Academy Award for True Grit in 1969, Wayne reportedly disliked Easy Rider, Midnight Cowboy, and Myra Breckenridge, describing contemporary films as “corrupt” and saying he would leave after the first reel. The piece contrasts Wayne’s conservative tastes with the lasting critical reputations of Easy Rider and Midnight Cowboy.

Far Out ·Jul 2026

The “coked-up” 2005 movie Tony Scott wished he could do over: “I fucked up on that one”

Tony Scott reportedly regretted directing the 2005 action-biopic Domino, which starred Keira Knightley as English socialite-turned-U.S. bounty hunter Domino Harvey. After researching real bounty hunters who regularly used cocaine, speed and methamphetamine, Scott allowed their chaotic lifestyle to shape the film’s frantic editing and visuals. He later admitted that the approach overwhelmed the movie, prevented it from breathing and resulted in what he called a mistake. The film was widely criticized, and Christopher Walken, another cast member, also reportedly disliked it.

Far Out Magazine ·Jul 2026

Aubrey Plaza's calamitous 2010 attempt at going "full method"

Aubrey Plaza recalled taking a 2010 audition for a role in Wes Craven’s Scream 4 too literally. Believing she needed to appear as a character who would eventually be revealed as the killer, she dressed in a deliberately frumpy, sinister-looking way while the other actresses appeared glamorous. The casting team told her that the killer’s identity was supposed to remain concealed, and Plaza acknowledged that she had ruined the audition. She later described the attempt to use method acting as a very bad idea.

Far Out Magazine ·Jul 2026

The 1983 Movie John Carpenter Refuses to Accept as a Cult Classic: “Stop, That’s Ridiculous”

John Carpenter rejects the idea that his 1983 horror film Christine deserves cult-classic status, calling such praise ridiculous and saying he was not especially fond of the movie. He has explained that he accepted the project primarily for financial and career reasons after The Thing flopped, while actor Keith Gordon considers it one of Carpenter’s strongest films. Carpenter ultimately acknowledges Christine as a good movie but not one of his personal favorites.

Far Out ·Jul 2026

Did this 1969 John Wayne movie kill the western?

Gene Autry believed the Western died when films such as Butch Cassidy and the Sundance Kid and True Grit replaced the genre’s clean-cut heroes and moral certainty with flawed protagonists, darker humor and ambiguity. The shift reflected the rise of New Hollywood and changing cultural attitudes rather than the collapse of the genre. John Wayne resisted these developments, while Clint Eastwood helped lead the Western into a revisionist era through films such as High Plains Drifter and The Outlaw Josey Wales.

Far Out Magazine ·Jul 2026

“Scared me, too”: The 2014 movie role Bill Murray called “the worst kind of work”

Bill Murray disliked acting that required him to portray diminished faculties, describing it as “the worst kind of work” and comparing it to acting school or deep cleaning. Nevertheless, he accepted the lead role of Vincent MacKenna, a curmudgeonly Vietnam veteran who suffers a stroke in Ted Melfi’s 2014 dramedy St Vincent. The demanding performance pushed Murray outside his comfort zone and earned him a Golden Globe nomination for Best Actor in a Musical or Comedy.

Far Out ·Jul 2026

The legendary 1970s movie Robert De Niro called “the best job I never got”

Robert De Niro auditioned for Sonny Corleone and Paulie Gatto in Francis Ford Coppola’s The Godfather and was also offered the role of bodyguard and driver Paulie Gatto, but did not join the film. He later described it as “the best job I ever, never got” because missing out left him available to play the young Vito Corleone in The Godfather Part II. That performance earned him the Academy Award for Best Supporting Actor and made him the first actor to portray the same character in two separate Oscar-winning performances.

Far Out Magazine ·Jul 2026

The “inexplicably hypnotic” 1988 movie Kurt Russell couldn’t resist

Kurt Russell agreed to star in Robert Towne’s 1988 romantic crime film Tequila Sunrise because he found Towne’s writing irresistibly hypnotic. The film paired Russell with Mel Gibson and Michelle Pfeiffer, earned more than $100 million at the box office and became Russell’s highest-grossing release at the time. However, its convoluted plot and low stakes led to criticism that it relied heavily on the trio’s star power. Russell also described acting as a mediator during tensions between Towne and Pfeiffer, while the film’s box-office record was surpassed by Tango & Cash the following year.

Far Out Magazine ·Jul 2026

The Director Who “Didn’t Allow” Tom Cruise to Kick Him Off Their Movie

Tom Cruise’s extensive creative and producing control over his films is contrasted with the more director-led projects in his filmography. During the post-production of Mission: Impossible 2, Cruise reportedly wanted to monitor John Woo and the editors remotely by placing a camera in the editing room while he was in Australia. Woo and editors Christian Wagner and Steven Kemper refused, preventing Cruise from directly overseeing their work. The account illustrates the unusual power Cruise exercises over major Hollywood productions and the tension this can create with established auteurs.

Far Out Magazine ·Jul 2026

The iconic 1980s action hero Dustin Hoffman turned down

Dustin Hoffman revealed he was the first actor approached to play John Rambo in the early development of First Blood but declined due to the level of violence. The role later solidified Sylvester Stallone’s career, despite several major actors turning it down beforehand. The article reflects on Hoffman’s unsuitability for the action-heavy character and speculates on how different the franchise would have been had he accepted the role.

Far Out Magazine ·Jul 2026

The "heaven-sent" 2006 role Morgan Freeman called more than a job

Morgan Freeman described his 2006 dramedy role in 10 Items or Less as a rare lighthearted opportunity free from his usual gravitas-heavy casting. The independently produced film, which he also backed through his Revelations banner, became the first movie released digitally while still in theaters, foreshadowing the industry’s shift toward streaming and shrinking theatrical windows.

Far Out Magazine ·Jul 2026

Ron Howard's traumatic first taste of life in Hollywood: “We thought it would be wonderful”

Ron Howard’s first on‑set experience came as a toddler in the 1956 western Frontier Woman after his parents pushed to secure him a role. Cast as a crying baby, he was made to weep on cue when an extra repeatedly snatched away his toy, a tactic devised by his father. Despite the distressing introduction, Howard went on to build a decades‑long career as both actor and filmmaker.

Far Out Magazine ·Jul 2026

The “garbage” 1967 movie so bad Roger Ebert walked out of it twice

Roger Ebert struggled through several poorly regarded films during his career, but Luigi Vanzi’s 1967 western A Stranger in Town was one he abandoned twice, describing it as garbage despite giving it one star. His reactions to similarly disliked titles such as Caligula, Tru Loved and Ultimo mondo cannibale illustrate the rare occasions when he walked out, with his review of A Stranger in Town reflecting frustration and disbelief at its quality.

Far Out Magazine ·Jul 2026

The “genius” 2010 co-star John Goodman called his ultimate hero

John Goodman has long been reluctant to praise himself but openly admires many of his collaborators, especially Al Pacino, whom he called a genius and his ultimate hero while working together on HBO’s 2010 film You Don’t Know Jack. Their mutual respect is highlighted by Pacino’s admiration for Goodman’s earlier performance in The Babe. The article notes Goodman’s history of praising fellow actors including Bruce Willis, Dennis Quaid, Alan Arkin, and others, underscoring his humility despite a distinguished career.

Far Out Magazine ·Jul 2026

The breakthrough 1980s role Tom Hanks was told he had no chance in hell of getting

Tom Hanks’ early career progressed from minor television and film roles to his breakthrough opportunity in Ron Howard’s Splash after studio skepticism gave way to a strong audition. Despite competition from several established actors, Hanks secured the lead, launching his ascent to major stardom and culminating in an Oscar-nominated turn in Big four years later.

Far Out Magazine ·Jul 2026

The comedy actors who left Jim Carrey stunned

Jim Carrey reflects on the comedians whose work he admires, praising Steve Carell’s understated comedic style and expressing admiration for Seth Rogen, Jonah Hill and Carol Burnett. He highlights their originality and commitment to character as qualities that impress him, noting the multigenerational talent across projects he has worked on and watched.

Far Out Magazine ·Jul 2026

Why Paul Newman refused to watch every movie he made before 1985

Paul Newman avoided rewatching any film he made before 1985 because he disliked seeing himself act, feeling too aware of the mechanics behind his performances. Many of his most acclaimed roles came from that earlier period, yet he refused to revisit them, believing the visible effort undermined his enjoyment. His later work offered fewer standout performances, making his decision more striking given the strength of his early career.

Far Out Magazine ·Jul 2026

The 1997 movie that made Jack Nicholson want to shrivel up and die

Jack Nicholson reflected on how promoting As Good As It Gets in 1997 made him uncomfortable with constant questions directed at his co-stars about working with him, admitting it made him want to retreat from the spotlight. This discomfort contributed to later career choices that paired him with equally recognizable colleagues to balance attention during publicity. His shift toward lighter films in the 2000s also followed his decision to avoid heavy dramas after 9/11, shaping the final phase of his career.

Far Out Magazine ·Jul 2026

The classic 1936 movie Stanley Kubrick hated every second of

Stanley Kubrick dismissed the 1936 sci‑fi film Things to Come despite Arthur C Clarke’s confident recommendation, reacting with frustration after a private screening. Though Kubrick admired several major science‑fiction works, Clarke’s attempt to share another classic failed, highlighting the director’s selective tastes despite his deep engagement with the genre.

Far Out Magazine ·Jul 2026

The 1996 movie that became the toughest of Matt Damon's career

Matt Damon’s role in the 1996 film Courage Under Fire required extreme weight loss that left him under medical supervision for two years, making it the most physically challenging performance of his career. His improvised and unsupervised regimen highlighted how little the industry then understood about the health risks of drastic body transformations. The experience ultimately discouraged him from pursuing similarly demanding physical changes in future roles.

Far Out Magazine ·Jul 2026

The 1990s movie that left Sylvester Stallone’s career “pretty well cooked”

Sylvester Stallone reflects on the downturn his career suffered after the failure of Rocky V, which he says left him professionally sidelined for nearly 15 years. A string of poorly received films through the 1990s deepened the slump despite occasional successes like Cliffhanger and Demolition Man. Even the critically regarded Cop Land failed to improve his standing. His career revived only with the release of Rocky Balboa in 2006, a film studios initially resisted but which restored his reputation.

Far Out Magazine ·Jul 2026

The 1972 role Bruce Lee was devastated not to be cast in

Bruce Lee, despite rising global fame from Enter the Dragon, was deeply disappointed after being passed over for the lead role in the 1972 TV series Kung Fu, a concept he had pitched himself. Hollywood executives doubted audiences would accept an Asian leading man, resulting in the role going to David Carradine, who had no martial arts experience at the time. Lee’s widow, Linda Lee Caldwell, described the decision as devastating for him, reflecting persistent industry prejudice during his career.

Far Out Magazine ·Jul 2026

The 1966 movie John Wayne called “the most American story I ever heard”

John Wayne championed Melville Shavelson’s 1966 film Cast a Giant Shadow, calling its account of an American officer aiding Israel’s fight for independence the most American story he had ever heard. Wayne’s support secured financing, led to his own supporting role and uncredited executive producer position, and helped recruit Kirk Douglas to star. Despite later questions about its portrayal of history, the film assembled a major cast and served as a vehicle for Wayne to underscore themes of American identity and patriotism.

Far Out Magazine ·Jul 2026

The 1997 movie Cillian Murphy called "the finest Irish film"

Cillian Murphy praises Neil Jordan’s 1997 adaptation of The Butcher Boy as one of the finest Irish films, highlighting its dark, complex narrative and artistic impact. The article links the film’s themes to Murphy’s preference for morally intricate roles and notes his eventual collaboration with Jordan and author Patrick McCabe on Breakfast on Pluto, which earned him a Golden Globe nomination. It also reflects on Murphy’s career trajectory, recent accolades, and longstanding ties to Irish cinema.

Far Out Magazine ·Jul 2026

The 2008 movie Harrison Ford thought would fail

Harrison Ford feared that returning to the Indiana Jones franchise with Kingdom of the Crystal Skull after a two‑decade break risked disappointing audiences and critics, especially at its first screening in Cannes. Despite his concerns, the film became the highest‑grossing release of his career, though long‑term fan sentiment later turned negative. The article contrasts the franchise’s creative expectations with its commercial success and considers whether the backlash to Crystal Skull influenced the development and eventual failure of Dial of Destiny.

Far Out Magazine ·Jul 2026

The comedy actors Mike Myers always tried to match

Mike Myers’ comedic style was shaped by transformative performers such as Peter Sellers, Alec Guinness, Monty Python, SCTV, The Kids in the Hall and Mel Brooks, whose character‑driven approaches influenced his preference for building exaggerated personas over traditional stand‑up delivery. The article reflects on Myers’ rise through films like Wayne’s World, Austin Powers and Shrek, his decline following The Cat in the Hat and The Love Guru, and how his commitment to immersive characters distinguished him from contemporaries. It also highlights how the comedic traditions he admired now echo through newer generations who view him as an influence.

Far Out Magazine ·Jul 2026

The 1970 movie Clint Eastwood wishes he could wipe from history

Clint Eastwood reflects on his troubled experience making the 1970 musical Paint Your Wagon, describing production delays, extensive rewrites and a creative mismatch that left him frustrated and nearly ready to quit. Despite attempts by the writer and director to keep him on the project, the film went over budget, failed to capture the strengths of his established screen persona, and ultimately became remembered for his poorly received singing performance.

Far Out Magazine ·Jul 2026

The 1994 Jim Carrey comedy classic that was almost a horror movie

Jim Carrey’s 1994 breakout film The Mask was originally planned as a horror adaptation of the darker Dark Horse comic, with New Line Cinema wanting a new Freddy Krueger‑style franchise. Director Chuck Russell pushed to transform it into a comedy, arguing the horror concept was too derivative. Carrey’s audition solidified the shift, leading to a reimagining that ultimately proved successful.

Far Out Magazine ·Jul 2026

The 1979 'SNL' star who called the show a "living hell"

Harry Shearer’s first stint on Saturday Night Live in 1979 was so unpleasant that he described it as a “living hell,” citing poor organisation, cast treatment and unsatisfactory material. Despite gaining renewed prominence from This Is Spinal Tap, he returned to SNL under Dick Ebersol but again found the environment unchanged, leaving permanently in 1985. His repeated departures contrast with other short-tenured or long-serving cast members, underscoring the show’s challenging and often unforgiving working conditions.

Far Out Magazine ·Jul 2026

The 2006 role that convinced Ted Danson he was no longer funny

Ted Danson’s brief 2006 sitcom Help Me Help You failed so completely that it left him doubting his comedic abilities and considering leaving sitcoms behind. After the show’s rapid cancellation, he questioned his place in comedy until his dramatic turn in Glenn Close’s series Damages restored his confidence. The renewed momentum led to a string of successful comedy roles across multiple series, reaffirming his long-running presence in television comedy.

Far Out Magazine ·Jul 2026

The 2006 movie Clint Eastwood said had no reason to exist

Clint Eastwood questioned why Sylvester Stallone would revive the Rocky franchise, suggesting it appeared motivated by money. Stallone, facing career struggles, returned to the character in Rocky Balboa to redeem the series after the disappointment of Rocky V. The 2006 film proved both a critical and commercial success, revitalizing Stallone’s reputation and eventually leading to further acclaimed installments such as Creed and Creed II.

Far Out Magazine ·Jul 2026

The classic 1986 movie Chuck Norris couldn’t stand: “I don’t believe it worth a damn”

Chuck Norris strongly objected to Oliver Stone’s acclaimed Vietnam War film Platoon, citing its depiction of American soldiers committing atrocities, which he felt insulted veterans and Medal of Honor recipients. His reaction was influenced by the loss of his brother in Vietnam, though the article notes such events were historically documented and that Stone himself served in the war. The piece contrasts Norris’s criticism with the film’s celebrated realism and artistic merit.

Far Out Magazine ·Jul 2026

The only actor Tom Cruise was ever nervous to meet

Tom Cruise recalled being nervous to meet his idol Paul Newman when he auditioned for Harry & Son early in his career, valuing the encounter more than the role itself. Though he did not land the part, the meeting reinforced his belief that first impressions and relationships can be as important as casting outcomes. Cruise and Newman later worked together on The Color of Money, which earned Newman an Academy Award and marked a significant moment for both actors.

Far Out Magazine ·Jul 2026

The best TV show of the 21st century, according to Stephen King

Stephen King identified Breaking Bad as the best television series of the 21st century, crediting its opening scene with revealing its boldness and quality. His long and complex relationship with television adaptations, which include both praised and criticized works, underscores his appreciation for strong character-driven storytelling. While he has recommended many shows over the years, he considers Breaking Bad the standout, noting how its early imagery signaled the greatness that unfolded across its five-season run.

Far Out Magazine ·Jul 2026

The 1948 movie scene John Wayne refused to shoot

John Wayne rejected a comedic amputation scene proposed by director Howard Hawks for Red River, arguing it clashed with the tough, consistent persona audiences expected from him. Hawks ultimately reused the finger‑mutilation idea years later in The Big Sky with a different actor, reflecting the creative disagreements that sometimes arose between the filmmaker and his star.

Far Out Magazine ·Jul 2026

The shocking 1989 audition when Val Kilmer punched a co-star in the face

An account of an alleged 1989 audition incident in which Val Kilmer struck actor Caitlin O’Heaney while rehearsing a heated scene for Oliver Stone’s film The Doors. O’Heaney reported that Kilmer shook and hit her without warning, prompting her to file a preliminary police report before the matter was settled confidentially. Casting director Risa Bramon Garcia later disputed the severity of the incident, characterizing it as a moment that escalated during the work. Conflicting recollections leave the events unresolved, as only those present witnessed the exchange.

Far Out ·Jul 2026

The "big cash payday" Ben Affleck regretted taking in 2001

Ben Affleck reflects on taking a highly paid role in the critically reviled film Gigli, expressing discomfort over earning a large fee for a movie that lost more than $75 million. The article recounts Affleck’s early‑2000s career choices, his struggles with fame, and the series of poorly received blockbusters he starred in before Gigli became one of Hollywood’s most infamous box‑office failures.

Far Out Magazine ·Jul 2026

The controversial 2015 role Matt Damon called a “fucking bummer”

Matt Damon experienced a major setback during an otherwise highly successful period in his career when his lead role in Zhang Yimou’s 2016 film The Great Wall drew widespread criticism over claims of whitewashing. Despite strong performances in Interstellar, The Martian, Jason Bourne and his production work on Manchester by the Sea, Damon described working on The Great Wall as a miserable experience and recognised the film was likely doomed even during production. The controversy persisted despite the director’s clarification that the role was not intended for a Chinese actor, leaving Damon defending the film before and after its release.

Far Out Magazine ·Jul 2026

The “slam-dunk” 2001 movie so easy Steven Spielberg refused to direct it

Steven Spielberg declined to direct Harry Potter and the Philosopher’s Stone because he felt the film was guaranteed success without artistic challenge. He characterized the project as effortless and unfulfilling, choosing instead to pursue more meaningful work. His decision led to a productive period that included AI Artificial Intelligence, Minority Report, and Catch Me If You Can, reinforcing his commitment to creatively ambitious filmmaking.

Far Out Magazine ·Jul 2026

The 2014 role that convinced Alexandra Daddario she had sex appeal

Alexandra Daddario acknowledged that her role as Lisa Tragnetti in the first season of True Detective made her recognize and embrace her sex appeal, which drew significant industry attention and led to new opportunities. Although she remains conflicted about nude scenes, she sees the experience as professionally beneficial and has no regrets about the performance, crediting it with boosting her career trajectory.

Far Out ·Jul 2026

The 1960s movie that changed everything for Tom Hanks

Tom Hanks credits seeing Stanley Kubrick’s 2001: A Space Odyssey as a pivotal moment that broadened his understanding of what cinema could achieve, shifting his perspective from conventional adventure films to more meditative, visually driven storytelling. The film’s atmospheric and unconventional approach reshaped his artistic ambitions and deepened his lifelong love of science fiction. Its influence is contrasted with actors like Denzel Washington, who did not share the same early cinematic awakening, highlighting the varied paths that shape creative careers.

Far Out Magazine ·Jul 2026

The actor who turned down Saving Private Ryan because of Marlon Brando

Thomas Haden Church declined a role in Saving Private Ryan to star alongside Marlon Brando in Free Money, valuing the rare opportunity to work with Brando despite the film’s poor reception. Spielberg later affirmed Church’s choice, while Church reflected that the experience in Quebec was irreplaceable even though Free Money underperformed and Saving Private Ryan became a celebrated classic.

Far Out Magazine ·Jul 2026

The 1948 co-star John Wayne called too ugly to make it in Hollywood

John Wayne once told his young co-star Harry Carey Jr that he was not handsome enough to succeed as a leading man and should consider another career, advice Carey ignored while building a long film career. Their relationship was rooted in family ties, and despite Wayne’s blunt assessment, the two appeared together in numerous films as Carey went on to act in over 90 movies.

Far Out Magazine ·Jul 2026

The 1975 shoot that terrified Ron Howard

Ron Howard, already eager to transition from acting to directing in the mid‑1970s, found the shift to filming Happy Days before a live audience in 1975 intimidating, admitting he spent a year feeling frightened. The growing prominence of Henry Winkler’s Fonzie frustrated him as media coverage and ABC’s treatment left him feeling diminished, reinforcing his desire to move behind the camera despite his ongoing role on the series.

Far Out ·Jul 2026

The only three movies released since 2020 that are actually worth watching, according to Quentin Tarantino

Quentin Tarantino claims that only three post‑2020 films—The Rip, Steven Spielberg’s West Side Story, and Kevin Costner’s Horizon—are worth watching, arguing that modern cinema is in a deep creative rut. The article criticizes his stance as narrow and dismissive, challenging the idea that these films represent the best of the post‑pandemic era and suggesting his judgments reflect increasing pomposity rather than an accurate view of recent cinematic output.

Far Out ·Jul 2026

The "provocative" pictures that landed Nicole Kidman a 2012 movie role

Nicole Kidman secured her role in the 2012 film The Paperboy by sending director Lee Daniels self-styled, character-driven photos after being told the budget could not cover full hair and makeup. Her commitment to the provocative character extended to performing an infamous scene involving Zac Efron, which she insisted remain in the final cut. The article highlights her willingness to support lower-budget filmmaking and her unconventional preparation methods.

Far Out Magazine ·Jul 2026

The 1996 role Charlize Theron was too much of a supernova to play

Charlize Theron’s early Hollywood trajectory is recounted through her audition for Tom Hanks’ 1996 film That Thing You Do!, where Hanks recognized her star potential but declined to cast her in the role she sought, judging her too charismatic for the part. Though she played a smaller role and some of her scenes were cut, the film served as a significant stepping stone toward her rapid rise to major stardom.

Far Out Magazine ·Jul 2026

The 1997 DVD Billy Bob Thornton "couldn't believe" Johnny Cash wanted signed

Billy Bob Thornton recalls his surprise when Johnny Cash phoned him in the late 1990s requesting a signed DVD of Oliver Stone’s 1997 thriller U-Turn, a film in which Thornton had a minor role but which Cash admired for its offbeat tone. The unexpected interaction led to a friendship between the actor and the musician, who bonded over shared artistic sensibilities in the years before Cash’s death.

Far Out Magazine ·Jul 2026

The 1992 co-star who tortured Leonardo DiCaprio

Johnny Depp admitted he mistreated a young Leonardo DiCaprio while filming What’s Eating Gilbert Grape in 1992, describing it as a personally difficult period during which he took out his frustrations on his teenage co-star. Despite the strained offscreen dynamic, DiCaprio’s dedication and performance were widely acclaimed, and the pair’s work contributed to the film’s strong reception, even as Depp’s reputation for challenging behavior on set persisted.

Far Out Magazine ·Jul 2026

Al Pacino names the greatest role he never played: "A dream of mine"

Al Pacino long hoped to portray Napoleon, a role he pursued for decades and described as a dream, supported by a script focused on Napoleon’s final years on Saint Helena. Despite occasional ventures into directing and producing, financial pressures and the mismatch between his age and the age of the historical figure prevented the project from becoming viable. Although Pacino’s interest persisted into his seventies, the opportunity has effectively passed, leaving the imagined performance a tantalizing what‑if in his career.

Far Out Magazine ·Jul 2026

The 1988 role Denzel Washington wanted to play forever

Denzel Washington’s long-running role as Dr. Philip Chandler on St Elsewhere provided him with stability while allowing him to build a film career through acclaimed performances in several movies, including Cry Freedom. Though committed to expanding creatively, he expressed deep appreciation for the series and joked that he would have stayed until forced out. The show ended naturally after six seasons, freeing him to pursue the major film stardom that followed.

Far Out Magazine ·Jul 2026

The 2010 co-star Julia Roberts admitted she was scared of

Julia Roberts recalled feeling intimidated working with Javier Bardem on Eat Pray Love due to his terrifying performance in No Country for Old Men, admitting she initially struggled to separate the actor from his villainous role. Although Bardem occasionally slipped back into his character to tease her, his professionalism helped her overcome her fears. The article also notes Roberts’ past uneasy experiences with co-stars and directors, contrasting them with the positive working relationship she ultimately developed with Bardem.

Far Out Magazine ·Jul 2026

The "fake and weird" 2013 movie Ryan Reynolds regretted making

Ryan Reynolds reflects on poor career choices earlier in his filmography, particularly regretting his role in the 2013 film RIPD, which he felt forced him into an inauthentic ideal of masculinity. The movie was critically panned and commercially unsuccessful, reinforcing his concerns about not being methodical in selecting roles. Despite continuing to make some mediocre genre films, his later success with Deadpool has given him more freedom, and he now approaches new projects with greater caution.

Far Out Magazine ·Jul 2026

Los Angeles, London, and Leeds: Yard Act talk new beginnings, school runs, and the music industry’s north-south divide

Yard Act discuss their upcoming album, You’re Gonna Need A Little Music, which was recorded between Leeds and Los Angeles. Although the Los Angeles sessions brought optimism and a new sonic influence, the band says its Leeds roots, everyday responsibilities and regional identity remain central to the record. James Smith and his bandmates reject the music industry’s London-centric expectations, arguing that staying outside the capital strengthens their creativity and helps preserve regional voices. They also criticize the music industry’s growing focus on virality and oversaturation at the expense of grassroots and DIY communities. The band intends to follow its artistic instincts rather than audience expectations, with the new album aiming to evoke moods and emotions more intuitively than their earlier, more explicit work.

Far Out Magazine ·Jul 2026

The "worrisome" movie scenes John Carpenter can't stand shooting

John Carpenter dislikes filming scenes that require setting stunt performers on fire, finding the safety risks stressful despite their necessity in several of his films. Burning stunt actors was essential to key plot elements in Ghosts of Mars and The Thing, leaving the director uneasy even though he accepted it as unavoidable for the stories to work.

Far Out Magazine ·Jul 2026

The 1972 “distraction” that haunted Burt Reynolds for the rest of his days

Burt Reynolds’ longstanding regret over posing nude for a 1972 Cosmopolitan centrefold is highlighted as a distraction that he believed overshadowed the release of Deliverance, the film he considered his greatest work. Although the actor turned down numerous career-defining roles, he singled out the photoshoot as the one decision he wished he could change, feeling it potentially affected his critical recognition and remained a source of personal embarrassment throughout his life.

Far Out Magazine ·Jul 2026

The convicted 1967 killer who had an axe to grind with Michael Caine

A 1967 murder case that partly inspired the novel Jack’s Return Home and its film adaptation Get Carter led convicted killer Dennis Stafford to blame Michael Caine and the movie for damaging his reputation during his failed appeals. Stafford and Michael Luvaglio were convicted of killing Angus Sibbet over alleged skimming from a fruit-machine business, and Stafford later claimed the film’s violent portrayal contributed to his continued notoriety.

Far Out Magazine ·Jul 2026

The cult classic 1984 movie Tom Cruise refused to star in

Tom Cruise declined the lead role in Walter Hill’s 1984 cult film Streets of Fire despite filmmakers’ strong interest, with co-writer Larry Gross recalling Cruise’s natural self-assurance early in his career. The role eventually went to Michael Paré, while Cruise avoided appearing in any film released that year and later returned with Ridley Scott’s Legend, an experience he regretted. The article highlights the career choices and casting dynamics surrounding Cruise during the early 1980s.

Far Out ·Jul 2026

The 2008 role Angelina Jolie had no intention of playing twice

Angelina Jolie avoided returning for a Wanted sequel by insisting that her character Fox die after discovering her actions were unjust, altering the film’s ending to prevent future reprisals. Despite Universal’s interest in continuing the franchise following the original’s strong box office performance, Jolie declined, stating that resurrecting her character would be uninteresting. Attempts to develop a sequel ultimately stalled.

Far Out Magazine ·Jul 2026

The 2013 movie Pamela Anderson called the greatest erotic film ever made

Pamela Anderson named Blue is the Warmest Colour as the greatest erotic film she has seen, calling it different and beautiful, despite the controversy surrounding director Abdellatif Kechiche’s behaviour during production. The article contrasts her limited involvement in erotic thrillers with the reputations of films such as Barb Wire, Dark Souls, and Naked Souls, and highlights how the acclaimed 2013 film’s legacy has been complicated by reports from stars Adèle Exarchopoulos and Léa Seydoux about difficult on‑set conditions.

Far Out ·Jul 2026

The "sex-crazed" 1994 movie so bad Roger Ebert couldn’t believe his eyes

Roger Ebert’s bewildered reaction to the 1994 erotic thriller Color of Night is revisited, highlighting its critical failure, Razzie notoriety, and reputation as a poorly executed mix of sexual content and clichéd thriller tropes. Bruce Willis’s involvement, the film’s troubled reception, and its over-the-top narrative are emphasized as reasons for its enduring infamy.

Far Out Magazine ·Jul 2026

The 2002 role Clancy Brown called the stupidest thing of his career

Clancy Brown reflects on his overlooked 2002 role in the Bravo series Breaking News, describing its cancellation as the result of corporate decisions following AOL’s acquisition of Time-Warner. He argues the show had strong potential but was cut before gaining traction, overshadowed by HBO’s The Newsroom and ultimately forgotten despite his investment in the project.

Far Out Magazine ·Jul 2026

Maurice Compte on ‘The Odyssey’, starting from the bottom, and 30 years in Hollywood

Maurice Compte reflects on his three-decade acting career, his role in Christopher Nolan’s The Odyssey, and the major turning points that shaped his professional life. He discusses the impact of Narcos, his collaborations with notable filmmakers, and his growing interest in producing. Compte recounts personal stories from early auditions to working with Hollywood icons, emphasizing intuition, creative energy, and the importance of feeling connected to the work. He also highlights the influence of immigration and family on his projects, including Hotel Cocaine, and expresses a desire for future roles that focus on emotional wholeness.

Far Out ·Jul 2026

The 1998 movie that made Oprah Winfrey eat 30lbs of mac & cheese

Oprah Winfrey’s 1998 film Beloved, a personal passion project adapted from Toni Morrison’s novel and directed by Jonathan Demme, failed at the box office despite high expectations. The movie opened in fifth place, overshadowed by titles such as Practical Magic and Bride of Chucky, the latter particularly upsetting Winfrey. The disappointment led her to cope by eating 30 pounds of macaroni and cheese, highlighting how emotionally invested she was in the film’s success.

Far Out ·Jul 2026

Why John Wayne kept his most vital contribution to the western a secret

John Wayne claimed he was the first to discover Monument Valley and recommended it to director John Ford before the filming of Stagecoach. Ford later became credited with popularising the location, despite Wayne’s assertion that he originally brought it to Ford’s attention. Wayne kept the story private until after Ford’s death, suggesting Ford preferred to take credit for the discovery. The account highlights Wayne’s belief that he played a key role in establishing Monument Valley as the defining landscape of the western genre.

Far Out Magazine ·Jul 2026

The animated Disney classic Stanley Kubrick dreamed of remaking

Stanley Kubrick once considered creating his own version of Pinocchio, according to longtime collaborator Emilio D’Alessandro, who said the director explored Italian source material and aimed to craft a large-scale adaptation capable of making children happy. The idea emerged around the completion of Eyes Wide Shut, marking a dramatic shift from Kubrick’s typical work. The article contrasts his potential vision with past adaptations, noting both the enduring influence of Disney’s 1940 classic and the failures of later remakes, while highlighting how strong filmmakers like Guillermo del Toro have proven the story’s adaptability.

Far Out Magazine ·Jul 2026

The 2008 FBI manhunt to apprehend Christopher Nolan's brother

Matthew Nolan, brother of filmmaker Christopher Nolan, was pursued by the FBI in 2008 after being linked to financial crimes and the 2005 murder of accountant Robert Cohen in Costa Rica. Using multiple aliases, including Matthew Oppenheimer, he evaded surveillance until a required bankruptcy hearing allowed agents to arrest him. Although another man was convicted of the murder, Nolan was found guilty of financial crimes and later attempted to escape custody, receiving a 14‑month sentence. After his 2010 release, he disappeared, and his family has remained silent about the case.

Far Out Magazine ·Jul 2026

The 1982 movie scene that disgusted Harrison Ford

Harrison Ford’s frustration with Blade Runner centered on being forced to record narration he felt was unnecessary, leading producer Michael Deeley to believe he deliberately delivered it poorly. Ford’s discomfort was tied to creative compromises and his difficulty adapting to Ridley Scott’s directing style compared to more actor-focused directors like Steven Spielberg. Despite the film’s later acclaim, Ford long viewed the experience negatively, particularly the mandated voiceover.

Far Out Magazine ·Jul 2026

The "extraordinary" director Arnold Schwarzenegger called the greatest ever

Arnold Schwarzenegger names James Cameron the greatest director of all time, praising his long-standing friend as an extraordinary filmmaker whose technological innovations and influential work make him one of cinema’s most significant figures. The article contrasts Schwarzenegger’s collaborations with top-tier directors against those of other action stars and highlights the achievements that support Cameron’s standing, even if he is not universally considered on par with history’s most celebrated auteurs.

Far Out ·Jul 2026

The "contrived" 1990 movie Eddie Murphy wishes he never made

Eddie Murphy reflected on making Another 48 Hrs, calling it a contrived, financially motivated attempt to recover from the disappointment of Harlem Nights. He admitted phoning in his performance and acknowledged that the film’s rushed creation and lack of creative purpose led to poor critical reception. Comparisons were drawn to Dwayne Johnson’s recent career setbacks and rebounds, highlighting the cyclical nature of Hollywood star power.

Far Out ·Jul 2026

The 2001 movie Kurt Russell didn't even bother reading the script for

Kurt Russell accepted his role in Vanilla Sky without reading the script, choosing to work with Tom Cruise and Cameron Crowe based solely on their reputations. The decision followed the poorly reviewed 3000 Miles to Graceland, but proved worthwhile as Vanilla Sky offered him a substantial role and strong creative collaborators despite the film’s divisive reception.

Far Out Magazine ·Jul 2026

The 1974 Mel Brooks movie scene that revolutionised the music industry

Aerosmith’s 1975 hit Walk This Way originated from a viewing of Mel Brooks’ Young Frankenstein, inspiring the song’s title and direction. The 1986 Run-DMC collaboration revitalised Aerosmith’s career, became a landmark hip-hop crossover, and helped shape the evolution of rap‑rock and nu‑metal. The anecdote highlights how an offhand movie line contributed to a pivotal moment in modern music history.

Far Out ·Jul 2026

The "childishly dirty" 1981 song Stephen King will "never tire"

Stephen King’s fondness for rock music includes a lasting affection for ZZ Top’s 1981 track “Tube Snake Boogie,” which he describes as crude yet irresistibly enjoyable for its guitar work. Despite the band’s claim that the lyrics reference surfing, the suggestive content is widely interpreted otherwise. King, who previously faced marital tension over frequently playing Lou Bega’s “Mambo No 5,” continues to keep the ZZ Top song in regular rotation, reflecting his long-standing preference for classic rock bands such as AC/DC, Metallica and Creedence Clearwater Revival.

Far Out Magazine ·Jul 2026

The actor John Wayne crowned as his successor in 1979

John Wayne, critical of Hollywood’s direction in the 1970s, publicly endorsed Christopher Reeve as his successor during his final appearance at the 1979 Academy Awards. Wayne praised Reeve after the success of Superman, though Reeve later struggled to escape typecasting despite pursuing varied, risk‑taking roles. Their brief encounter became a lasting point of distinction for Reeve.

Far Out Magazine ·Jul 2026

The iconic 1980s movie character Gary Oldman can't stand the sight of

Gary Oldman expressed his long-standing dislike for Yoda after rewatching the original Star Wars trilogy with his children, saying he found the puppet irritating and felt the later films had outlived their appeal. His comments, made in the late 1990s, surfaced alongside the irony that he was once considered for a voice role in Revenge of the Sith, which would have made him a virtual co-star with the character he disliked. The piece highlights Oldman’s views on the franchise and the near miss that prevented him from appearing in it.

Far Out ·Jul 2026

The atrocious 1995 movie that almost became an 'Indiana Jones' sequel

Steven Spielberg and Michael Crichton once considered adapting Crichton’s novel "Congo" as an Indiana Jones film, proposing a talking gorilla sidekick for Harrison Ford’s character. Crichton rejected the idea, arguing that realistic gorillas would look fake on screen, and the concept was ultimately abandoned. The eventual 1995 film adaptation of "Congo" was critically derided and received multiple Razzie nominations, reinforcing that incorporating its elements into the Indiana Jones franchise would have been a misstep.

Far Out Magazine ·Jul 2026

The 1997 movie that changed Ray Winstone's life for good

Ray Winstone’s role in Gary Oldman’s 1997 film Nil by Mouth marked a turning point in his career, showcasing a nuanced performance that balanced vulnerability with brutality and expanded his opportunities beyond typecast roles. The film earned major awards recognition, introduced him to influential collaborators, and led to significant follow-up roles in projects such as The War Zone, Sexy Beast and ultimately his Hollywood debut in Cold Mountain.

Far Out Magazine ·Jul 2026

The 1980s movie icon Quentin Tarantino wanted nothing to do with

Rumors in 2005 suggested Quentin Tarantino would write and direct a new Friday the 13th film, but he publicly denied the reports, calling them a complete fabrication despite being a fan of the franchise. He clarified that although New Line Cinema had spoken with him, he had no intention of directing a Jason Voorhees movie. The franchise later continued under Marcus Nispel with the 2009 reboot, while Tarantino reiterated interest in making a horror film someday, just not within the Friday the 13th series.

Far Out Magazine ·Jul 2026

The iconic 1970s role Clint Eastwood refused to play twice

Clint Eastwood declined to reprise his role as Josey Wales despite the success of The Outlaw Josey Wales and the publication of its sequel novel, with author Asa Earl Carter indicating the actor had lost interest. Although a continuation was eventually produced, Michael Parks replaced Eastwood in the 1986 film The Return of Josey Wales, which received little attention and failed to match the original’s impact.

Far Out Magazine ·Jul 2026

The 2006 nude scene that nearly gave Salma Hayek hypothermia

Salma Hayek recounts developing hypothermia while filming a nude ocean scene for the 2006 film Ask the Dust, describing freezing conditions that required medical monitoring and physical preparation. Despite the dangers and discomfort, she completed the scene, which was significant for the film’s characters, while other cast and production details highlight the film’s mixed reception and challenging shoot.

Far Out ·Jul 2026

The 2013 Penélope Cruz short film banned for being too sexy

Penélope Cruz’s 2013 short film L’Agent, created for Agent Provocateur, was censored or removed from YouTube for being overly sexual despite being intended as a celebration of female beauty. The film depicts a man fantasizing about a mansion filled with lingerie models before returning to reality on a work site with Javier Bardem. Cruz addressed the backlash, highlighting the inconsistency of censoring sensual content while allowing violent material, and expressed comfort with the controversy’s impact on her reputation.

Far Out Magazine ·Jul 2026

The “appalling” 2002 movie Roger Ebert couldn’t stand

Roger Ebert’s review of the 2002 comedy Slackers is highlighted as one of his most scathing, describing the film as dirty, unimaginative, and incompetently made. Despite a strong cast, the movie’s reliance on gross‑out humor and thin plotting led Ebert to award it zero stars and remark that it made him feel unclean. The contrast between Slackers and critically acclaimed films playing at the time underscores his view that audiences had far better options in cinemas.

Far Out Magazine ·Jul 2026

The night in 2008 that Tom Hanks had his own son kidnapped

Tom Hanks arranged for his son Chet to be taken from their home in 2008 and transported to a wilderness therapy program in Utah due to substance abuse struggles during high school. Chet described being awakened by men who brought him to the program, where he spent an extended period under strict observation and psychological evaluation. The article notes broader controversy surrounding wilderness therapy and its connection to the troubled‑teen industry, raising questions about its effectiveness and safety.

Far Out Magazine ·Jul 2026

The horrible actor who accidentally made Robin Williams a star

Robin Williams’ breakout role as Mork on Happy Days came only after several actors rejected or abandoned the part, with John Byner’s last‑minute withdrawal prompting producers to audition Williams, whose performance immediately impressed. Despite initial doubts about the script, his appearance became a major hit, leading to the successful spinoff Mork & Mindy and launching him toward superstardom.

Far Out ·Jul 2026

The flop 1985 movie Ethan Hawke called “the best thing that ever happened”

Ethan Hawke reflects on the commercial and critical failure of his 1985 debut film Explorers, describing the experience as beneficial for grounding him early in his career. Despite strong expectations due to Joe Dante’s prior success and major visual effects talent, the film struggled because of storytelling issues, rushed production, and competition from Live Aid and Back to the Future. Hawke credits the flop with teaching him not to believe industry hype, a lesson that preceded his eventual breakthrough in Dead Poets Society.

Far Out ·Jul 2026

The 1997 movie that convinced Sylvester Stallone he was done for

Sylvester Stallone viewed his acclaimed 1997 film Cop Land as a career death sentence despite strong reviews and solid box office returns, believing its modest financial performance confirmed his decline after a series of commercial and critical failures. The film showcased his acting abilities, but Stallone interpreted its impact negatively, convinced his career was fading. Despite this, he continued working through further poorly received films until Rocky Balboa revived his standing in 2006.

Far Out Magazine ·Jul 2026

The 2017 movie character Woody Harrelson called Marlon Brando meets Donald Trump

Woody Harrelson revealed that his 2017 War for the Planet of the Apes character drew unintentional parallels to both Marlon Brando and Donald Trump, noting similarities to Brando’s Apocalypse Now role and Trump’s wall-building rhetoric. Although Harrelson did not plan the comparison, he acknowledged the connections, as the film’s antagonist builds a massive wall and carries traits reminiscent of both figures. The article highlights the coincidental nature of the parallels and touches on broader cultural references tied to the actors mentioned.

Far Out ·Jul 2026

The 1965 movie that tragically killed James Stewart's stand-in

James Stewart’s 1965 film The Flight of the Phoenix required hazardous aerial scenes that were performed by veteran stunt pilot Paul Mantz, who flew a specially built Tallmantz Phoenix P‑1. After several successful test flights, Mantz was killed when the aircraft crashed during filming, leading the production to memorialize him in the credits as a skilled pilot who died contributing to the movie.

Far Out Magazine ·Jul 2026

The 2002 sex scene that almost killed Halle Berry

Halle Berry revealed that she nearly choked to death during a sex scene with Pierce Brosnan in Die Another Day when a fig lodged in her throat, prompting him to perform the Heimlich. The article traces her career trajectory around that period, highlighting major roles and the mixed reception of some films, while noting Brosnan’s real-life heroics and Berry’s appreciation for him.

Far Out ·Jul 2026

The 1937 "big mistake" movie that made John Wayne "beg for mercy"

John Wayne’s attempt in the late 1930s to break free from his western image backfired when a string of low-budget non‑western films failed both critically and commercially. After distancing himself from Republic Pictures to pursue diverse roles, he instead lost standing in Hollywood and struggled to find quality work. Facing diminishing opportunities and financial pressure, he ultimately returned to Republic on reduced terms, where he was placed in the ‘Three Mesquiteers’ series he disliked, marking a humbling turning point in his early career.

Far Out Magazine ·Jul 2026

The greatest movie star in Hollywood history, according to Al Pacino

Al Pacino reflects on what defines a true movie star, arguing that the quality is largely innate and most perfectly embodied by Cary Grant, whom he praises for his charisma, persona and iconic status. He contrasts classic Hollywood stardom with the modern era, naming Leonardo DiCaprio and George Clooney as contemporary examples but maintaining that none match Grant’s timeless appeal.

Far Out ·Jul 2026

The 2014 movie that gave John Goodman the best time of his career

John Goodman reflects on his career with characteristic self-criticism but highlights his work with the Coen brothers and particularly George Clooney’s 2014 film The Monuments Men as standout experiences. Despite the movie’s poor performance, Goodman recalls having an exceptionally good time on set and praises Clooney’s character and leadership. The rare positivity underscores how much he enjoyed the project compared with his usual discomfort revisiting his own work.

Far Out ·Jul 2026

The classic 1990 movie Will Smith was almost sued into starring in

Will Smith and Jazzy Jeff were nearly contractually compelled to star in the 1990 film House Party after New Line Cinema won a copyright lawsuit over their track A Nightmare on My Street, which had used unauthorized samples from A Nightmare on Elm Street. As part of the settlement, the duo could reduce what they owed by acting in two New Line films, and House Party was the first offered. Both declined despite the roles being tailored to their personas, and director Reginald Hudlin was hesitant to cast them given their lack of genuine interest. The film ultimately launched Kid ’n Play while The Fresh Prince of Bel‑Air later launched Smith’s acting career.

Far Out Magazine ·Jul 2026

The one and only actor Billy Bob Thornton was scared to death of

Billy Bob Thornton reveals that despite having many unusual phobias, the only actor who truly intimidated him was his friend and mentor Robert Duvall. Their longstanding professional relationship included multiple collaborations, and although Thornton admired Duvall deeply, he remained anxious about earning his approval. Anecdotes from their friendship highlight Duvall’s blunt demeanor, which contributed to Thornton’s lingering fear despite the mutual respect underlying their work together.

Far Out ·Jul 2026

The "phony" 1997 sci-fi movie John Carpenter called "outrageous"

John Carpenter praised Paul Verhoeven’s 1997 film Starship Troopers as an outrageous yet beloved sci-fi movie, acknowledging its intentionally phony visual effects and satirical critique of militarism and propaganda. The article situates the film within a strong year for science fiction cinema and highlights its growing recognition as an influential work despite mixed reactions at release.

Far Out Magazine ·Jul 2026

The 2000s movies Stephen King called "exceptionally bad"

Stephen King singled out Gigli and Freddy Got Fingered as exceptionally bad 2000s films, aligning with their poor critical reception and multiple Razzie wins. Both movies are characterized as catastrophic failures, with Gigli nearly derailing Ben Affleck’s career and Freddy Got Fingered developing a cult following despite widespread condemnation.

Far Out Magazine ·Jul 2026

The X-rated 2017 role Megan Fox refused to play

Megan Fox declined a 2017 HBO role due to its graphic sexual content, citing concerns about objectification and her desire to avoid roles she wouldn’t want her children to see. The role was likely connected to David Simon’s series The Deuce, which depicted the rise of the 1970s porn industry and later starred Maggie Gyllenhaal. The article contrasts Fox’s choice with notable highs and lows in her acting career, highlighting her selective approach to roles involving sexualisation.

Far Out Magazine ·Jul 2026

Nipple covers, body tape, and the love scene that made a ‘Bond girl’ fear the worst

Rosamund Pike recounts an awkward filming moment during a love scene with Pierce Brosnan in Die Another Day, initially believing she was accidentally waxing his chest due to tape and nipple covers picking up hair. The misunderstanding was later revealed to be caused by the fake fur on the set’s bedding. The anecdote is paired with a reminder of another on‑set mishap involving Halle Berry choking on a fig while filming her own scene with Brosnan.

Far Out ·Jul 2026

The 1975 co-star Burt Reynolds was said was "cheated out of an Academy Award"

Burt Reynolds argued that Liza Minnelli was deprived of an Academy Award due to director Stanley Donen altering the original ending of the 1975 film Lucky Lady. The revised finale removed a darker conclusion and excluded Minnelli from reshoots, which Reynolds believed cost her a Best Actress win. Despite his defense, the film was critically panned, received no Oscar nominations, and Minnelli’s performance was not considered competitive against that year’s winner, Louise Fletcher for One Flew Over the Cuckoo’s Nest.

Far Out ·Jul 2026

Gillian Anderson's guilty pleasure is a "painful" 2003 movie

Gillian Anderson cites Tommy Wiseau’s The Room as a guilty pleasure, calling it painfully enjoyable despite its reputation as a famously bad film. She also praises David Lean’s A Passage to India, though its critical acclaim makes it an unconventional choice for the category. The Room’s enduring cult status is highlighted, contrasting its flaws with the comedic value audiences have embraced over two decades.

Far Out Magazine ·Jul 2026

The 2015 movie Christopher Nolan wanted nothing to do with

Christopher Nolan expressed that he would avoid directing a Star Wars film, stating the franchise carries expectations too great for his comfort. Despite his admiration for the original movies and his success across genres including sci‑fi, he prefers developing original work rather than shouldering intense fan scrutiny. The article contrasts his style with filmmakers who have handled Star Wars, noting the tonal demands of the series and why certain directors were more or less suited to it.

Far Out Magazine ·Jul 2026

The polarising musician who can't stand Tom Hanks for one reason

Darius Rucker, frontman of Hootie & the Blowfish, expressed anger over the group’s omission from the CNN docuseries The Nineties, produced by Tom Hanks’ Playtone, leading him to direct harsh criticism toward Hanks. Despite the series covering wide-ranging 1990s musical acts, Rucker felt his band’s hit album Cracked Rear View warranted mention. The article contrasts Rucker’s reaction with Hanks’ longstanding positive reputation and concludes that the complaint appears to stem from resentment rather than oversight.

Far Out Magazine ·Jul 2026

The furious director who told Mike Myers to kiss my big fat white butt

Mike Myers’ potential return to major film roles has resurfaced long-standing accounts of his difficult on‑set behavior, highlighted by director Penelope Spheeris’ condemnation of his portrayal of creative disputes during Wayne’s World. Spheeris rejected Myers’ claims that he fought to keep Queen’s Bohemian Rhapsody in the film, calling his account false and expressing frustration over their strained working relationship. The article revisits ongoing tensions, Myers’ career hiatus, and the renewed attention from upcoming projects like Shrek 5 and a possible fourth Austin Powers film.

Far Out Magazine ·Jul 2026

The flop 1979 comedy Stanley Kubrick loved for all the wrong reasons

Stanley Kubrick admired Steven Spielberg’s 1979 flop 1941, telling Spielberg he found it great despite not finding it funny. The film, which went significantly over budget and schedule after the director’s earlier major successes, became his first major misfire. Though Spielberg later expressed regret over the troubled production, Kubrick’s unexpected appreciation of the World War II-era farce offered a surprising silver lining.

Far Out Magazine ·Jul 2026

The iconic 1993 role Harrison Ford only reprised as a favour for a friend

Harrison Ford briefly reprised Indiana Jones in a 1993 episode of The Young Indiana Jones Chronicles as a personal favour to George Lucas, despite initial reluctance tied to other actors portraying the character. His cameo, his first TV appearance in nearly two decades, delivered the series’ highest ratings but ultimately could not prevent the show’s cancellation due to high costs and modest overall viewership.

Far Out Magazine ·Jul 2026

Is Ryan Gosling to blame for the sexualisation of 21st-century pop music?

Ryan Gosling reflects on whether conversations he had with Britney Spears and Christina Aguilera during their shared Disney days may have indirectly contributed to the heightened sexualisation that later defined their early-2000s pop personas. He recalls being a questionable influence at a young age, joking that their provocative performances sometimes make him wonder if he played a part. The article contrasts his modest music career with the massive cultural impact of his former castmates while noting his uncertainty about how much influence he truly had.

Far Out Magazine ·Jul 2026

The controversial 2014 movie moment Eva Green defended as "really sexy"

Eva Green defended a promotional poster for Sin City: A Dame to Kill For after the MPAA banned it for showing the curve of her underbust through a sheer gown. She called the reaction excessive, noting that far more violent material is accepted without controversy. Green described the image as beautiful and sexy but expressed concern about being typecast as a femme fatale, hoping audiences would see her range beyond such roles.

Far Out Magazine ·Jul 2026

The 1965 Disney movie masterpiece Kurt Russell couldn’t stand

Kurt Russell’s blunt reaction to an early, unfinished cut of Mary Poppins prompted Walt Disney to rethink the film’s appeal, directly inspiring the addition of the iconic penguins sequence. As a young actor closely connected to Disney, Russell’s honesty influenced last‑minute creative decisions that helped shape the final version of the 1965 classic, a film now considered unimaginable without the scene his comments helped bring about.

Far Out Magazine ·Jul 2026

The 1984 comedy movie Roger Ebert called "the absolute pits of this genre"

Roger Ebert’s scathing review of the 1984 comedy Police Academy condemned the film as the lowest point of its genre, awarding it zero stars and calling it the “absolute pits” of comedy. Despite strong box-office success and multiple sequels, Ebert viewed the film as an example of how poorly executed humor can fail entirely. His criticism reflected a broader disdain for sophomoric comedies throughout his career, though later reviews of films like Freddy Got Fingered suggested Police Academy did not remain his lowest benchmark indefinitely.

Far Out Magazine ·Jul 2026

The 1985 lie that almost cost Matt Damon his career

A young Matt Damon damaged his early reputation when he lied about being able to ice‑skate for a 1985 segment on the Boston TV show Use Your Smarts, resulting in him being knocked unconscious and costing the production additional money. The incident marked his first paid acting job and nearly undermined future opportunities before his later breakout roles.

Far Out Magazine ·Jul 2026

The 1992 movie scene Ron Howard called his career's finest hour

Ron Howard highlights a climactic scene in Far and Away as the most personally meaningful of his career, recalling the scale of its practical production and its connection to his ancestors who participated in the 1893 Land Run. Despite broader acclaim for Apollo 13, the sequence remains his most cherished filmmaking experience, combining emotional resonance with professional achievement.

Far Out ·Jul 2026

The 1978 role Harrison Ford will always regret

Harrison Ford continues to repudiate the 1978 Star Wars Holiday Special, dismissing any memory of the production and wishing it would be forgotten. The special’s low quality and lack of official release have contributed to its cult status among fans. George Lucas shares Ford’s desire to bury the project, yet attempts to suppress it have only amplified interest in the peculiar early franchise relic.

Far Out Magazine ·Jul 2026

Nicolas Cage reveals which mythological cryptid is most likely to be real

Nicolas Cage dismisses the likelihood of most well‑known cryptids, arguing that creatures such as Bigfoot, Yetis and the Loch Ness Monster would have produced stronger evidence if they existed. He attributes many sightings to misidentified animals, suggesting Bigfoot would have been documented by now, Yetis are typically bears, and Nessie is likely a giant eel. While acknowledging that some animals once considered mythical, like gorillas and coelacanths, proved real, he remains sceptical overall. The Chupacabra is the only creature he grants slight plausibility, proposing it is probably a diseased or rabid dog.

Far Out ·Jul 2026

Why Stanley Tucci can't stand method acting

Stanley Tucci criticizes method acting as indulgent and unnecessary, arguing that performers should detach from their roles and focus on storytelling rather than personal immersion. He contrasts successful method performances with extreme or misguided attempts, citing actors like Jared Leto and Aaron Eckhart. Tucci maintains that acting is ultimately pretend and warns that fully inhabiting a role can damage personal life, adding his voice to those who view method acting as ego-driven rather than essential.

Far Out ·Jul 2026

The 2001 cult classic Roger Ebert confessed he was wrong to hate

Roger Ebert initially gave Zoolander a harsh one-star review influenced by the context of 9/11 and concerns over its assassination plot and digitally altered New York skyline. Years later he apologized directly to Ben Stiller, acknowledging he had overreacted. The film has since become widely appreciated as a cult favorite, in contrast to its poorly received sequel.

Far Out ·Jul 2026

The 1981 Saturday Night Live star who only lasted one episode

Laurie Metcalf’s brief 1981 tenure on Saturday Night Live resulted from the show’s chaotic transition period marked by leadership changes and a writers’ strike that ended the season early. Her single appearance, a pre-taped Weekend Update segment, made her the shortest-tenured cast member in the show’s history. Despite the setback, she went on to build a highly successful film and television career, earning major award nominations and wins over the next several decades.

Far Out Magazine ·Jul 2026

The 2014 movie that refused to bring Jack Nicholson out of retirement

Jack Nicholson explored a return to acting through discussions with David Dobkin and Robert Downey Jr for the 2014 film The Judge, but the filmmakers declined after he requested substantial script changes that conflicted with their creative vision. Nicholson’s interest ultimately led them to cast Robert Duvall, who earned an Oscar nomination. Nicholson’s long absence from acting, past unrealized projects, and reputation for awards-worthy performances frame speculation about whether he might ever return to the screen.

Far Out Magazine ·Jul 2026

The 1950 masterpiece Clint Eastwood called the greatest movie ever made

Clint Eastwood identifies Billy Wilder’s 1950 film Sunset Boulevard as his favourite movie and the greatest ever made, praising the contrast between silent‑era and contemporary acting styles and highlighting its iconic final close‑up. The article contrasts Eastwood’s view with his other strong opinions on films while noting the enduring stature of Wilder’s noir classic, which he has admired since its original release.

Far Out Magazine ·Jul 2026

The 2001 co-star who couldn't stand Steven Seagal: "He's an asshole"

DMX’s harsh criticism of Steven Seagal during their work on the 2001 film Exit Wounds contrasts sharply with Seagal’s praise of the rapper. The article highlights Seagal’s long-standing reputation for alienating colleagues, his political alignment with Russia, and his upcoming return in Order of the Dragon after years off-screen. Despite their animosity, Seagal and DMX collaborated again in 2019’s Beyond the Law, underscoring Seagal’s ongoing ability to secure projects despite widespread industry disdain.

Far Out Magazine ·Jul 2026

The 2006 role Billy Bob Thornton was born to play

Billy Bob Thornton considered his lead role in the 2006 film The Astronaut Farmer the fulfillment of a long-held ambition, describing it as the type of character he had always wanted to portray. Despite his varied career and efforts to avoid typecasting, the film performed poorly at the box office, similar to his earlier project The Alamo. Nonetheless, Thornton viewed the role positively, seeing it as a chance to capture the earnest, inspirational tone he had admired in classic Jimmy Stewart films.

Far Out ·Jul 2026

The one and only movie Ron Howard was adamant he’d never make

Ron Howard explored nearly every film genre but remained firm that he would never direct an Arrested Development movie despite his long involvement with the series as narrator and actor. Although a film adaptation was repeatedly discussed by the creative team, the project never materialised, with Jason Bateman later suggesting interest had faded. Howard’s stance ensured he would not be attached to the abandoned movie even if it had moved forward.

Far Out Magazine ·Jul 2026

The 1985 Christopher Walken role David Bowie refused to play

David Bowie declined the role of Bond villain Max Zorin in A View to a Kill, dismissing it as requiring a clownish performance. Christopher Walken was later offered the part and accepted before ultimately exiting, paving the way for John Lithgow. The article reflects on what Bowie’s version might have been like, compares Walken’s portrayal to other iconic Bond villains, and notes additional casting shifts involving Priscilla Presley and Tanya Roberts during the film’s production.

Far Out Magazine ·Jul 2026

Bill Hader's bizarre 2007 meeting with Tom Cruise

Bill Hader recalls a 2007 encounter in which Tom Cruise energetically reacted to his brief Seth Rogen impression, seemingly recognizing him only after the performance. The story references a prior meeting in which Cruise introduced Rogen and Judd Apatow to Scientology, suggesting Cruise had been pre‑briefed on Hader ahead of their interaction. The anecdote highlights Cruise’s eccentric energy while confirming Hader’s role on Saturday Night Live and his involvement with the cast of Tropic Thunder.

Far Out ·Jul 2026

The movie director who couldn’t stand working with Dolly Parton

Dolly Parton recalled director Herbert Ross being unusually harsh toward her during the filming of Steel Magnolias, telling her she couldn’t act. Parton responded that she was hired for her personality, not dramatic range, noting that a capable director should make her performance work. Accounts from co‑stars described Ross as difficult, with Julia Roberts also receiving intense criticism, leading the cast to support her. Testimony from those involved depicts Ross as the source of on‑set conflict rather than the actors.

Far Out Magazine ·Jul 2026

The classic 1969 movie Harrison Ford was banned from starring in

Harrison Ford was originally chosen by Jacques Demy to star in the 1969 film Model Shop, but Columbia Pictures vetoed the casting, arguing the inexperienced actor was not worth the cost. The role ultimately went to Gary Lockwood. The decision delayed Ford’s career momentum, leaving him without a significant onscreen part until several years later, though it did not prevent his eventual breakthrough with Star Wars. The film later gained recognition as a quiet classic influential to modern directors.

Far Out ·Jul 2026

The iconic 1960s TV show Quentin Tarantino can't stand

Quentin Tarantino’s well‑known admiration for classic 1960s and 1970s television does not extend to the long‑running series Hawaii Five‑O, which he dismissed after being briefly considered for a film adaptation in the early 2000s. Despite enjoying several other shows from the era and having directed and acted in various television projects, he stated that he found the original Hawaii Five‑O unwatchable and expressed no interest in participating in a movie version.

Far Out Magazine ·Jul 2026

The rejected Stanley Kubrick prop that became a 1977 monument to the Queen

A rejected transparent acrylic monolith originally built for Stanley Kubrick’s 2001: A Space Odyssey was later repurposed by artist Arthur Fleischmann into a monument for Queen Elizabeth II’s Silver Jubilee in 1977, featuring a carved crown and sunbeams and unveiled at St Katharine Docks in London. The unused prop, produced by Stanley Plastics before Kubrick switched to the film’s iconic black monolith design, became the basis for the sculpture after years in storage following MGM’s backlot closure.

Far Out Magazine ·Jul 2026

Michael Caine's 2011 spiritual 'Italian Job' sequel "blew every door off"

Michael Caine reflects on his long history with sequels, contrasting well-regarded franchise work with notoriously poor follow-ups and remakes. He playfully claims his Cars 2 character Finn McMissile outperforms famous spies played by Sean Connery and Roger Moore and invokes The Italian Job when joking that the film "blows every bloody door off." Despite the connection, Cars 2 is characterized as Pixar's weakest effort, whereas The Italian Job remains one of Caine's most iconic works.

Far Out Magazine ·Jul 2026

The humiliating 1928 scene that almost ended John Wayne's career

A botched silent scene in the 1928 film Hangman’s House nearly ended John Wayne’s career when director John Ford reacted angrily to the young actor repeatedly laughing during a serious take. An assistant director later intervened, persuading Wayne to stay hidden until Ford cooled off, allowing him to return and complete the scene. The incident preceded a long and defining professional partnership between Wayne and Ford, illustrating how a single moment nearly derailed the future Hollywood icon’s career.

Far Out Magazine ·Jul 2026

The 1980 director Bill Murray couldn't stand working with

Bill Murray’s long history of contentious collaborations is highlighted through his difficult working relationship with Art Linson on the 1980 film ‘Where the Buffalo Roam’. Murray described Linson as inexperienced and reliant on cocaine during production, leading to ongoing disagreements and dissatisfaction with changes to his narration in the final cut. The article places this conflict within a broader pattern of Murray’s turbulent interactions with directors throughout his career, contrasting it with the strong personal connection he formed with Hunter S. Thompson, whose life the film portrayed.

Far Out Magazine ·Jul 2026

The 1964 movie scene Jim Carrey called the funniest of all time

Jim Carrey highlights a pool table gag from Peter Sellers’ 1964 film A Shot in the Dark as the funniest scene he has ever seen, crediting Sellers as a major influence on his own physical comedy. The article explores Sellers’ lasting impact on generations of comedians and Carrey’s early fascination with slapstick performance.

Far Out ·Jul 2026

The iconic 1980s role Kurt Russell has no problem being replaced in

Kurt Russell remains protective of his Snake Plissken character from Escape from New York but is open to someone like Dwayne Johnson taking over his role as Jack Burton in Big Trouble in Little China. While he accepts that remakes are part of Hollywood, he maintains that some classics, especially Carpenter’s work, already stand on their own and do not need updating.

Far Out Magazine ·Jul 2026

The 2006 co-star who dreaded working with Sharon Stone

Sharon Stone’s long-standing reputation in Hollywood is revisited through accounts surrounding the troubled production of Basic Instinct 2. The article highlights her history of being labeled difficult despite her advocacy for gender equality and includes contrasting views from co-stars David Thewlis, who criticized the film and expressed relief at avoiding conflict with her, and David Morrissey, who described a positive working relationship. The piece also recounts Stone’s efforts to support Leonardo DiCaprio early in his career and outlines the production and critical failures that plagued the sequel.

Far Out Magazine ·Jul 2026

The shockingly racist 1990 comedy Denzel Washington “needed” to make

Denzel Washington’s follow‑up to his acclaimed performance in Glory, the 1990 film Heart Condition, is examined as a career misstep marked by overt and casual racism and considered the worst‑reviewed movie of his career. Despite Washington’s initial enthusiasm for exploring a comedic role, the film’s reception pushed him away from comedy for decades. The article highlights how the film’s racial humor and poor execution transformed it into a notorious low point for the actor.

Far Out Magazine ·Jul 2026

The “frightening” 1996 role that followed Robin Williams home

Robin Williams described his disturbing experience playing a sociopathic bomber known as The Professor in the 1996 film The Secret Agent, noting it was the only role that lingered with him after filming. The character’s dark mindset began affecting his demeanor at home, prompting his family to urge him to disengage. Williams also revealed that the role was unsettlingly admired by Theodore Kaczynski. He ultimately shed the persona to avoid bringing its frightening qualities into his personal life.

Far Out ·Jun 2026

The 1974 Paul Newman movie Quentin Tarantino can't stand

Quentin Tarantino criticises the Paul Newman‑led blockbuster The Towering Inferno, arguing that it reflects a period when Hollywood prioritised spectacle over storytelling and comparing 1970s disaster films unfavourably to modern superhero movies. While acknowledging the film’s commercial success and award recognition, he calls it shockingly poor, though the article notes that most viewers regard it as an enjoyable classic. The contrasting perspectives highlight the enduring divide over the film’s legacy and Tarantino’s tendency to challenge mainstream consensus.

Far Out Magazine ·Jun 2026

The most unconvincing action hero of the 2000s, according to Sylvester Stallone

Sylvester Stallone criticized Orlando Bloom as an unconvincing representative of 2000s action heroes, contrasting him with a long list of established genre stars who appeared in the Expendables films. Stallone’s remarks highlighted his return to traditional action roles with the 2008 Rambo sequel and expressed frustration with what he saw as a decline in authentic action heroes. The article argues that Bloom was never truly positioned as an action lead, despite roles in major franchises, and remained far removed from inheriting the action-star mantle Stallone values.