Photographer Thomas Freteur's journey began with a Hasselblad camera gifted by his grandfather, leading him to explore various regions and cultures. His award-winning series 'The Faithful' captures the spiritual significance of Ti Pinsik in rural Haiti, a site transformed into a place of worship by Pastor Washington. The article draws parallels between Freteur's personal experiences and the communal faith observed in Haiti, highlighting the universal quest for answers and spiritual connection.

The article delves into the historical injustices faced by mixed-race children under Belgian colonial rule in Congo and Rwanda. It recounts personal stories of abduction, abuse, and forced separation from families, highlighting the long-lasting trauma and ongoing quest for justice. Despite some recent efforts by Belgium to address its colonial past, including a parliamentary resolution and archival research, the victims continue to face significant challenges. Legal battles for reparations are ongoing, with advocates pushing for recognition and compensation for the atrocities committed.

Belgian photographer Thomas Freteur, after moving to New York in 2017, became intrigued by the psychics behind the ads he found in subway cars and began a photo series called 'New York Psychics'. The series is part of a larger study on spirituality and aims to portray individuals who believe in their psychic abilities. The article describes the stories of several psychics, including Paul Beaudet, who came out as gay and began his career as a spiritual minister; Marge Othrow and Emily Grote, a medium and her protégé; and Nikenya Hall, an energy healer and intuitive consultant. Freteur's work captures the diversity of New York's psychics, who despite their unique backgrounds, share a commonality in their profession and the skepticism they often face.

Klompching Gallery and LensCulture present the laureates of the 2017 LensCulture Emerging Talent Awards, showcasing 50 photographs selected from submissions by photographers in over 160 countries. The exhibition features serious documentary and photojournalism projects, as well as aesthetic explorations of light, color, form, and texture.

Lakou Mizik, a Haitian band formed after the 2010 earthquake, unites nine musicians to convey a message of strength and resilience. The band combines traditional and modern instruments, including rara horns and multiple vocalists. In a World Cafe session, Steeve Valcourt discusses their new album, Wa Di Yo, and the band's cultural significance is emphasized.