Idiomas
Afrikaans
English
Reservas completadas
18
Tasa de éxito de reservas
100%
Suele responder
Within a day
¿Quieres un perfil como este?
Únete a miles de profesionales de prensa que usan journalist.net para mostrar su trabajo y ser contratados por los principales medios.
Empezar
Mira cómo funciona
Conecta a través de Journalist.net
1
Profesionales verificados
Cada periodista de esta plataforma ha sido verificado manualmente por nuestro equipo de Londres. Estás conectando con un profesional de prensa confirmado.2
Interacción protegida
Protegemos los datos de contacto de los periodistas y proporcionamos cobertura de seguro para todas las reservas. Ambas partes trabajan con confianza y seguridad.3
Pago seguro
Los pagos se mantienen en depósito y se liberan cuando se entrega el trabajo. A los periodistas se les garantiza el pago; los clientes dan su aprobación antes de que se finalicen los fondos.¿Aún tienes preguntas?
Consultar preguntas frecuentesAbout Isa-Lee
Soy cineasta documental, productor y periodista de investigación con base en Ciudad del Cabo, Sudáfrica. Los documentales que he producido para la BBC incluyen "The Apartheid Killer" y "White Asylum: America's South African Refugees". He producido videos para Habitat for Humanity y Voice of America a través de este sitio. Mi sitio web puede verse en ****. Grabo y edito personalmente y poseo mi propio equipo de cámara. Además de Sudáfrica, he filmado en Mozambique, Malaui, Zimbabue, Kenia, Lesoto y Tanzania.
Portafolio
In February 2025, US President Donald Trump signed an executive order offering prioritised refugee status to Afrikaner farmers hoping to escape what he described as a “genocide” in South Africa.
With America’s 2026 refugee intake capped at just 7,500 people, President Trump’s move to prioritise resettlement of white South African farmers reignited global controversy when he referenced widely disputed claims of forced appropriation of land and a “genocide” against white farmers - claims amplified online by South Africa’s richest man, Elon Musk.
#BBCAfricaEye reporter Claire Mawisa travels to South Africa’s Free State to uncover the truth behind these claims. She meets farmers fearing for their lives after brutal attacks, and others who insist the “white genocide” narrative distorts a far more complex story of crime, inequality, and fear that spreads across races and classes.
In the late 1980s, private security guard Louis van Schoor fatally shot dozens people in the South African city of East London. All of his victims were black. The youngest was just 12 years old.
It is a bloodbath that places Van Schoor among the most prolific killers in history. He was caught and arrested in 1991. But with many of his shootings signed off by local police as ‘justifiable homicides,’ he would receive a shockingly light sentence - serving only 12 years in jail. Decades have past, but the relatives of his victims have never found closure.
How many people did Van Schoor really kill? And who else was involved?
It's been thirty years since the white supremacist apartheid regime crumbled. The unresolved trauma of this time has cast a long shadow across a nation.
In piecing together the story of Van Schoor, this #BBCAfricaEye investigation exposes the disturbed past and racial injustices of South Africa itself.
Thousands of homes are destroyed by fire in informal settlements every year. This is what inspired Capetonian engineer, Francois Patousis, to invent a new fire detector for shacks.
The sale of a school in a wealthy Cape Town suburb brings the need for affordable housing close to the city centre into the spotlight. This 3 minute 30 sec film was made for Voice of America.
A film made in Mozambique in 2016 for the Egmont Trust. In 2007 The Egmont Trust, a UK-based charity that helps children in Africa living with HIV and AIDS, began funding Meninos de Moçambique, an organisation that supports street children in Maputo. This film follows the life story of Aida, a young woman who was once a street child herself and who Meninos helped. It was commissioned by Egmont in 2016 and is being used as a fundraising film.
Photo taken in Kauma informal settlement, Lilongwe, Malawi, on assignment with Habitat for Humanity